Patience Revival 1928

Village Theatre has welcomed a new show and a new Doctor to the stage this weekend. With a set that can’t leave your mind after stepping out of the Issaquah theater, and a leading lady who steals the show (good news, since she’s the only one in it), Becoming Dr. Ruth is a labor of love and arduous work by all those involved. 

The Film Society of Lincoln Center Announces MY FIRST FILM FEST, which aims to bring the excitement and vibrancy of the festival experience to young movie lovers, November 3-8.

"I'm a black woman in America; breathing is political," stated Natalie Douglas, wryly, early in her March 21 concert at Birdland to celebrate the release of her excellent new recording Human Heart. I felt myself inwardly fist pump-yes! Douglas dared to acknowledge the contemporary political circus-which I, for one, am completely obsessed with-on the cabaret stage! Okay, I can relax-I will make it through this show without listening to a political podcast or reading a David Brooks New York Times opinion column after all. Phew! I have not entered a purely escapist fantasyland, but surrendered to the capable musical ensemble on stage. Douglas wore a long white gown (chosen out of the pile when her husband made an approvingly bawdy comment as she tried it on for him) and her band-all six of whom appear on the record-wore all black. The appearance was a study in contrast, but the group, was most assuredly a cohesive instrument.

Obie Award-winning Metropolitan Playhouse revives WITHIN THE LAW, by Bayard Veiller, running today, May 31 - June 29, 2014, directed by Associate Director Michael Hardart at Metropolitan Playhouse (220 E 4th Street). From 1912, a story of a good girl gone bad...all while playing by the rules.

Obie Award-winning Metropolitan Playhouse revives WITHIN THE LAW, by Bayard Veiller, running May 31 - June 29, 2014, directed by Associate Director Michael Hardart at Metropolitan Playhouse (220 E 4th Street). From 1912, a story of a good girl gone bad...all while playing by the rules.

Today we are talking to Patricia Kelly, the widow of one of the most iconic and influential performers in entertainment history, Gene Kelly, all about her husband's incomparable career on Broadway and in Hollywood, in honor of his centennial. Tracing Gene Kelly's journey from his theatre roots starring in Cole Porter's LEAVE IT TO ME!, Rodgers & Hart's PAL JOEY and William Saroyan's Pulitzer Prize-winning THE TIME OF YOUR LIFE on Broadway to his unforgettable screen appearances in many of the greatest movie musicals ever made - COVER GIRL, SINGIN' IN THE RAIN, THE PIRATE, AN AMERICAN IN PARIS and many more included - Mrs. Kelly gives us a look into the life of one of the most important artists of the twentieth century. In addition to behind-the-scenes stories involving Kelly's frequent collaborators - such as esteemed director Vincente Minnelli, songwriter and producer Arthur Freed, arranger Saul Chaplin and others - Mrs. Kelly also shares candid anecdotes involving her husband's involvement with directing Rodgers & Hammerstein's FLOWER DRUM SONG on Broadway, helming the feature film adaptation of HELLO, DOLLY! starring Barbra Streisand, as well as his appearing in two idiosyncratic movie musicals later in his life, LES DEMOISELLES DE ROCHEFORT (THE YOUNG GIRLS OF ROCHEFORT) for Jacques Demy, as well as his au revoir to movie musicals in form of the Olivia Newton-John roller disco starrer XANADU. Additionally, Mrs. Kelly fills us in on all the details about this weekend's two-night Gene Kelly retrospective celebration, which she leads and narrates, as part of GENE KELLY @ 100 and her future plans for the multimedia presentation - each evening titled AN EVENING OF GENE KELLY and CHANGING THE LOOK OF DANCE ON FILM, respective - as she begins to tour the show across the country. Plus, reflections on SINGIN' IN THE RAIN's 60th anniversary and the recent Fathom HD premiere presentation in theaters, the impact of Kelly's work behind the camera, his choreographic legacy, what a legend is like at home, memories of attending the opening night of THE PHANTOM OF THE OPERA (starring HELLO, DOLLY! lead Michael Crawford), what the master would say about GLEE, SMASH, BUNHEADS and today's movie musical renaissance, as well as much, much more!