A Midsummer Night's Dream 1826

Mary Shelley's shocking classic novel, Frankenstein, receives new life at Cleveland Play House. A haunting and highly theatrical adaptation of the classic horror story. Directed by Michael Barakiva, the production features Josh Bates, Madeline Calais, Ellen Grace Diehl, Gavin Michaels, and Kayodè Soyemi.

The Chamber Music Society of Lincoln Center has announced its 2023-24 season, which celebrates the passing of the artistic torch and the theme of Legacy, with the final farewell concerts of two esteemed American string quartets, both with long histories at CMS.

The collaborative efforts of noted conductor Jason Tramm and choreographer Gabriel Chajnik take the stage in the inaugural production of the newly formed Axelrod Contemporary Ballet Theater in “Midsummer Night's Dream” August 29th and 30th at the Axelrod Performing Arts Center.

For three decades, the In Series has been presenting intimate, small scale works - what it calls 'pocket operas' on a variety of stages in the city.

From simple beauty to dazzling grandeur, Beethoven's Piano Concerto No. 5, "Emperor" requires extreme virtuosity from its soloist, making it an ideal centerpiece for Pacific Symphony's upcoming concert, "Beethoven's 'Emperor.'" Pianist Barry Douglas, gold medal winner at the 1986 Tchaikovsky International Piano Competition, travels from Ireland to tackle this famous concerto under the direction of Grammy-winning guest conductor John Nelson. Nelson, a Costa Rican native, also leads the orchestra in a performance of Schumann's alternately broody and ebullient Symphony No. 2 in C Major, which was premiered in October 1846 under the direction of another well-known composer, Felix Mendelssohn. The Symphony opens the concert with Carl Maria von Weber's imaginative Overture to "Oberon," an opera of magic and elves.

From simple beauty to dazzling grandeur, Beethoven's Piano Concerto No. 5, “Emperor” requires extreme virtuosity from its soloist, making it an ideal centerpiece for Pacific Symphony's upcoming concert, “Beethoven's 'Emperor.'” Pianist Barry Douglas, gold medal winner at the 1986 Tchaikovsky International Piano Competition, travels from Ireland to tackle this famous concerto under the direction of Grammy-winning guest conductor John Nelson. Nelson, a Costa Rican native, also leads the orchestra in a performance of Schumann's alternately broody and ebullient Symphony No. 2 in C Major, which was premiered in October 1846 under the direction of another well-known composer, Felix Mendelssohn. The Symphony opens the concert with Carl Maria von Weber's imaginative Overture to “Oberon,” an opera of magic and elves.

Baritone Mark Stone, in his New York Philharmonic debut, will replace Simon Keenlyside, who has withdrawn due to illness, in the performances of the U.S. Premiere of Thomas Ades's Totentanz, led by the composer in his Philharmonic conducting debut, and also featuring mezzo- soprano Christianne Stotijn in her Philharmonic debut. The performances will also feature Beethoven's Symphony No. 1 and Berlioz's Les Francs-juges Overture, tonight, March 12, 2015, at 7:30 p.m.; Friday, March 13 at 7:30 p.m.; and Saturday, March 14 at 8:00 p.m.

Composer-conductor Thomas Ade?s will make his New York Philharmonic conducting debut leading the U.S. Premiere of his Totentanz, featuring mezzo-soprano Christianne Stotijn and baritone Mark Stone; Beethoven's Symphony No. 1; and Berlioz's Les Francs-juges Overture, Thursday, March 12, 2015, at 7:30 p.m.; Friday, March 13 at 7:30 p.m.; and Saturday, March 14 at 8:00 p.m.

Baritone Mark Stone, in his New York Philharmonic debut, will replace Simon Keenlyside, who has withdrawn due to illness, in the performances of the U.S. Premiere of Thomas Ades's Totentanz, led by the composer in his Philharmonic conducting debut, and also featuring mezzo- soprano Christianne Stotijn in her Philharmonic debut. The performances will also feature Beethoven's Symphony No. 1 and Berlioz's Les Francs-juges Overture, Thursday, March 12, 2015, at 7:30 p.m.; Friday, March 13 at 7:30 p.m.; and Saturday, March 14 at 8:00 p.m.

April 26, 2014 marks the 450th anniversary of William Shakespeare's birth. In honor of this milestone in world culture, Houston Ballet will present dance interpretations of great Shakespearean works by choreographers from three continents: a lavish new production of Romeo and Juliet by Stanton Welch; the company premiere of John Neumeier's A Midsummer Night's Dream, and a revival of John Cranko's The Taming of the Shrew.

Joined by guest vocalists Michele Losier, mezzo-soprano, and Alisa Suzanne Jordheim, soprano, CSO Music Director Jean-Marie Zeitouni and the Columbus Symphony will perform works inspired by Shakespeare's Hamlet and A Midsummer's Night Dream.

Joined by guest vocalists Michele Losier, mezzo-soprano, and Alisa Suzanne Jordheim, soprano, CSO Music Director Jean-Marie Zeitouni and the Columbus Symphony will perform works inspired by Shakespeare's Hamlet and A Midsummer's Night Dream.

Joined by guest vocalists Michele Losier, mezzo-soprano, and Alisa Suzanne Jordheim, soprano, CSO Music Director Jean-Marie Zeitouni and the Columbus Symphony will perform works inspired by Shakespeare's Hamlet and A Midsummer's Night Dream.

After two years of Reduced Shakespeare hijinx, Dustin heads out on tour in the stage version of a kid-lit classic.