Lovely Lady 1927

Audience of One Productions’ stunning Anastasia, now onstage through December 10, is the perfect gateway: Beautifully directed with professionalism and a cinematic flair by Angie Dee, the romantic and historical musical is strikingly performed, emphatically sung and lyrically danced.

For those of us for whom she represents more than kitsch, this album is an essential.

'Good Vibrations'? 'California Girls'? 'I Get Around'? See where your favorite Beach Boys songs land on the list!

Having to sing Golden age for an audition? No idea where to start! Here is My Top 5 Golden Age Tunes for Auditions!

Thornton Wilder's OUR TOWN just went into my books as one of the most heartfelt plays I've seen. Bellevue Little Theatre outdid themselves with this deceptively simple, meta-theatrical three-act production.

Based on the 1997 animated film 'Anastasia', Anastasia the New Broadway Musical, bowing on broadway in 2017, is an entertaining whirlwind of sight and sound. It will make you laugh and cry. You will undoubtedly leave the theatre with a lasting impression of grande theatricality and how it weaves its magic into our humdrum lives. Plus, it is based on fact. Currently onstage at the Hollywood Pantages until October 27 only, this Anastasia has the makings of a great big hit.

Downton Abbey opened nationwide on September 20, 2019. Let's see what the critics are saying...

In 2017, the Broadway musical version of Anastasia (which opened at Hartford Stage nice months earlier), based on the 1997 film, featuring music by Stephen Flaherty, lyrics by Lynn Ahrens and a book by Terrence McNally debuted to much fanfare, and now Nashville audiences are in the thrall of the cast and crew of the national touring company, onstage at Tennessee Performing Arts Center's Andrew Jackson Hall through Sunday, March 24.

During the first half of the 20th Century, there was no artist as important to the development of American musical theatre from strictly light entertainment to a legitimate dramatic art form that addressed controversial issues and exposed the country's uglier norms than bookwriter and lyricist Oscar Hammerstein II.

Word for Word closes the 2015 Season with Word for Word's HOLIDAY HIGH JINX -- Bums, Broads and Broadway: Stories by Damon Runyon, Joseph Mitchell, and E.B. White, opening tonight Saturday Nov. 28, 8pm (Press opening) and run through December 24, 2015 at Z Below in San Francisco's Mission/SOMA district.

Word for Word closes the 2015 Season with Word for Word's HOLIDAY HIGH JINX -- Bums, Broads and Broadway: Stories by Damon Runyon, Joseph Mitchell, and E.B. White, to open on Saturday Nov. 28, 8pm (Press opening) and run through December 24, 2015 at Z Below in San Francisco's Mission/SOMA district.

Today we are revisiting the very best theatre-related items released in 2014 in honor of the holiday shopping season being upon us.

All aboard! The Cotton Blossom has docked at Lincoln Center for this week only. Wednesday night, the New York Philharmonic opened its semi-staged production of Show Boat. Featuring a star-studded cast, the Philharmonic's short run of this American masterpiece is not to be missed.

This classic, big Broadway musical did not disappoint with its big cast, big sets, and bigger voices!

Houston Grand Opera opened their Winter Repertory offerings with an impressive and rousing production of Jerome Kern and Oscar Hammerstein II's iconic book musical SHOW BOAT. The musical historically changed the face of American Musical Theatre and introduced a genre of entertainment that many feel OKLAHOMA perfected and solidified. Despite it's classification as a musical, the show's score is incredibly operatic and requires many classically trained voices to effectively pull off a production.

Rob Ruggiero returns to Goodspeed Musicals to steer SHOW BOAT, the granddaddy of all musicals, through safe waters.

The Relevant Stage presents the Broadway classic 'Kiss Me, Kate' choreographed by Marisa Martinez and Keenon Hooks, with costume design by Kara McLeod, February 17 - 28 runs Thursdays and Fridays at 8 p.m., Saturdays at 2:30 and 8:00 p.m. and Sundays at 2:30 and 7:00 p.m. at The Warner Grand Theatre 478 West Sixth Street, San Pedro. General admission tickets are: $20 adult, $15 senior (55+)/college student, and $5 18 and under; prestige seating (first five rows, reserved seat) $30 adult, $25 senior/college student, and $10, 18 and under. Tickets are available at Williams Book Store in Downtown San Pedro, or online at therelevantstage.com or 1-800-838-3006.

Soprano Lisa Delan, pianist Kristin Pankonin, cellist Matt Haimovitz and mezzo-soprano Zheng Cao present a rich and varied collection of art songs by living American composers entitled AND IF THE SONG BE WORTH A SMILE: AN EVENING OF AMERICAN SONG, Friday, May 21, 2010 at 8 p.m. at The Allen Room in Frederick P. Rose Hall, home of Jazz at Lincoln Center, Broadway at 60th Street.

Soprano Lisa Delan, pianist Kristin Pankonin and cellist Matt Haimovitz, present a rich and varied collection of art songs by living American composers entitled AND IF THE SONG BE WORTH A SMILE: AN EVENING OF AMERICAN SONG, Friday, May 21, 2010 at 8 p.m. at Rose Theater in Frederick P. Rose Hall, home of Jazz at Lincoln Center, Broadway at 60th Street.

Soprano Lisa Delan, pianist Kristin Pankonin, cellist Matt Haimovitz and mezzo-soprano Zheng Cao present a rich and varied collection of art songs by living American composers entitled AND IF THE SONG BE WORTH A SMILE: AN EVENING OF AMERICAN SONG, Friday, May 21, 2010 at 8 p.m. at The Allen Room in Frederick P. Rose Hall, home of Jazz at Lincoln Center, Broadway at 60th Street.

Soprano Lisa Delan, pianist Kristin Pankonin and cellist Matt Haimovitz, present a rich and varied collection of art songs by living American composers entitled AND IF THE SONG BE WORTH A SMILE: AN EVENING OF AMERICAN SONG, Friday, May 21, 2010 at 8 p.m. at Rose Theater in Frederick P. Rose Hall, home of Jazz at Lincoln Center, Broadway at 60th Street.

The classic musical political satire gets a fast and funny re-mounting