Ariadne 1925

Today (May 13) in live streaming: Ben Cameron counts down song about Spring, Laura Michelle Kelly sings Rodgers and Hammerstein and so much more!

Today (May 12) in live streaming: It's the Day of the Show Y'all with Spencer Glass, Ken Davenport chats with James Snyder and so much more!

Today (May 11) in live streaming: Join the BroadwayWorld Book club, JRB and Georgia Stitt visit Stars in the House and so much more!

With the history of ARIADNE AUF NAXOS as rich and complicated as the melodrama within itself, the reinvention presented by the Austin Opera this season is reminiscent of this Opera's rich history and beginnings. Premiering initially in 1912, Richard Strauss conceived a performance mixing the comedic style of Moliere' with the musically focused German-style melodrama opera. Appearing originally in two contrasting acts, the first begins as a play, and the second transitions into a full-fledged opera with comedic highlights. Historically, audiences were flustered in Munich and London by the contrasting art forms rolled into one night of entertainment - specifically, opera aficionados were loathe to sit through an entire act of a performance, before hearing the opera they were expecting in act two. After a variety of attempts with different versions and audience locations, Strauss' Libretto partner Hofmannsthal proposed a new first act be written to provide context on marrying the dramatization of operatic performance style with less prestigious but entertaining commedia dell'arte. Thus the second version of ARIADNE AUF NAXOS was presented in 1916 in Berlin and despite unsuccessful returns of a few productions, this opera/commedia concoction went on to be performed all over European Opera houses until it's first presentation in the United States in 1925. This rich history and reworking lend well to the present production at The Long Center presented by Austin Opera.

San Francisco Opera presents Giuseppe Verdi's Aida in a new production directed by Francesca Zambello and featuring designs by Los Angeles-based, contemporary visual artist RETNA (Marquis Duriel Lewis). A co-production with Washington National Opera, Seattle Opera and Minnesota Opera, this striking and bold vision for Verdi's enduring classic will feature soprano Leah Crocetto and tenor Brian Jagde in their role debuts as the lovers at the heart of the opera, the enslaved princess Aida and the Egyptian war hero Radames. Mezzo-soprano Ekaterina Semenchuk is Amneris, the daughter of the king who desires Radames' love, baritone George Gagnidze portrays Aida's vengeful father, Amonasro, and bass Raymond Aceto is Ramfis. The international cast and San Francisco Opera Orchestra will be conducted by Company Music DirectorNicola Luisotti. Resident Conductor Jordi Bernàcer will conduct the final performance on December 6.Ian Robertson is Chorus Director.

San Francisco Opera presents Giuseppe Verdi's Aida in a new production directed by Francesca Zambello and featuring designs by Los Angeles-based, contemporary visual artist RETNA(Marquis Duriel Lewis). A co-production with Washington National Opera, Seattle Opera and Minnesota Opera, this striking and bold vision for Verdi's enduring classic will feature soprano Leah Crocetto and tenor Brian Jagde in their role debuts as the lovers at the heart of the opera, the enslaved princess Aida and the Egyptian war hero Radames. Mezzo-soprano Ekaterina Semenchuk is Amneris, the daughter of the king who desires Radames' love, baritoneGeorge Gagnidze portrays Aida's vengeful father, Amonasro, and bass Raymond Aceto is Ramfis. The international cast and San Francisco Opera Orchestra will be conducted by Company Music Director Nicola Luisotti. Resident Conductor Jordi Bernacer will conduct the final performance on December 6. Ian Robertson is Chorus Director.

Met Opera luminary Lucine Amara, Artistic Director of the New Jersey Association of Verismo Opera, celebrates a milestone on March 1: her 90th birthday and over 70 years performing on the stage.

Fans of Agatha Christie's brilliant Belgian detective, Hercule Poirot, can content themselves with the remaining three new episodes of David Suchet's career-capping portrayal, now being streamed by AcornTV. ELEPHANTS CAN REMEMBER, the 90 minute reworking of Christie's 1972 novel (here more successfully set in 1938), features Poirot and his irritating friend, crime write Ariadne Oliver (Zoe Wanamaker) in an adaptation that remains long on incredible plot (the chestnut of twins and unrecognized identity) but finds its success in nuanced, layered performances. This episode includes sufficient red herrings to divert the casual Christie viewer, but there are fewer superfluous characters. This tighter core of suspects renders the still-complex intersecting plotlines easier to follow and savor than some previous outings. SPOILER ALERT: Pay attention to Dr. Willoughby's research on twins as a key to the original murder, and to secretary Marie McDermott's bland disregard for St. Patrick in solving the second.

Main Street Theater presents George Bernard Shaw's bracing farce, HEARTBREAK HOUSE. With previews today, May 3, 4, and 7, Heartbreak House opens May 8 and runs through June 1 at Main Street Theater - Rice Village, 2540 Times Blvd. BroadwayWorld has a first look at the cast below!

Main Street Theater presents George Bernard Shaw's bracing farce, HEARTBREAK HOUSE. With previews May 3, 4, and 7, Heartbreak House opens May 8 and runs through June 1 at Main Street Theater - Rice Village, 2540 Times Blvd. BroadwayWorld has a first look at the cast below!

New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Ades (b.1971) to a libretto by Philip Hensher (b. 1965).

New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Adès (b.1971) to a libretto by Philip Hensher (b. 1965).

Writers' Theatre Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma announce Heartbreak House by George Bernard Shaw, directed by William Brown. The production runs April 19- June 26, 2011 at Writers' Theatre, 325 Tudor Court in Glencoe.

Writers' Theatre Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma announce Heartbreak House by George Bernard Shaw, directed by William Brown. The production runs April 19- June 26, 2011 at Writers' Theatre, 325 Tudor Court in Glencoe.