Based on the legendary Hilton twins, Daisy and Violet, SIDE SHOW follows their heartwarming search for first love and acceptance amidst the spectacle of fame and scrutiny under the spotlight. The world of SIDE SHOW is set against the backdrop of 1920's and '30s show business that seamlessly blend the worlds of carnival, vaudeville, and Hollywood glamour.
Directed by Academy Award-winner Bill Condon (Chicago, Dreamgirls, Twilight: Breaking Dawn Parts 1 and 2, Gods and Monsters) making his Broadway debut, this exciting new staging of SIDE SHOW has "the flash and velocity of a Hollywood motion picture" and "puts gripping emotion in the main tent" (Los Angeles Times).
Don't miss this remarkable true story of two sisters. The very thing that makes them different... makes them extraordinary.
If ever there was a show that defines the phrase 'cult musical', it's Side Show...If you saw Side Show the first time around, you may not recognize it...And if you didn't see it the first time around, you're likely to leave asking: what was all the fuss about? Certainly not this leaden, sporadically moving update -- which bears little resemblance to the original production...in giving the girls a backstory...Condon subverts the show's momentum...One aspect such revisions have not messed with: the two linchpins of Side Show's score, the twins' power-ballad duets 'Who Will Love Me As I Am?' and 'I Will Never Leave You', both as heart-stopping (and tear-jerking) as ever, and Padgett and Davie are never more connected than they are in those moments...But in making Daisy and Violet's connection literal, the production robs us of a chance to fully relate to the sisters -- even if it is just, as Houdini sings, 'all in the mind.' C
The original production, which starred Alice Ripley and Emily Skinner, is not easily erased from memory...The piece has been revised for this Condon revival, which is a serviceable rendition of the main material with generally solid leading performances, but will, for die-hard fans, be something of a disappointment...The main problem with the production...is simple, although it might sound weird. As played by Erin Davie and Emily Padgett, their charms and clear talents notwithstanding, the twins Violet and Daisy Hilton are too much alike. And thus they're too much of a wash for the show to have the requisite fire...Violet and Daisy must learn to accept their lot, as we all must do, to change what they can and accept what they cannot. But that theme, which is the main pull of the show, can't really operate if they do not first try to wrench themselves away. Instead, this show looks too often toward its own ending...Condon's work is atmospheric and, occasionally, has some richness...The freakishness of 'Side Show' has to be as real as the desires of the human exhibit with two bodies, two personalties, two sets of desires and yet only one vehicle for mutual delivery. Davie and Padgett are fine, but they should make you feel like their song is coming from the depths of their own two guts, not one shared.
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