Lady Alone 1927

Mary Shelley's shocking classic novel, Frankenstein, receives new life at Cleveland Play House. A haunting and highly theatrical adaptation of the classic horror story. Directed by Michael Barakiva, the production features Josh Bates, Madeline Calais, Ellen Grace Diehl, Gavin Michaels, and Kayodè Soyemi.

'Good Vibrations'? 'California Girls'? 'I Get Around'? See where your favorite Beach Boys songs land on the list!

On June 8th, when The Green Room 42 presents Being Present: Celebrating Alzheimer's and Brain Awareness Month, Jarrett Winters Morley will be in the Director’s chair, wearing his Producer’s hat, and leading the way with his Musical Director’s Baton.

The Broadway World Cabaret Award winner for Best Spoken Word show is back with a new format that is working for hostess Leola... and she is working for it, too.

When you think 'haunted houses' you probably don't picture the inside of a theatre. But with an over 100 year history, many of Broadway's most famous houses are positively teeming with reports of the supernatural.

Happy Gay Pride! BWW Reviewer Peter Nason chooses the 101 greatest LGBTQ songs and anthems from 1920-2020. See if your favorite songs or artists made the grade!

How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task.  Check out our full list here! 

During the first half of the 20th Century, there was no artist as important to the development of American musical theatre from strictly light entertainment to a legitimate dramatic art form that addressed controversial issues and exposed the country's uglier norms than bookwriter and lyricist Oscar Hammerstein II.

Working on William Wycherley's The Country Wife for its forthcoming production at Southwark Playhouse has revealed much about attitudes to sex, to gender equality, to social behaviour and to class. This is from a text written in 1675, but with themes that fill our broadsheets and tabloids. The recent #MeToo campaign and the blatant misogyny and gender imbalance with regards equality are, quite rightly, at the forefront of the news.

In a remarkable find, a previously unknown composition by Kurt Weill was recently discovered in a Berlin archive. The three-page manuscript in the composer's hand bears the peculiar title 'Lied vom wei en K se' ('Song of the White Cheese,' lyric by G nther Weisenborn).

In collaboration with the Recording Academy, GREAT PERFORMANCES presents GRAMMY Salute To Music Legends 2017, the second annual all-star concert offering a primetime spotlight for the Academy's 2017 Special Merit Awards recipients.

In collaboration with the Recording Academy, GREAT PERFORMANCES presents GRAMMY Salute To Music Legends 2017, the second annual all-star concert offering a primetime spotlight for the Academy's 2017 Special Merit Awards recipients.

The Recording Academy® will honor its 2017 Special Merit Awards recipients with an awards ceremony and live tribute concert on Tuesday, July 11, 2017, at The Beacon Theatre in New York City.

BROADWAY BY THE YEAR, the musical revue series created, written, directed, and hosted by Scott Siegel and which pays tribute to a different era of Broadway composers each program, is a stroke of brilliance. Occurring once a month, each evening is dedicated specifically to one decade of American musical theater, and features some of the most talented stars currently working in American musical theater. The series' most recent installment (and the first of 2017) on February 27 at its usual home, The Town Hall, paid tribute to the 1920s. The decade, which inducted into the theatrical cannon the likes of George and Ira Gershwin and Richard Rodgers, brims with melodically-rich scores including songs of yearning and joviality. The tunes selected for the evening certainly felt of their era; however, put into the hands of such skilled performers as Carolee Carmello, Beth Malone, and Robert Cuccioli (to name a few), they could be heard with fresh and non-cynical ears.

Maury Yeston, the composer and lyricist best-known for Nine and Titanic, visited the West End a few months before the West End opening of his new musical, Death Takes a Holiday. Based on a film (which was based on a play) this story tells of how Death changed his perspective. He used to not quite understand why everyone he came to collect was quite so aggrieved to die, until he met a particular woman who allowed him to realise quite what makes life worth clinging to. The side effect of Death's occupation being, though, that he can't collect anyone else while he's so distracted - Death the person and death the concept take a break!  Maury was kind enough to discuss his musical background, some of his better-known works and his latest venture for the stage.

The Old Laundry Theatre, Bowness-on-Windermere, in the heart of the Lake District, announces its exciting and diverse Autumn season including GRIFF RHYS JONES' first solo comedy tour with his brand new show Jones And Smith. ALAN AYCKBOURN directs the first major revival of his classic comedy Henceforward. And, as part of Beatrix Potter's 150th anniversary year, The Old Laundry Theatre presents a new adaptation of Eric Pringle's insightful play Meeting Bea.

SINGIN' IN THE RAIN is a marvellous blend of singing, dancing, celluloid snippets and 12,000 litres of recycled water.

A distinguished creative team has hit it big with a rousing, new, heart-warming version of ANASTASIA, premiering currently at the Hartford Stage Company. This show has appeal for romantics and history buffs and musical comedy fans and dance aficionados and features no fewer than four strong female figures for audiences to identify with; in short, it's a potential blockbuster, for all kinds of worthy reasons.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show. Thus, we are happy to present a new feature: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2015/16 season. We'll update the calendar every Monday, clearing out the shows that have closed and adding additional information on the shows still to come.

From tonight, June 11, through June 21, 2015, Houston Ballet will present John Cranko's staging of The Taming of the Shrew, a masterful choreographic depiction of Shakespeare's perpetually battling lovers, Petruchio and Katherina, and of Petruchio's determination to bend the feisty, independent-spirited and tempestuous Katherina to his will. Incorporating a stunning array of dramatic moods, virtuoso dancing and vivid characterization, The Taming of the Shrew conveys like no other ballet Shakespeare's wit, brilliant comic invention and sharp understanding of human character. Houston Ballet will give seven performances of The Taming of the Shrew at Wortham Theater Center in downtown Houston.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show. Thus, we are happy to present a new feature: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2015/16 season. We'll update the calendar every Monday, clearing out the shows that have closed and adding additional information on the shows still to come.

HOUSTON, TEXAS - From June 11-21, 2015, Houston Ballet will present John Cranko's staging of The Taming of the Shrew, a masterful choreographic depiction of Shakespeare's perpetually battling lovers, Petruchio and Katherina, and of Petruchio's determination to bend the feisty, independent-spirited and tempestuous Katherina to his will. Incorporating a stunning array of dramatic moods, virtuoso dancing and vivid characterization, The Taming of the Shrewconveys like no other ballet Shakespeare's wit, brilliant comic invention and sharp understanding of human character.  Houston Ballet will give seven performances of The Taming of the Shrewat Wortham Theater Center in downtown Houston. Tickets may be purchased by calling 713 227 2787 or by visiting www.houstonballet.org.