It was a sound that would change music history. Ain't Too Proud is the electrifying new musical that tells the story of The Temptations from the streets of Detroit to the Rock & Roll Hall of Fame.
With their signature dance moves and unmistakable harmonies, everybody knows the Temptations' hits, but Ain't Too Proud brings the rest of the rocky history to life; how the founding members met, the unbelievable heights that they hit, and how personal and political conflicts threatened to tear the group apart as the country fell into civil unrest.
With a book by Dominique Morisseau, choreography by Sergio Trujillo, and direction by Des McAnuff, this musical tells the thrilling story of brotherhood, family, loyalty, and betrayal, featuring the toe-tapping hits hits like "My Girl," "Just My Imagination," "Papa Was a Rolling Stone," and many more.
What's interesting, though, is that so many of these songs are presented only in part, tossed in as if to whet our appetites only before the biographical plot, such as it is, trundles along. The ushers who seat you for Ain't Too Proud encourage you to clap, sing along, and respond to the show, and looking around, I could tell that my audience was hungry to do so. This was a house of fans. They wanted a nostalgic blowout concert, and as so many songs peeped in and out without a real finish, you could feel their applause anxiety growing. You can't build a whole musical out of climaxes, but you also don't want a house full of blue balls. And when the big finishes do come around, they don't quite smash through the ceiling. They're pleasing without being rapturous.
Told through the deep, memorable Motown catalog, the show, directed by Des McAnuff ('Jersey Boys'), works best when it relies on great songs like 'Papa Was a Rollin' Stone,' 'My Girl,' 'In the Still of the Night' (though many are frustratingly interrupted or cut short). Choreographer Sergio Trujillo gives the singers slick moves considerably more polished than the originals ever managed, while Robert Brill's efficient turntable set is highlighted by Peter Nigrini's projections that provide location and historical context.
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