Up With the Lark 1927

The Chamber Music Society of Lincoln Center has announced its 2023-24 season, which celebrates the passing of the artistic torch and the theme of Legacy, with the final farewell concerts of two esteemed American string quartets, both with long histories at CMS.

Columbia University School of the Arts presents ten new plays written by the Columbia MFA Playwriting Students of 2018. The esteemed faculty who have nurtured these students, including Pulitzer Prize winner Lynn Nottage and Charles L. Mee, invite you to experience these innovative new playwrights.

The May Queen, the sassy, new office comedy, has its Cape Playhouse premiere as the fourth play in in the historic theatre's 90th anniversary season. Directed by Amanda Charlton, it plays a two week engagement, July 26 - August 6; press night is set for Tuesday, July 26 at 7:30 pm.

Meg Fofonoff and Stacey Stephens, Producing Artistic Directors of Fiddlehead Theatre Company, announced today the cast of Show Boat, the company's first production in partnership with the Citi Performing Arts Center Shubert Theatre, 265 Tremont Street, Boston. Show Boat will run for twelve performances from June 22-July 3, 2016. Co-Directed by Fofonoff and Stephens, Show Boat will feature a cast of 50 starring seasoned international and off-Broadway performers including Kim Corbett (West Side Story, Les Miserables) as Magnolia Hawks, Jeremiah James (The Fantasticks) as Gaylord Ravenal, Lindsay Roberts (The Gershwins' Porgy And Bess) as Queenie, and Brian Kinnard (Buddy - The Buddy Holly Story) as Joe. Show Boat is Jerome Kern and Oscar Hammerstein II's epic of life on the Mississippi River with some of the most beautiful and influential music ever written for the stage including 'Ol'Man River,' 'Can't Help Lovin' Dat Man' and 'Bill.' Show Boat will be choreographed by Wendy Hall, with a 27-piece live orchestra under the direction of Charles Peltz.

The John F. Kennedy Center for the Performing Arts hosts more than 150 outstanding theater students from colleges and universities across the nation as part of the 48th annual Kennedy Center American College Theater Festival (KCACTF), which runs April 12-16, 2016 in multiple locations throughout the Center. Thousands of student artists from eight regions across the country presented their work at regional festivals from January 5 through February 27, 2016 and more than 150 were selected to travel to the Kennedy Center in Washington, D.C., for an all-expenses-paid trip to participate in the national festival.

The Picture Show at Bay Street Theatre, sponsored by Peconic Landing continues with classic films this winter and spring. All films start at 8 pm. Tickets are $7 at the door and include a small box of popcorn. For the $28 prix-fixe 'Dinner and a Movie' package, call Page at 63 Main (631-725-1810), IL Capuccino (631-725-2747) or Sen (631-725-1774). Beginning February 15, the dinner package will be available at Dockside (631-725-7100). Cost does not include sales tax, beverage or gratuities.

The Picture Show at Bay Street Theatre has announced announce that Peconic Landing is sponsoring its long-running, classic Picture Show Series for the 2013 Season.

Following her sell-out production of J.M. Barrie's What Every Woman Knows at the Finborough Theatre in July this year, director Louise Hill returns to the Finborough Theatre with another rediscovery of a classic comedy by J.M. Barrie to celebrate the 150th anniversary of his birth - his magical 1901 play Quality Street, opening on 30 November 2010 (Press Night: Thursday, 2 December 2010 at 7.30pm) as part of the Finborough Theatre's 30th anniversary year.

Following her sell-out production of J.M. Barrie's What Every Woman Knows at the Finborough Theatre in July this year, director Louise Hill returns to the Finborough Theatre with another rediscovery of a classic comedy by J.M. Barrie to celebrate the 150th anniversary of his birth - his magical 1901 play Quality Street, opening on 30 November 2010 (Press Night: Thursday, 2 December 2010 at 7.30pm) as part of the Finborough Theatre's 30th anniversary year.

Seattle Repertory Theatre's New Play Program presents workshops of three new plays in June-one at Seattle Rep and two at Western Washington University.

Seattle Repertory Theatre's New Play Program presents workshops of three new plays in June-one at Seattle Rep and two at Western Washington University.

Rubicon Theatre Company continues its 2009-2010 Season with the Central Coast Premiere of a timely drama about a fascinating and enigmatic figure in American history. TRYING, which opens March 13 and runs through April 4th (with low-priced previews March 11 and 12), is a poignant, poetic and powerful story about a relationship between Francis Biddle, Attorney General under Roosevelt and Chief Judge at the Nuremburg trials; and Sarah, a tenacious 25-year-old woman from the Canadian plains, one of a string of secretaries Biddle's wife has hired to help him put his affairs in order at the end of his long an illustrious career. Biddle, 81, is in poor health, proud and cantankerous as he begins to confront his own mortality. Sarah, however, is also headstrong, and from her early life on the prairie has developed a strength and wisdom beyond her years. Despite the difference in ideologies and age, the two forge a friendship. The play is autobiographical in nature and is written by Joanna McClelland Glass, who worked for Biddle in the late 60s.

Rubicon Theatre Company continues its 2009-2010 Season with the Central Coast Premiere of a timely drama about a fascinating and enigmatic figure in American history. TRYING, which opens March 13 and runs through April 4th (with low-priced previews March 11 and 12), is a poignant, poetic and powerful story about a relationship between Francis Biddle, Attorney General under Roosevelt and Chief Judge at the Nuremburg trials; and Sarah, a tenacious 25-year-old woman from the Canadian plains, one of a string of secretaries Biddle's wife has hired to help him put his affairs in order at the end of his long an illustrious career. Biddle, 81, is in poor health, proud and cantankerous as he begins to confront his own mortality. Sarah, however, is also headstrong, and from her early life on the prairie has developed a strength and wisdom beyond her years. Despite the difference in ideologies and age, the two forge a friendship. The play is autobiographical in nature and is written by Joanna McClelland Glass, who worked for Biddle in the late 60s.