Theatre-Hikes, a non-profit theater company based in Chicago, presents Driving Miss Daisy by Alfred Uhry. Theatre-Hikes has been presenting 'Stories That Move You!' since 2001 at North Park Village Nature Center and The Morton Arboretum. They present family friendly entertainment combined with a light walk, or a bit of exercise in a nature environment.
Voices Carry, Inc. will present the World Premiere of Strings Attached, a multidisciplinary project, involving contemporary dance, abstract puppetry, an original score, and performance art, for two weekends opening on Thursday, October 6, 2016 at The Shakespeare Center of Los Angeles in Downtown LA. The work, which has been in development for three years, is a window into the human capacity to love, with a focus on the universal feelings of grief, forgiveness, devotion, entrapment, and joy. Voices Carry, a nonprofit corporation guided by Artistic Director Madeline Leavitt, is dedicated to breaking down cultural barriers and embracing diversity through dance, theatre, and performance art.
Empire State Realty Trust, Inc. (NYSE: ESRT) and iHeartMedia today announced their partnership in a celebration honoring 19-time Grammy Winner and legend Tony Bennett's contribution to American music over the last 90 years on Wednesday, August 3, 2016.
'We are excited to have the audience open its eyes to some sunshine. [Artistic Director] Curt Dale Clark and I were just saying this morning that this has been an intense season so far, and Fiddler on the Roof and Evita cannot let in much sun. But we stream that light in Mamma Mia, and we hope it will provide a chance to breathe in the joy of the Greek Isles. If we do it right, we will all feel an uplift.'
Director/choreographer Mark Martino is waxing eloquent about his latest project and one which constitutes his Maine State Music Theatre debut: a new production of the 2001 Broadway smash it musical Mamma Mia, based on the songs of ABBA. Martino has what he calls 'a very short history' with the show, having mounted a production for the first time in June of this year at the Theatre Aspen. 'The two will be staged very differently,' he explains. 'Aspen is a 200-seat thrust stage, and here they have a 600-seat proscenium theatre. The Pickard Theater gives me an opportunity to expand the show. Our cast at MSMT is about one third larger than in Colorado - some twenty-seven actors - which is even a bit larger than the twenty-four in the original Broadway production. The production values are going to be large and lavish, and the cast has a huge amount of energy, so for me it is an opportunity to revisit the show and make different pictures and entirely different choreography.'
KVPAC's Encore Players present Waiting for Godot next month, an award-winning two-act play by Irish writer Samuel Beckett and directed by Morgan Midkiff. Hailed by many as the most significant English language play of the 20th century, Beckett's masterpiece is without a doubt the most prominent work of the 'Theatre of the Absurd,' a dramatic body of work largely defined by the characteristic traits of Godot.
Ehrenkranz Artistic Director Jane Moss today announced the schedule for Lincoln Center's seventh White Light Festival, running from October 16 through November 16, 2016. The international multidisciplinary festival, which takes its name from a quotation by the Estonian composer Arvo Part, is an annual exploration of the power of art to illuminate our interior and communal lives. 'I could compare my music to white light which contains all colors. Only a prism can divide the colors and make them appear; this prism could be the spirit of the listener.' - Arvo Part
Author Merline Guillaume shares a poignant and wonderful chronicling of her younger years through a collection of poems in 'Living Joys and Sorrows' (published by Trafford Publishing). This soulful and rhythmical retelling imparts to readers the value of sadness in a positive light, taking lessons from setbacks and knowing that tomorrow brings a new light.
The 5th Avenue Theatre presents an exciting new 'revisal' of the sweeping saga Lerner & Loewe's PAINT YOUR WAGON. Featuring an all-new book by Pulitzer Prize nominee John Marans, this show has taken an incredible journey over the last five years from developmental workshops to The 5th Avenue stage this season. And BroadwayWorld is happy to report that the company has just announced the full cast and creative team.
Opening night quickly approaches at Nashville's historic Chaffin's Barn Dinner Theatre - which this year celebrates its 50th season - for Neil Simon's Rumors, first produced on the iconic and completely magical floating stage in 1991.
Remember when your little brother re-enacted every 'Star Wars' scene in your basement when you were kids - complete with voice impersonations, sound effects and light saber battles? Fast-forward about 35 years and you'll see him all grown up, onstage, wielding an imaginary light saber and occasionally cracking himself up in ONE-MAN STAR WARS TRILOGY.
Legally Blonde the Musical has had an array of productions all over the world since its 2007 Broadway opening. Based on the 2001 film starring Reese Witherspoon, the story of love, faith and pushing past stereotypes has being capturing the hearts of theatregoers ever since. Famous for its outstanding quality of work, the Curve in Leicester is currently presenting a brand new version of the show, directed by Artistic Director Nikolai Foster.
Music Director Nicholas McGegan-who celebrates 30 years of leading the Philharmonia Baroque Orchestra this season-returns to Carnegie Hall to conduct the ensemble in the New York premiere of Scarlatti's La Gloria di Primavera on Friday, May 6 at 7:30 p.m. in Zankel Hall. The performance of the newly re-discovered work-written 300 years ago to celebrate the birth of the heir to the Holy Roman Emperor-features soprano Suzana Ograjenšek, mezzo-soprano Diana Moore, countertenor Clint van der Linde, tenor Nicholas Phan, and bass-baritone Douglas Williams.
The History Theatre in St. Paul is committed to bringing new plays and musicals to the stage, usually inspired by true events in Minnesota history. Their yearly Raw Stages festival, a series of workshops and readings of new works, often results in full productions in the following season or two. But I often wonder, what happens next? After a new play or musical is developed, produced, and well-received, where does it go? In the case of 2001's WATERMELON HILL, it comes back again 15 years later. As much as I love seeing new works of theater on History Theatre's stage, I'm thrilled that they brought this wonderful old new work back to the stage, giving it a fresh new production. Inspired by historical events, WATERMELON HILL tells the stories of three young women in the mid '60s, pregnant and unmarried, sent in shame to St. Paul's Catholic Infant Home to wait out their pregnancies, deliver their babies, give them up for adoption, and then leave and never look back. Surprisingly light and funny for such a somber topic, the play brings light to the all too familiar tale of the challenges and lack of education and choices facing women in the past, and perhaps to a lesser extant, even today. Along with THE HOW AND THE WHY and NINA SIMONE: FOUR WOMEN, it's another fantastic choice of theater to present during Women's History Month.
February 6, 2016, marks the 50th anniversary of the original airing of the final episode in the beloved Mister Ed television series (1961-66). Honoring the memory of the show, Kenosha, Wis.-based author Timm Boyle has published a new soft science fiction novel titled Bamboo Harvester: An Extraordinary Horse's Quest to Save a Civilization - Volume 1.
Washington State native Trisha Brown is considered the most widely acclaimed choreographer of the postmodern era. For over 50 years, she pushed the limits of choreographic movement, changing modern dance forever. At 79, Trisha Brown has choreographed her last dances. In celebration of her life's work, Trisha Brown Dance Company returns to the choreographer's home state to perform the final performances of her works for the proscenium stage as part of a retrospective presented by University of Washington's World Series at Meany Hall.
The Dance COLEctive (TDC) celebrates 20 years of cutting-edge choreography, innovative collaborations and mentorship of new choreographers with "Revelry/20 Years," a concert series March 11-20, 2016 at Links Hall at Constellation, 3111 N. Western Ave., Chicago. The program comprises premieres, works by current and former company members and reconstructed repertory by alumni and special guests.
Washington State native Trisha Brown is considered the most widely acclaimed choreographer of the postmodern era. For over 50 years, she pushed the limits of choreographic movement, changing modern dance forever. At 79, Trisha Brown has choreographed her last dances. In celebration of her life's work, Trisha Brown Dance Company returns to the choreographer's home state to perform the final performances of her works for the proscenium stage as part of a retrospective presented by University of Washington's World Series at Meany Hall.
Opiate-related overdose deaths have quadrupled in the U.S. since 2001. In 2014, Massachusetts had more than 1,250 deaths from heroin overdose; today, 85% of the crimes on Cape Cod are opiate-related.
A modern dance giant, choreographer/director Alison Chase celebrates the second New York City season of her dance theater company Alison Chase/Performance in a four-day performance series January 14-17 at Five Angels Theater. Bringing a highly kinetic element to dance adding multidimensional storytelling to create a signature style, Chase continues to morph the direction of American dance. This diverse program features eight dancers performing four pieces: world premieres of In the Forest of the Night and Tracings, and a retrospective of Chase's work from the past 15 years including Red Weather (2013), and Monkey and the White Bone Demon (2001).
Children's eyes are sure to light up when beautiful ballerinas dance and twirl to Tchaikovsky's charming and imaginative music for Pacific Symphony's annual 'Nutcracker for Kids,' led by the Symphony's new Assistant Conductor Roger Kalia and featuring the Festival Ballet Theatre (FBT).
Children's eyes are sure to light up when beautiful ballerinas dance and twirl to Tchaikovsky's charming and imaginative music for Pacific Symphony's annual 'Nutcracker for Kids,' led by the Symphony's new Assistant Conductor Roger Kalia and featuring the Festival Ballet Theatre (FBT).
Orange County, Calif.—Nov. 23, 2015—Children's eyes are sure to light up when beautiful ballerinas dance and twirl to Tchaikovsky's charming and imaginative music for Pacific Symphony's annual “Nutcracker for Kids,” led by the Symphony's new Assistant Conductor Roger Kalia and featuring the Festival Ballet Theatre (FBT). The most popular concert of the Symphony's Family Musical Mornings series, presented by Farmers and Merchants Bank, this holiday concert brings to life the enchanted world of toy soldiers, waltzing flowers and the Sugar Plum Fairy in a 50-minute version of the famous ballet adapted especially for children ages 5 and above. The orchestra performs the ballet's most famous moments including “Clara and the Nutcracker,” “Waltz of the Flowers,” “Dance of the Sugar Plum Fairy” and “A Pine Forest in Winter.” Family-favorite actress Stephanie Draude (“A Sherlock Holmes Halloween” and “Superheroes”) joins in as elf Clementine Sparkletoes to help narrate the story told through music and dance. And to top off this festive holiday tradition—Santa Claus makes a special appearance with his young “Elves in Training,” along with Miss Sparkletoes, to lead the audience in a merry sing-along!
Called “A Christmas tale from a faraway Land of Snow and Ice” by New York Times Dance Critic Brian Seibert in 2014, Moscow Ballet's principal dancers and production values keep raising the ante for a performance experience that engage audiences of all ages in small towns to top demographic markets. Award-winning principal dancers Ekaterina Bortiakova and Akzhol Mussakhanov, hailing from one of the world's best ballet academies, deliver flawless performances. “Bortiakova's technical prowess, especially in her footwork and turns, was…truly great,” Cleveland Plain Dealer, 2014, and “Moscow Ballet's four-star performance…takes it up a notch and inspires awe,” Minneapolis Twin Cities Daily Planet, 2014. New in 2015 are set designs by Art Directors' Guild multi-award winner Carl Sprague, who has worked in the art department of more than 30 films, with a combined total of 22 Oscar wins, including best picture for “12 Years a Slave” and best production design for 'The Grand Budapest Hotel'. In addition Russian theatrical design meets American technology skill in Act I's Party Scene in the new magical Grandfather Clock. John Creech, American Prop Master for over a generation, is credited for creations from extravagant Fashion Week run-ways to ballet and Broadway stages. The 10 foot tall magical clock features a sculpted 3 ft tall owl whose wings open to a 5ft span and eyes light up as the clock strikes. Russian Designer Valentin Fedorov, of Chibaksari Opera House and graduate of Bolshoi Theater Design School, created Moscow Ballet's fanciful 10” tall animal puppets, backdrops with 3-d effect and more. New costumes for Act I designed by Resident Designer Arthur Oliver, known for his work nationally and at Shakespeare & Company, are created by hand in St Petersburg by one of the world's oldest theatrical shops. Moscow Ballet's Christmas production of the Great Russian Nutcracker will be in New York City at Kings Theater Saturday December 5, 3:00pmmatinee. Tickets go to www.nutcracker.com/buy-tickets.
'[Thank you] to an incredible cast of British and American actors who make the Atlantic look like a little creek you can just kind of pop across,' said Dame Helen Mirren upon receiving her 2015 Tony Award. The stage and screen star reprised her critically-acclaimed performance in THE AUDIENCE after a West End run in 2013, and she was just one of many to 'pop across' an ocean for a stab at Broadway. An unprecedented amount of British talent took over Broadway last year, bringing us such productions as THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, WOLF HALL: PARTS 1 & 2, and SKYLIGHT.
It doesn't seem like the trend is ending anytime soon.
This fall, Broadway will welcome a slew of British actors- some of whom will be making their US stage debuts in incoming productions. And it's not just performers. We're getting some complete British imports in shows like A VIEW FROM THE BRIDGE and KING CHARLES III. Below, we're taking a moment to shine a spotlight on this season's British imports.
The new St. Ann's Warehouse was unveiled in a ceremony this morning! The $31.6 million, 25,000 sf. theater, at the breathtaking site of the pre-Civil War Tobacco Warehouse under the Brooklyn Bridge, will make Brooklyn Bridge Park a home for culture for future generations.
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