Solid South 1930

Link Music Lab will present Shaho Andalibi, renowned Iranian singer and nay player, with Toronto-based bassist Scott Peterson for a night honouring the great Kurdish singer and musician Ali Asghar Kurdistani on June 30, 2022, at the Small World Centre.

The production features Emanuelle Araujo, in the role of sarcastic Velma Kelly; Paulo Szot, as  the charming and unscrupulous Billy Flynn (a role he currently played on Broadway); and Carol Costa as the “innocent” and surprising Roxie Hart. L. Candido (Mary Sunshine), Lilian Valeska (Mama Morton) and Eduardo Amir (Amos Hart) complete the main cast.

Live theatre creates a connection with the audience in a way unlike any other medium. Sometimes this connection builds excitement, sometimes it sparks compassion, and on other occasions, it forces you to confront something uncomfortable or difficult to create greater awareness and understanding. The creative team of John Kander and Fred Ebb did this with many of their musicals over their career together. In CABARET they illustrated the rise of Nazi Germany, and in CHICAGO brought attention to the role the media plays in sensationalizing criminals. But in one of their last collaborations together, THE SCOTTSBORO BOYS, Kander and Ebb not only approached a difficult subject matter (9 young African-American men in Alabama falsely accused of rape in the 1930's), but they did so using one of the most distasteful artforms in American history, the minstrel show. So, it is a bold move for West Hartford's Playhouse on Park to offer this difficult production as the final performance in its tenth season.

Reaching for the American dream while adjusting to living under prejudice is exposed by Alfred Uhry's 'The Last Night of Ballyhoo' at South City Theatre. This Tony award winning play is a touching, relatable, and revealing look at the cost of acceptance. The story peels back the layers to expose the complicated dynamics of a Jewish American family living in Atlanta in the 1930's.

Birdland will kick-off their exciting month of programming with the following acts:

New York's beloved Dance Theatre of Harlem, under the artistic direction of Virginia Johnson, returns to NY City Center for its annual homecoming season tonight, April 4, the 50th Anniversary of the assassination of Dr. Martin Luther King, Jr., with the annual Vision Gala, honoring dance legend Carmen de Lavallade and civil rights icon Xernona Clayton.

The Theatre Group at SBCC opens the 17/18 season with Cole Porter's sparkling musical, HIGH SOCIETY, July 12-29 in the Garvin Theatre. 

Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, presents The Mousetrap by Agatha Christie, directed by Jonathan Berry. The production will run at Northlight Theatre, 9501 Skokie Blvd in Skokie, from tonight, November 7 - December 14, 2014. The press opening is Friday, November 14, 2014 at 7:30 pm.

Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, presents The Mousetrap by Agatha Christie, directed by Jonathan Berry. The production will run at Northlight Theatre, 9501 Skokie Blvd in Skokie, from November 7 - December 14, 2014. The press opening is Friday, November 14, 2014 at 7:30 pm.

Clever projections steal this revival of Jules Romains' satire of European colonialism.

Olney Theatre Center has finally taken the plunge in their intimate black-box space with their inaugural August Wilson production, 'The Piano Lesson.' Blessed with a talented cast, they should enjoy a prosperous run; and the choice of play is appropriate, given the role that Baltimore's own Charles S. Dutton had in its first production. And the piano of the title, with its unique and bloody history, endures as one of the most powerful stage metaphors of our time.

Hayes Theatre Co is thrilled to be hosting experienced masters of the craft of cabaret , such as Mark Nadler, David Campbell and John Bucchino, Rhonda Burchmore and Donna Lee; up-and-coming young stars like Tom Sharah, Gillian Cosgriff, Brendan Hay, Matt Gilbertson, and Hilary Cole; and even a show where the two worlds meet - Phil Scott's collaboration with Blake Bowden, Mario.

Happy Fourth of July! Just because the rest of the country will be spending Independence Day sipping drinks at the pool, pigging out at family barbeques, and enjoying the day off at home, doesn't mean Broadway will shut down for the holiday - the shows must go on!

At last year's Manhattan Association of Cabarets and Clubs (MAC) Awards, two of the big winners were T. Oliver Reid (photo left) for Male Debut and Eric Michael Gillett for Major Artist, Male (and both could very likely be MAC nominees again this year). Almost a year later, two of New York cabaret's leading men performed new shows one night apart at 54 Below; Reid on February 6 with Drop Me Off in Harlem, and Gillett the next night with Careless Rhapsody: An Evening Dedicated to the Lyrics of Lorenz Hart. Ironically, what the shows had in common--besides being a fairly good fit of material to singer--was that the majority of their sets featured songs written in the 1930s but in very different styles. With Reid it was the jazz, swing and blues of Harlem; with Gillette it was the romantic Broadway musical sensibility of Hart's lyrics (paired with the timeless melodies of Richard Rodgers). While neither Reid's 'Harlem,' nor Gillett's 'Hart' were stirring or spectacular shows, they were both solid and entertaining enough that both could be nominated for BroadwayWorld.com Awards in 2013.

Harrisburg Shakespeare Company presents a riveting production of the Harper Lee inspired play.

The Boss requests your presence at a swanky soiree to fund his new legitimate and fully legal business enterprise: Hobo Junction Theatre. Be at the Boss' hideout (The SPOT) between 7:00 and 10:00 PM on April 10th. Go around to the back and look for the palooka in the red fedora, and give the password, 'Boondoggle', to the mechanical man. Breathe a word to the fuzz and you'll be singin' with the sparrows.

The Boss requests your presence at a swanky soiree to fund his new legitimate and fully legal business enterprise: Hobo Junction Theatre. Be at the Boss' hideout (The SPOT) between 7:00 and 10:00 PM on April 10th. Go around to the back and look for the palooka in the red fedora, and give the password, 'Boondoggle', to the mechanical man. Breathe a word to the fuzz and you'll be singin' with the sparrows.

Musicals Tonight! revives the show that brought us 'Begin the Beguine', 'Just One of Those Things' and 'The Kling-Kling Bird on the Top of the Divi-Divi Tree'