Arcadia Performing Arts Foundation presents its first season at the Arcadia Performing Arts Center - Air Supply tonight, January 25 at 8 pm; America on Saturday, February 22 at 8 pm; Broadway star Susan Egan, the original Belle of Beauty and the Beast, on Saturday, March 1 at 8 pm; and The Temptations on Saturday, June 7 at 8 pm.
Birdland Jazz Club announces its February 2014 schedule, featuring: 4 Generations of Miles with Jimmy Cobb, Mike Stern, Buster Williams & Sonny Fortune; Reflections of Monk with Tom Harrell, Greg Osby, Melissa Aldana, Aaron Goldberg, Ben Allison & Matt Wilson; Quest with Dave Liebman, Richie Beirach, Ron McClure & Billy Hart; Joey DeFrancesco Organ Trio; Cyrille Aimee; Barbara Carroll; Christina Bianco's Birthday Bash; Jay Leonhart Duo; Tim Rosser and Charlie Sohne; Anne Tofflemire; Jim Caruso's Cast Party, and more!
Arcadia Performing Arts Foundation presents its first season at the Arcadia Performing Arts Center - Air Supply on Saturday, January 25 at 8 pm; America on Saturday, February 22 at 8 pm; Broadway star Susan Egan, the original Belle of Beauty and the Beast, on Saturday, March 1 at 8 pm; and The Temptations on Saturday, June 7 at 8 pm. This four concert season, presented by the Arcadia Performing Arts Foundation, is a means of raising funds to support arts in the schools and maintain this beautiful state-of-the-art facility.
Arcadia Performing Arts Foundation presents its first season at the Arcadia Performing Arts Center - Air Supply on Saturday, January 25 at 8 pm; America on Saturday, February 22 at 8 pm; Broadway star Susan Egan, the original Belle of Beauty and the Beast, on Saturday, March 1 at 8 pm; and The Temptations on Saturday, June 7 at 8 pm.
Music Director Alan Gilbert will conduct the New York Philharmonic in a program of Mozart's three final symphonies - Nos. 39, 40, and 41, Jupiter - tonight, November 29, 2013, at 8:00 p.m. and Saturday, November 30 at 8:00 p.m. Classical 105.9 FM WQXR in New York will broadcast the November 30 concert live at 8:00 p.m. as part of a month-long festival on the music and life of Mozart.
Now in its 16th season, Lincoln Center's acclaimed series American Songbook will continue to expand its scope celebrating the best in American singing and songwriting. New this year, the opening night concert will befree, in the David Rubenstein Atrium, on Wednesday, January 22, 2014. 'Live From Lincoln Center,' the Emmy Award-winning program broadcast nationally on PBS stations, will shoot four of the first week's American Songbook concerts in The Allen Room: by James Naughton, Lawrence Brownlee, Jason Isbell, and Patina Miller. These performances will be broadcast nationally beginning in Spring 2014. In addition, American Songbook concerts taking place in the Stanley H. Kaplan Penthouse at Lincoln Center will be live-streamed via http://watch.lincolncenter.org.
Music Director Alan Gilbert will conduct the New York Philharmonic in a program of Mozart's three final symphonies - Nos. 39, 40, and 41, Jupiter - Friday, November 29, 2013, at 8:00 p.m. and Saturday, November 30 at 8:00 p.m. Classical 105.9 FM WQXR in New York will broadcast the November 30 concert live at 8:00 p.m. as part of a month-long festival on the music and life of Mozart.
Fort Worth Opera (FWOpera) revealed today the names of the eight composer and librettist teams from the Americas whose works have been selected for participation in the second season of the company's critically-acclaimed, annual new works program, Frontiers, taking place May 8 – 9, 2014, during the last week of the 2014 Opera Festival.
One of the biggest downers perpetrated by American culture is the characterization of Labor Day weekend as the 'unofficial end of summer.' But given what has passed for cabaret entertainment-at least the shows I was able to attend--since the 'unofficial start of summer' on Memorial Day weekend, the end of summer can't come soon enough. But my dismay over the hours lost watching average shows this season was tempered a bit by the pride and joy I felt watching the June performances of three strikingly attractive and talented 30ish brunettes with powerhouse voices-- Jackie Kristel, Karen Gross and Jodi Beck, who all staged entertaining shows as spring was turning to summer.
The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. ChiShakes' 'Shrek,' BIC in Millennium Park, the casts of 'Flashdance' and 'We Will Rock You,' outdoor movies in Chicago and Aurora, classical music in the theater, a new 'Into The Woods' and a farewell to a friend of the Mosh Pit.
From May 28 to June 7, 2014, the New York Philharmonic will present the inaugural NY PHIL BIENNIAL, a kaleidoscopic exploration of today's music by a wide range of contemporary and modern composers that will showcase an array of curatorial voices through concerts presented with partners in venues both on and off the Lincoln Center campus.
The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. Will 'Big Fish' swim? 'Buddy,' the Bee Gees, 'Flashdance' and the new 'Phantom,' plus our own 'South Pacific,' Waa-Mu, 'A New Brain,' a showtune showdown and more!
You've probably seen the movie, but what does FLASHDANCE the Musical have that the movie doesn't? One word. Sas. That's right ladies and gents. Broadway veteran Rachelle Rak has taken on the role of Tess in this brand new musical that is currently sweeping across the US.
An award-winning actress, Kirsten holds a unique distinction among Broadway performers.
Anything Barbra Streisand-related is well worth attending (are you kidding?!), and on Friday, October 5, there was an invited dress rehearsal on the Temple University campus in the Liacouras Center as Barbra Streisand: BACK TO BROOKLYN got its feet wet for the first time in front of about a thousand people.
Today we have the honor of talking to an actor equally skilled in comedy and drama who is now a playwright and director in his own right, with his new play, BULLET FOR ADOLF, being a New York stage hit - the one and only Woody Harrelson. A huge Hollywood star who has appeared in countless recognizable and beloved film properties over the last twenty-five years - from Oliver Stone's NATURAL BORN KILLERS, Milos Foreman's THE PEOPLE VS. LARRY FLYNT, Robert Altman's A PRAIRIE HOME COMPANION and many more notables (not to mention his many comedies, ranging from WHITE MEN CAN'T JUMP to ZOMBIELAND), all the way up to his most recent screen appearances in THE MESSENGER, RAMPART and the international smash hit franchise-kick-off THE HUNGER GAMES - with a special focus on his new Broadway play which he co-wrote and directed, A BULLET FOR ADOLF - in this chat, Woody and I cover the bases. Covering his career from understudying in Neil Simon's BILOXI BLUES on Broadway and his subsequent big break on CHEERS to his string of iconic film portrayals, Harrelson and I shine a light on his theatrical side while he also elucidates the process that finally brought the story of BULLET FOR ADOLF to the theatrical stage, sharing the true life tale behind its characters, location, plot and themes along the way and opening up about possibilities for the play's future - West End, perhaps? Maybe a film? Plus, Harrelson also looks ahead to the many exciting projects coming up in the next several weeks and months now that A BULLET FOR ADOLF has settled in to an extended run at New World Stages, now on sale through October 21 - such as working with fellow InDepth InterView participant Philip Seymour Hoffman and the rest of the starry assortment of players on the highly anticipated THE HUNGER GAMES: CATCHING FIRE and its subsequent sequels (which begin shooting this week in Atlanta, GA); sharing the small screen with Matthew McConaughey on a new HBO thriller/serial-killer-themed anthology series titled TRUE DETECTIVES; starring in SEVEN PSYCHOPATHS, written and directed by celebrated playwright and filmmaker Martin McDonagh; even sharing his candid impressions and adoration of his favorite state of the union, Hawaii - all of that and much, much more!
Nigel Redden, Director of Lincoln Center Festival, announced the Festival's line-up, which runs from tonight, July 5 through August 5, 2012. Theater offerings include Mikhail Baryshnikov in Dmitry Krymov's staging of a new play, In Paris, as well as Sydney Theatre Company's acclaimed production of Uncle Vanya directed by Tamas Ascher and adapted by Andrew Upton. The stellar cast includes John Bell, Cate Blanchett, Hayley McElhinney, Richard Roxburgh, and Hugo Weaving.
REBECCA, the new musical based on the classic novel by Daphne du Maurier novel, has found its male and female leads: Jill Paice will play the role of "I" and Ryan Silverman the role of "Maxim de Winter." REBECCA will open on Broadway Sunday, November 18 at The Broadhurst Theatre. Previews will begin Tuesday, October 30.
Writer for stage and screen Aaron Sorkin spoke at Syracuse University's 158th Commencement yesterday; read a transcipt from his speech below!
Nigel Redden, Director of Lincoln Center Festival, today announced the Festival's line-up, which runs from July 5 through August 5, 2012. Single tickets go on sale on April 2. Theater offerings include Mikhail Baryshnikov in Dmitry Krymov's staging of a new play, In Paris, as well as Sydney Theatre Company's acclaimed production of Uncle Vanya directed by Tamas Ascher and adapted by Andrew Upton. The stellar cast includes John Bell, Cate Blanchett, Hayley McElhinney, Richard Roxburgh, and Hugo Weaving.
The Highline Ballroom has announced a program including Chick Corea and Sam Sparro for April.
At the peak of its success and influence during the 1980s and '90s, New York-based indie label Profile Records boasted an artist roster that read like the Who's Who of hip-hop and rap stars - from Run-D.M.C., Dana Dane, Special Ed and Rob Base, to DJ Quik, Nine, Poor Righteous Teachers, and Onyx, to name just a few.
Today, in an extension of the FLASH FRIDAY column, we are sharpening our focus on the six upcoming revivals of musicals that are soon to hit the boards in the next few months (post-FOLLIES) and battle it out for the Best Revival as the Broadway season heats up just when the weather begins to cool: the classic Jule Styne/Bob Merrill musical that originally starred that star-of-stars, Barbra Streisand - FUNNY GIRL; the groundbreaking rock opera that rewrote the theatrical rulebook thanks to young creators Andrew Lloyd Webber and Tim Rice - JESUS CHRIST SUPERSTAR; the hippie, flower child take on the Christ story covering some similar Biblical ground to that of SUPERSTAR, with this one being the composing debut of WICKED songwriter Stephen Schwartz - GODSPELL; another Andrew Lloyd Webber/Tim Rice collaboration that won seven Tony Awards and acted as the vehicle for Patti LuPone's blazing Broadway debut in a starring role - EVITA; the significantly reworked, revised and rewritten new version of the beautifully scored time-travel musical by Burton Lane and Alan Jay Lerner, this time starring a male movie star crooner - ON A CLEAR DAY YOU CAN SEE FOREVER; and, the landmark American opera composed by the Gershwins with DuBose Haywerd - PORGY & BESS. While each and every one of these entities has a huge hit song or two that nearly everyone on the planet knows by heart - "Don't Rain On My Parade", "I Don't Know How To Love Him", "Day By Day", "Don't Cry For Me Argentina", "On A Clear Day…" and 'Summertime' included - each of these revivals also comes after a film version (or two) that, in more than a few of these cases, will be relatively difficult to top as far as expectations of many audience members undoubtedly will go. So, by taking a listen to the smash hit crossover songs from these musicals as well as looking at their respective film version's trailers - as well as a couple of surprises, too - perhaps we can glean some insight into what makes these generally pretty terrific properties so well worth reviving on Broadway, here, now, today, in 2011. Furthermore, all of this crystal ball commentary is not even taking into account the starry assortment of performers that have already been announced for these productions so far - especially with FUNNY GIRL's Lauren Ambrose and Bobby Cannavale, GODSPELL's Hunter Parrish, SUPERSTAR's lauded Josh Young, EVITA's Ricky Martin and Michael Cerveris, PORGY's Norm Lewis and Audra McDonald, as well as the leading man in what was once a leading lady's role (that of Barbara Harris) in ON A CLEAR DAY YOU CAN SEE FOREVER, Harry Connick, Jr.! What a tight race it is turning out to be for these new productions, particularly come Tony time in June! With rock to rhumba and borscht belt comedy to messianic hosannas and even full-out opera, seemingly every conceivable customer base is more than covered by this packed, potentially, well, awesome, season of shows - and many Broadway babies around BroadwayWorld are undoubtedly looking most forward to these six forthcoming revivals - with particularly good reason given the relative dearth of new musicals announced so far. So, let these revivals revive your flagging spirits as we leap into the 2011-2012 season with this comprehensive prospective and retrospective all about what makes them work so well in the first place and so worthy of another look!
Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.
People's Light & Theatre presents the Philadelphia premiere of Horton Foote's Dividing the Estate. It runs May 11 - June 5, 2011 on the Main Stage. Artistic Director Abigail Adams directs. People's Light & T
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