Watch Your Step 1915

From the moment the lights dim to the opening chords of the Prologue, the audience knew they were in for a treat. A haunting and stirring rendition of The Old Red Hills of Home, led by young actor Elijah Zurek as the Young Soldier, will have you in a chokehold from the very start.

The growing threat of antisemitism in our culture spilled onto Broadway last week as a group of neo-Nazi’s protested outside preview performances of Parade. Cara Joy David dives into that, and how it fits into the wider cultural conversation and what we should be doing in our day to day lives to further combat this alarming growth of antisemitism.

This week (June 21-28) in live streaming: Kate Reinders, Amanda Kloots and Jennifer Nettles visit Backstage Live, Fredi Walker-Browne shares Ten Minute Tidbits, a Kerry Butler masterclass, Tovah Feldshuh in Becoming Dr. Ruth, and so much more!

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NYU Skirball's 2017-18 season will feature over 45 unique presentations by some of the world's leading provocateurs, artists and activists, performing unconventional and often controversial works in varied spaces throughout the Skirball Center - turning the lobby, dressing rooms, hallways and backstage areas into centers of creativity.

For their 2016-2017 season, American Classics takes a novel approach, drawing all three programs on great literature.  They open with Shakespeare in Song, in honor of the 400th anniversary of his death, with songs from The Boys From Syracuse (Rodgers & Hart, based on The Comedy of Errors), Kiss Me Kate (Cole Porter, based on The Taming of the Shrew), West Side Story (Bernstein and Sondheim, based on Romeo and Juliet), The Lion King (Tim Rice and Sir Elton John, based on Hamlet), and some unusual songs from drawn from Shakespeare.  Caroline Musica, Cynthia Mork, Eric Bronner make up the quartet of singers, with Bradford Conner presiding at the keyboard.  

Loosely based on the 1915 novel written by John Buchan, later made into the 1935 movie directed by Alfred Hitchcock and gradually turned into a staged comical farce in 2005 by Patrick Barlow, The 39 Steps is something quite wonderful to see when brought about by a gifted director and a very talented cast of four that could bring about such a myriad of wacky characters. Director Scott Hamilton, as he states in his curtain speech, was certain that he wanted to lead this show towards its absolute comedic potential, and now writing in hindsight, it is clear that he manages to do just that give quite an optimistic start to what will be a rather epic new season at the Chatham Drama Guild. In relation to that and just to mention, the Guild has been offering wonderful performances since the time Hitchcock's movie was made, so this show is sure not to disappoint anybody who enjoys an innocent and rather traditional form of visual, laugh-loud-comedy.

Following the success of last year's THE LAST WORD festival, the Roundhouse announces a thrilling programme for its third season, presenting the best of spoken word, storytelling and live performance, from Tuesday 24 May - Saturday 18 June.

2015 marks the 100th Anniversary of the ANZAC's landing at Gallipoli. In honour of this landmark occasion, former Australian of the Year, Lee Kernaghan, teams up with a host of local artists and musicians to bring you 'SPIRIT OF THE ANZACS' - Standard & Deluxe Editions available now.

The Film Society of Lincoln Center previously announced For Your Consideration: Oscar Hopefuls, celebrating films from around the world and for possible consideration in the Best Documentary Feature and Best Foreign Language Film categories for the 2014 Academy Awards®. The series-an opportunity to catch up on some of the best films of the year-will span two weeks with For Your Consideration: Documentary Oscar Hopefuls from December 20-26 and For Your Consideration: Foreign Oscar Hopefuls from today, December 27-January 2, 2014.

The Film Society of Lincoln Center today announced For Your Consideration: Oscar Hopefuls, celebrating films from around the world and for possible consideration in the Best Documentary Feature and Best Foreign Language Film categories for the 2014 Academy Awards

For their 2013-2014 season American Classics brings three 'firsts' to their programming. For the first time American Classics will present a guest performer in their own concert, acclaimed entertainer John O'Neil in his popular salute to Danny Kaye, 'So Kaye, a one man 'tongue-twisting tour-de force' showcasing songs, stories and monologues culled from Kaye's illustrious career. 'So Kaye was nominated for the prestigious IRNE award in 2001; since that time O'Neil has performed the show up and down the East Coast from Maine to Florida. 'Adding John O'Neil and 'So Kaye to our season is exciting for us. John has appeared with us in the past, but we are delighted to be able to showcase him in one of his most popular shows,' says Producing Director Benjamin Sears, who notes, 'this is Kaye's centenary year, so it's a perfect time to feature John in an American Classics season.'

For their 2013-2014 season American Classics brings three "firsts" to their programming. For the first time American Classics will present a guest performer in their own concert, acclaimed entertainer John O'Neil in his popular salute to Danny Kaye, 'So Kaye, a one man "tongue-twisting tour-de force" showcasing songs, stories and monologues culled from Kaye's illustrious career. 'So Kaye was nominated for the prestigious IRNE award in 2001; since that time O'Neil has performed the show up and down the East Coast from Maine to Florida. "Adding John O'Neil and 'So Kaye to our season is exciting for us. John has appeared with us in the past, but we are delighted to be able to showcase him in one of his most popular shows," says Producing Director Benjamin Sears, who notes, "this is Kaye's centenary year, so it's a perfect time to feature John in an American Classics season."

Noted performer and music historian, Benjamin Sears has an unprecedented familiarity with both Irving Berlin's work and the writings about him, much of which he has brought together in the new, The Irving Berlin Reader, part of the Readers on American Music Series from Oxford University Press, available in stores on April 6, 2012.

One of the many delights of director Michael Blakemore's revival of Noel Coward's giddily funny 1941 froth, Blithe Spirit, is that this 2009 production looks like it could have been seen in the play's premiere year. No doubt contemporary Broadway theatre can provide more spectacular ways for an actress playing a ghost to enter a room than to just have her walk through the French windows. And certainly if an invisible spirit chooses to destroy her husband's drawing room, modern technology can whip up a few tricks more gasp-inducing than simply having a picture frame fall and a bookshelf topple over. But when you have one of the English language's great comedies played by a company that excels in the verbal dexterity of the playwright's wit, there's no need for such distractions.

Today's Broadway Blogs on BroadwayWorld.com from Sunday, March 22, 2009.