The Man Who Came Back 1916

This time, the question was: Have there ever been two different productions of the same show on Broadway at the same time?

The 2023 Oxford Film Festival (March 1-5) has announced the lineup of official selections and events for the 20th Anniversary annual edition of the popular film festival. Lisa Cortes' documentary Little Richard: I am Everything is the Opening Night selection, and Michael Stevantoni and Strack Azar's The Banality is the Closing Night selection.

The Pittsburgh Cultural Trust has just announced the new season for 2022-2023, and you won't believe your eyes.

Good news for Hershey Felder fans and musical theater afficionados everywhere! TheatreWorks Silicon Valley is launching the New Year with three world premiere livestreamed performances in partnership with Hershey Felder Presents Live from Florence. First up is Hershey Felder as Sholem Aleichem in BEFORE FIDDLER, presented live at 5pm PST on Sunday, February 7, 2021. Decades before the beloved musical Fiddler on the Roof first delighted audiences, there was Sholem Aleichem and his beloved character of ‘Tevye the Milkman.’ Long before songs like “Tradition,” “If I Were a Rich Man” and “Sunrise, Sunset” first beguiled audiences, there was klezmer, a music that imitated talking, laughing, weeping, and singing, and where musicians didn’t just make music, they spoke to audiences in song. Acclaimed playwright & performer Felder will play Sholem Aleichem, giving audiences the true story of what happened ‘Before Fiddler.’ He will be joined by Florence’s celebrated Klezmerata Fiorentina, comprised of top musicians from Florence’s world-famous Orchestra of the Maggio Musicale. Filmed partially on location where the events actually took place, this production will feature the stories and characters of Sholem Aleichem, along with authentic klezmer music that is sure to move the soul. For more information and to purchase tickets, please visit www.theatreworks.org. BroadwayWorld spoke with Felder last week from his home in Florence where he’s been based ever since the Covid pandemic hit. As always, Felder is fascinating and delightful to talk to, simultaneously brainy and emotionally transparent, and confident enough in his own talents to be open about his enduring fears.

Find out what happens to the beloved characters in Fiddler on the Roof after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his Tevye stories (“What, Me Worthy?” and “Get Thee Gone!”), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted (“Strange Jews on a Train,” “The Yiddish Sisyphus” and “A Stepmother’s Trash-Talk”). 

For the 106th Kritzerland show, Kritzerland is once again doing the show on Facebook and YouTube Live. For the June show, there's a great cast, it's more ambitious than the May show, and once again any donations would go to the Group Rep Theater in North Hollywood, non-profit 501 (c) (3).

Under the brilliant direction of Judith Feingold, with an exclusive three-performance run at the NuBox Theater (at the John DeSotelle Studio) in Hell's Kitchen, Cocaine is such an unexpectedly powerful piece that brings out the reality of addiction amidst the love of two young people, overcome by the life they are forced to live. As part of the John D. Sotelle Studio Series and exposing the beauty of Pendleton's neglected work, Cocaine is as succinct as it is a beautiful representation of what love looks like in the face of struggle.

TEVYE SERVED RAW made its New York premiere in 2018 to unanimous rave reviews and, by popular demand, will return this Monday, January 28th to its home at The Playroom Theater, 151 West 46 Street (just east of Seventh Ave.), where it will play through February 13th.

Sholem Aleichem's Tevye stories formed the basis of Fiddler on the Roof. TEVYE SERVED RAW presents this material 'raw,' i.e., as it was created in Europe, before being Americanized for Broadway.

Selladoor Worldwide has announced the launch of Selladoor Creation - a brand new platform for new writers to showcase and develop their work with the backing of one of the UK's leading theatre producers. With this new company, Selladoor will continue to support diverse and challenging work from talented artists, and bring innovative new work to the national and international stage, making it accessible for all audiences.

HISTORY MATTERS/BACK TO THE FUTURE presents an evening of scenes from women's plays of the past, performed by renowned actors April Matthis (Lear; The Sound and the Fury; April Seventh, 1928), Maryann Plunkett (Blue Valentine, The Apple Family Plays) and Jay O. Sanders (Blindspot, The Apple Family Plays) directed by Joan Vail Thorne, founder of History Matters/Back to the Future.

HISTORY MATTERS/BACK TO THE FUTURE presents an evening of scenes from women's plays of the past, performed by renowned actors April Matthis (Lear; The Sound and the Fury; April Seventh, 1928), Maryann Plunkett (Blue Valentine, The Apple Family Plays) and Jay O. Sanders (Blindspot, The Apple Family Plays) directed by Joan Vail Thorne, founder of History Matters/Back to the Future.

The Rolling Stones' first ever major exhibition, Exhibitionism, delivered by DHL, will make its Chicago debut at Navy Pier on April 15, 2017 and will run a four-month engagement through July 30, 2017, proudly brought to the US by Jackson.

The Public Theater presents the 13th annual UNDER THE RADAR FESTIVAL, running today, January 4, through January 15, 2017.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) begins performances for the 13th annual UNDER THE RADAR FESTIVAL on Wednesday, January 4.

The Public Theater has announced the exciting international line-up for the 13th annual UNDER THE RADAR FESTIVAL, running January 4-15, 2017.

THE WHIPPING MAN, which is now on stage at none too fragile theatre, is a tale set at the close of the Civil War in which Caleb DeLeon, a Confederate soldier returns to his Richmond, Virginia, palatial home, now a charred wreckage, to find his family missing and two former slaves, Simon and John, still there in spite of the their now being free men. Caleb is badly wounded. The former slaves take care of him. As the story unfolds, an examination of friendship, faith and the meaning of freedom are revealed as there is a probing of the question asked each year during the Passover Seder, 'Why is this night different from all other nights?'

This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera,theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights. These include a rare, fully staged production of Iris, a forerunner of Madama Butterfly by Puccini's close contemporary Pietro Mascagni; the world premiere of Demolishing Everything with Amazing Speed, four newly unearthed puppet plays from leading Italian Futurist Fortunato Depero, as reimagined by Dan Hurlin;the world premiere of Fantasque, a new ballet set to the music of Respighi and Rossini by John Heginbotham and Amy Trompetter; a film series on "Puccini and the Operatic Impulse in Cinema"; and the return of Bard's authentic and sensationally popularSpiegeltent,hosted by the inimitable Mx. Justin Vivian Bond. Taking place between July 1 and August 14 in the Frank Gehry-designed Richard B. Fisher Center for the Performing Arts and other venues on Bard College's stunning Hudson River campus, SummerScape's 2016 offerings provide new opportunities to discover that, as Time Out New York puts it, "the experience of entering the Fisher Center and encountering something totally new is unforgettable and enriching." Tickets go on sale on Monday, February 15; click here for more information.

Michael Riedel, Broadway's most respected (and feared) commentator pulls back the curtain on its stars, its producers, and its mega-hits to reveal all the shocking drama, intrigue, and power plays that happened off stage in his new memoir, Razzle Dazzle (available today; Simon & Schuster; US $27.00). CLICK HERE to order today.

Schimmel Center at Pace University is proud to announce the 2015 | 2016 season at The Schimmel Center at Pace University, located at 3 Spruce Street between Park Row and Gold Street in downtown Manhattan, adjacent to City Hall and the Brooklyn Bridge.  Schimmel Center is a world-class performing arts and culture series with an emphasis on showcasing the globe's greatest talents in the areas of theatre, music, cabaret, dance, film and family entertainment. 

Today we are talking to a spectacularly accomplished Broadway leading man with a considerable TV and film resume who plays a prominent role in the new Encores! production of John Kander & Fred Ebb's Tony Award-winning musical ZORBA coming up next month, the thoughtful Santino Fontana. Explaining his part in the production as well as the unique demands of a special limited run concert presentation such as ZORBA! is, Fontana also opens up about the rehearsal process for the show and the developing rapport and camaraderie between himself and the starry assortment of fellow cast members involved in the production - including John Turturro, Zoe Wanamaker, Marin Mazzie and more, all directed by Walter Bobbie. Besides the full 411 on ZOBRA, Fontana also sheds considerable light on his many current and upcoming projects, including the recently released FROZEN follow-up short musical film FROZEN FEVER and whether or not he would like to be involved in subsequent FROZEN-related entities. Furthermore, Fontana gives us a first look at his new TV series SHADES OF BLUE, starring Jennifer Lopez, as well as his new feature film comedy SISTERS, starring Tina Fey and Amy Poehler. Additionally, Fontana previews his upcoming PBS twofer with the hotly anticipated premiere of his recent Broadway play ACT ONE, as well as a Mormon Tabernacle Choir concert co-starring members of SESAME STREET. All of that, SUBMISSIONS ONLY reflections, comments on MOZART IN THE JUNGLE and much, much more!

This season's revival of George S. Kaufman and Moss Hart's Pulitzer Prize-winning play YOU CAN'T TAKE IT WITH YOU opens on Broadway tonight, and in honor of the playwriting pair's long list of contributions to the theatre, we've rounded up some of their most notable works. Scroll down to learn more about the duo's canon!

Harry Houdini – America's premier Escape Artist, Showman extraordinaire, potentially a template for that most American of literary creations, the Superhero, and, if you believe the premise of the current miniseries on The History Channel, a person psychologically addicted to running away from his own person and reality. HOUDINI, the two-parter that began Monday night and concludes on Tuesday on the History Channel, is based on a psychiatrist's biography of the great performer, which was subtitled “A Mind in Chains.” However, from the show and from its star Adrien Brody's, portrayal, he was less a man in chains than a man on the run.

A MOON FOR THE MISBEGOTTEN (MOON), by Pulitzer Prize winner and Nobel Laureate Eugene O'Neill, continues Rubicon Theatre Company's 16th Season helmed by Artistic Associate Jenny Sullivan with company member Joseph Fuqua in the role of James Tyrone. (The production marks the 23rd collaboration for Sullivan and Fuqua, who have worked together at Rubicon on productions including Hamlet, You Can't Take It With You and Old Wicked Songs.) Other cast members are Rebekah Tripp, Granville Van Dusen, Scott Roberts and Matthew Grondin.

A MOON FOR THE MISBEGOTTEN (MOON), by Pulitzer Prize winner and Nobel Laureate Eugene O'Neill, continues Rubicon Theatre Company's 16th Season helmed by Artistic Associate Jenny Sullivan with company member Joseph Fuqua in the role of James Tyrone. (The production marks the 23rd collaboration for Sullivan and Fuqua, who have worked together at Rubicon on productions including Hamlet, You Can't Take It With You and Old Wicked Songs.) Other cast members are Rebekah Tripp, Granville Van Dusen, Scott Roberts and Matthew Grondin.