Too Much Johnson Revival 1910

This coming Saturday, October 23 is officially Tin Pan Alley Day in NYC. As a physical destination, Tin Pan Alley is five buildings at 47-55 W. 28th St. near the Flatiron building in the neighborhood called “NoMad,” north of Madison Square Park. But Tin Pan Alley is much more than a physical destination. It is a state of mind. It is the spot where the American music industry was born. From the 1890s to around 1910, this block of publishing houses and agent’s offices was where you went if you had written a song that you wanted the world to hear it. Many of our most illustrious Broadway composers got their start plugging songs in the offices of Tin Pan Alley including Irving Berlin, George Gershwin, and Jerome Kern.

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

John Ford's 1962 film, The Man Who Shot Liberty Valance, is one of motion picture's all-time classic westerns. So when I heard that a play version was making its American premiere at the Rubicon Theatre Company in Ventura, I got more than just a little excited. Envisioning the tensions seen on the screen in epic portrayals by Jimmy Stewart, John Wayne, and Lee Marvin promised to be riveting theater. Unfortunately, the play version was taken not from the screenplay by James Warner Bellah and Willis Goldbeck (it was unavailable) but an adaptation by British playwright Joshua Compton from Dorothy M. Johnson's original short story, and although the Rubicon has created a fabulous setting, marvelous performances from all of the actors, and an atmospheric, on-stage musical tableau by Trevor Wheetman, the result is simply not as compelling as the movie.

National Recording Registry To “Ac-Cent-Tchu-Ate the Positive”. Joan Baez, Sly Stone, Steve Martin Recordings Named American Treasures

The Geffen Playhouse production of The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord, is now performing at the Audrey Skirball Kenis Theater at the Geffen Playhouse. Written by Scott Carter, executive producer and writer for Bill Maher's Politically Incorrect and Real Time, this whip-smart philosophical comedy features Larry Cedar (Deadwood, PBS's Square One TV), David Melville (Travel Channel Lawrence of America, film Ironclad) and Armin Shimerman (Quark on Star Trek: Deep Space Nine, Associate Artistic Director at The Antaeus Company) and will be again helmed by director, Matt August (Broadway How the Grinch Stole Christmas). Due to popular demand, the production has extended now through November 23.

The Geffen Playhouse announces its production of The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord. Written by Scott Carter, executive producer and writer for Bill Maher's Politically Incorrect and Real Time, this whip-smart philosophical comedy features Larry Cedar (Deadwood, PBS's Square One TV), David Melville (Travel Channel Lawrence of America, film Ironclad) and Armin Shimerman (Quark on Star Trek: Deep Space Nine, Associate Artistic Director at The Antaeus Company) and will be again helmed by director, Matt August (Broadway How the Grinch Stole Christmas). Discord began previews on October 7 with the press opening tonight, October 15. The closing date is currently scheduled for November 16.

The Geffen Playhouse announces its production of The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord. Written by Scott Carter, executive producer and writer for Bill Maher's Politically Incorrect and Real Time, this whip-smart philosophical comedy features Larry Cedar (Deadwood, PBS's Square One TV), David Melville (Travel Channel Lawrence of America, film Ironclad) and Armin Shimerman (Quark on Star Trek: Deep Space Nine, Associate Artistic Director at The Antaeus Company) and will be again helmed by director, Matt August (Broadway How the Grinch Stole Christmas). Discord begins previews tonight, October 7 with the press opening on October 15. The closing date is currently scheduled for November 16.

The Geffen Playhouse announces its production of The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord. Written by Scott Carter, executive producer and writer for Bill Maher's Politically Incorrect and Real Time, this whip-smart philosophical comedy features Larry Cedar (Deadwood, PBS's Square One TV), David Melville (Travel Channel Lawrence of America, film Ironclad) and Armin Shimerman (Quark on Star Trek: Deep Space Nine, Associate Artistic Director at The Antaeus Company) and will be again helmed by director, Matt August (Broadway How the Grinch Stole Christmas). Discord begins previews on October 7 with the press opening on October 15. The closing date is currently scheduled for November 16.

Directed by Becki McDonald, who makes some excellent directing choices with her large cast of fifteen adult and children actors by combining brief oratory, traditional dialogue, and injecting cast members into the audience to DRAW viewers dead smack into the action. This created a theater experience that is equally educational, entertaining, and thought-provoking. Use of mixed media was also a component but the limitations of the performance space really hampered full immersion into the subject matter created by Robertson and Spencer in their script.

North Coast Repertory Theatre presents a San Diego premiere of The Underpants, adapted by Steve Martin and written by Carl Sternheim. The show begins previews tonight, September 5th through 7th and continues September 8 through 30, 2012.

North Coast Repertory Theatre presents a San Diego premiere of The Underpants, adapted by Steve Martin and written by Carl Sternheim. The show begins previews September 5-7 and continues September 8 through October 7, 2012.

Hot off her lauded role debut in San Francisco as Puccini's quintessential New World heroine, soprano Deborah Voigt will once again portray the pistol-packing, poker-playing barmaid Minnie, this time in the Metropolitan Opera's centenary staging of La fanciulla del West (The Girl of the Golden West).

Deborah Voigt has been wowing critics and fans alike with her turn as Puccini's quintessential New World heroine in the Metropolitan Opera's centenary staging of La fanciulla del West (The Girl of the Golden West).

Deborah Voigt has been wowing critics and fans alike with her turn as Puccini's quintessential New World heroine in the Metropolitan Opera's centenary staging of La fanciulla del West (The Girl of the Golden West).

Hot off her lauded role debut in San Francisco as Puccini's quintessential New World heroine, soprano Deborah Voigt will once again portray the pistol-packing, poker-playing barmaid Minnie, this time in the Metropolitan Opera's centenary staging of La fanciulla del West (The Girl of the Golden West).

Hot off her lauded role debut in San Francisco as Puccini's quintessential New World heroine, soprano Deborah Voigt will once again portray the pistol-packing, poker-playing barmaid Minnie, this time in the Metropolitan Opera's centenary staging of La fanciulla del West (The Girl of the Golden West).

TACT/The Actors Company Theatre (Scott Alan Evans, Cynthia Harris and Simon Jones, Co-Artistic Directors), the critically-acclaimed company "dedicated to presenting neglected or rarely produced plays of literary merit," will conclude its 2009/10 season with The Cocktail Party, by T. S. Eliot.

TACT/The Actors Company Theatre (Scott Alan Evans, Cynthia Harris and Simon Jones, Co-Artistic Directors), the critically-acclaimed company "dedicated to presenting neglected or rarely produced plays of literary merit," will conclude its 2009/10 season with The Cocktail Party, by T. S. Eliot.