Spring is Here 1929

RUTKA, a new indie-rock musical adapted from Rutka’s Notebook: A Voice from the Holocaust, will make its world premiere at the Cincinnati Playhouse in the Park. Check out all the details on the new musical here.

Cabaret at the Kit Kat Club has announced the Prologue Company, the dancers and musicians that welcome audiences to the club, as rehearsals are now underway in New York City.

Carnegie Hall has revealed a schedule of 100+ events for the Weimar Festival, January-May 2024.

In this special edition of Broadway Deep Dive, Tepper uncovers the untold history of Sony Hall- where BroadwayWorld will celebrate our 20th Anniversary with a star-studded concert event on Sunday, May 21, 2023.

The Cleveland Orchestra announced updates to its inaugural Jack, Joseph and Morton Mandel Opera & Humanities Festival: The American Dream, which takes place this spring at Severance Music Center and with Cleveland partner organizations.

Ebony Repertory Theatre will present the Tony Award-winning musical AIN’T MISBEHAVIN’ as its 15th Anniversary Season Opening Production. 

Classic Stage Company has announced complete programming for their 2023-2024 Season. See what shows are in the lineup, who is starring, how to purchase tickets, and more!

Lyric Hammersmith Theatre has announced Its Autumn/Winter 2023-24 season. Learn more about the full lineup here!

Looking for the best deals on Broadway shows? Welcome to our new weekly guide to the most popular shows listed on BroadwayWorld. Check out which shows are selling this week, November 7, 2022.

Joe’s Pub has announced fall programming. This season presents incredible performances from Latine artists: Afro-Cuban jazz grooves from Dayramir González, an evening of Latin alternative music with Jessica Medina & Mai-Elka Prado, and more.

The San Diego Symphony today announced its 2022-23 Jacobs Masterworks Classical concert season, offering 16 programs of classical and contemporary masterworks from October 1, 2022 through May 27, 2023. 

Craft Recordings is proud to reissue You Must Believe in Spring, the celebrated 70th studio album from the pioneering jazz pianist Bill Evans. Recorded in 1977 and released in 1981, just months after Evans’ death, the album marks the artist’s final studio recording with bassist Eddie Gomez and drummer Eliot Zigmund and includes stunning performances of “We Will Meet Again (for Harry)” and “B Minor Waltz (for Ellaine).”

This Week's New Classified Listings on BroadwayWorld for 2/10/2022 include new jobs for those looking to work in the theatre industry.

Running from January 13 to February 5, 2022, To  Save and Project: The 18th MoMA International Festival of Film Preservation includes more than 60 newly preserved features and shorts from 19 countries, many having world or  North American premieres and presented in original versions not seen since their initial  theatrical releases.

The Chamber Music Society of Lincoln Center has announced an exciting 2021-22 season of intimate concerts, live and with an in-person audience, in the Rose Studio: New Milestones, Rose Studio Concerts and The Art of the Recital, as well as a new season of its popular lecture series Inside Chamber Music and more.

The video, shot at the iconic Castle Recording Studio in Nashville, is out today and features a tongue in cheek take on the ‘big rock producer demanding just one more track’ to add to the album.

Ground Floor Theatre has announced the return to live theatre with an updated 2021 season schedule along with two titles for the 2022 season, and the second quarter GFT In Residence Artist. After moving rain falls special on me and Anna in the Tropics from the 2020 season, GFT has now set dates for both.

Inspired by her own mixed-race heritage and career-long engagement with diverse musical traditions, pianist Lara Downes creates and curates a new digital recording venture, Rising Sun Music, that sheds a bright light on the music and stories of Black composers over the past 200 years.

Irish Repertory Theatre has announced their Theatre @ Home Winter Festival, a four-week repertory retrospective of all of the original digital productions created by Irish Repertory Theatre during the COVID-19 shut-down, from January 26 – February 21, 2021.

The a?oeseasona?? for the performing arts in The Berkshires typically runs the six months between May and October. With the limited window of opportunity to create the outstanding work Berkshire arts organizations are known for and the public health concerns making it difficult to imagine let alone plan for an a?oeordinarya?? season. Accordingly, it is not surprising that many have adopted a a?oewait and see posturea?? as Julieann Boyd Artistic Director of Barrington Stage Company announced this morning.

BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!

Kevin Kwan, author of Crazy Rich Asians, will take the stage at Irvine Barclay Theatre on February 6 as part of the venue's new speaker series, Fresh Take. Kwan, along with Tony-winning Ain't Misbehavin', Grammy winner Arturo Sandoval and others, highlight the variety of spring performances at Irvine Barclay Theatre. See below for some notable shows through May, and here is a link to the entire season: https://mailchi.mp/thebarclay/announcing-irvine-barclay-theatres-2019-20-season).

The Music Conservatory of Westchester announces four in-depth musical experiences as its new Musical Masters Lecture Series begins on Sundays at 2 PM during spring 2019. Open to the public, the Conservatory's lecture series will include insight from experts Michael Boriskin, Mark Morganelli, Andrew Armstrong, and Elliott Forrest on the topics of Chamber Music, Brazilian Jazz, Musical Storytelling, and Film Music, respectively.

A longtime advocate for music suppressed by the Nazi regime, Polish-Canadian pianist Daniel Wnukowski (vnoo-koff'-skee) makes his New York debut this February as part of a festival dedicated to the music of Galician-Jewish composer Karol Rathaus (1895-1954). Little-known today, Rathaus was a protege of Franz Schreker and built a successful career in Berlin before fleeing in 1932 due to the deteriorating political situation in Germany. He first migrated to Paris, then to London in 1934. He settled in New York in 1938 and joined the music faculty of Queens College two years later as its first professor of composition.