Taking Sides 1996 - Articles Page 1.8

Latte Da's CHICAGO spotlights two leading ladies battling for the ultimate in fame, so what's more appropriate than giving a double-dose of 6 Questions & a Plug? Buckle up and follow along as these two actors share the spotlight.

Dusk Dances proudly presents its 25th annual season, returning to Withrow Park this summer with another week of exquisite dance works from Canada's finest dance makers! Dusk Dances is a renowned and beloved outdoor dance festival presented at Withrow Park each August. Dusk Dances 2019 features some of Canada's top choreographers and dancers, including Hanna Kiel, Meredith Thompson, Mix Mix Dance Collective, Denise Fujiwara and Yuichiro Inouo, Pulga Muchochoma & Naishi Wang, in a diverse program of dance.

Dusk Dances proudly presents its 25th annual season, returning to Withrow Park this summer with another week of exquisite dance works from Canada's finest dance makers! Dusk Dances is a renowned and beloved outdoor dance festival presented at Withrow Park each August. Dusk Dances 2019 features some of Canada's top choreographers and dancers, including Hanna Kiel, Meredith Thompson, Mix Mix Dance Collective, Denise Fujiwara and Yuichiro Inouo, Pulga Muchochoma & Naishi Wang, in a diverse program of dance. 

Executive Director Thor Steingraber unveils the Younes and Soraya Nazarian Center for the Performing Arts' 2019-20 Season, which features a reconsideration of Randy Newman's musical Faust, in a concert format (May 9), an opening night recital with Itzhak Perlman accompanied by Rohan De Silva, piano (September 19), and a Beethoven 250th Birthday Celebration featuring six concerts beginning with Jonathan Biss, piano (October 15 & 16); other concerts include the Kalichstein-Laredo-Robinson Trio (November 13), Royal Philharmonic Orchestra with Pinchas Zukerman, Principal Guest Conductor and Violin Soloist (January 24), Christian Tetzlaff, violin, with Los Angeles Chamber Orchestra (February 7), Academy of St Martin in the Fields with Joshua Bell (March 4) and Rotterdam Philharmonic Orchestra (March 25).

As I'm going through all my Gypsy CDs (yes, to ensure I have them all either on my hard drive or accessible in the cloud, before throwing them out), I'm finding myself weirdly most drawn to Tyne Daly's recording, from her Tony-winning performance in the 1989 revival. The thing is I know Tyne Daly, I mean I know her work. She's been a familiar and distinctive presence on stage and screen for as long as I can remember and I even have a few musical theater recordings featuring her singing, but hers is not a singing voice I live with on a LITERALLY daily basis like, say, Ethel Merman's, Angela Lansbury's, Bette Midler's, Bernadette Peters's or Patti LuPone's. So to me, Tyne Daly's Rose is a unique sound that I can only identify with Tyne Daly's Rose and, therefore, a character. For today, that's the Gypsy I most feel like listening to.

Multiple Grammy and Oscar winning artist, musician and producer T Bone Burnett gave a thought provoking keynote speech at SXSW today, warning of the current dangers of the dominance of digital monopolies like Google and Facebook, while championing the value of the independence of artists. See below for the full text of the speech.

The Cultural Services of the French Embassy and Albertine Books,the dynamic bookshop and cultural center operated by the French Embassy in New York, today announce prominent American and Russian journalist, professor, and author Masha Gessen as the curator of the fifth annual Festival Albertine, which is themed 'Reimagining Democracy' and takes place October 30 - November 3, 2018. Informed by experience as a witness to affronts to democracy today, Gessen has often urged people to open their eyes to such challenges, and to use their imagination to picture what is further at stake. Many thinkers from France, America, and across the Francophone world are similarly united by a pressing concern over surging demagoguery and democracy's fragility.

Let me start, Dear Readers, by saying this is NOT the frothy Disney cartoon you may recall from your youth. Yes, it does contain many of the Alan Menken and Stephen Schwartz songs from the 1996 Disney animated film but this show is more akin to the Victor Hugo novel than the cartoon. Gone are the silly, wise-cracking gargoyles whom you might find recreated in a Happy Meal, and amped up is the story of religious persecution, intolerance, sex, and betrayal. Leading me to wonder, what audience are they aiming for? Disney songs, filled out with heady albeit soaringly beautiful choral pieces, and a dark and gritty story that (spoiler alert) does not end well for everyone. And this is my biggest problem with the show, it can't make up its mind as to what it wants to be.

Elevator Repair Service, "one of the city's few truly essential theater companies" (New York Times), is pleased to present the world premiere of Everyone's Fine With Virginia Woolf, a new play written by longtime company member Kate Scelsa and directed by Elevator Repair Service Artistic Director John Collins.

Elevator Repair Service, "one of the city's few truly essential theater companies" (New York Times), is pleased to present the world premiere of Everyone's Fine With Virginia Woolf, a new play written by longtime company member Kate Scelsa and directed by Elevator Repair Service Artistic Director John Collins.

Yale Repertory Theatre (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Father Comes Home From the Wars, Parts 1, 2 & 3 by Suzan-Lori Parks, directed by Liz Diamond, March 16-April 7, at the University Theatre (222 York Street). Opening Night is Thursday, March 22. Father Comes Home From the Wars, Parts 1, 2 & 3 is a co-production with San Francisco's American Conservatory Theater, where it will play April 25-May 20.

Rubicon Theatre Company (RTC) opens the company's 2017-2018 20th Anniversary Season with a provocative and gripping drama based on the story of German conductor and composer Wilhelm Furtw ngler, who remained in Germany after Hitler's rise to power and was later accused of being a Nazi sympathizer.

Wyclef Jean has released his much anticipated new album Carnival III: The Fall and Rise of a Refugee, today via Heads Music / Legacy Recordings. Wyclef's first full-length album in eight years,

Wyclef Jean has released his song “Borrowed Time” via USA Today. The track appears on his forthcoming album Carnival III: The Fall and Rise of a Refugee, out September 15 via Heads Music / Legacy Recordings

Mosaic Theater Company of DC presents the culmination of its expansive and hugely successful second season with the 2017 Voices From a Changing Middle East Festival. This year's festival is of particular resonance in this 50th year since the Six Day War and the start of The Occupation, and focuses on two taut dramas about the lives, circumstances, and humanity of Palestinians in Israel and Gaza.

David Mirvish is delighted to present the Studio 180 Theatre production of MY NIGHT WITH REG, by Kevin Elyot, directed by Joel Greenberg. MY NIGHT WITH REG plays February 10 to 26 at the Panasonic Theatre.

David Mirvish is delighted to present the Studio 180 Theatre production of MY NIGHT WITH REG, by Kevin Elyot, directed by Joel Greenberg. MY NIGHT WITH REG plays February 10 to 26 at the Panasonic Theatre.

Charlotte Hope (Myranda in Game of Thrones, Allied, A United Kingdom), Jack Fortune (King Lear, Route Irish, Sparkling Cyanide), Barnaby Kay (A Streetcar Named Desire, The Real Thing, Wuthering Heights) and Gary Shelford (Twelfth Night, Angry Young Man) join the previously announced multi award-winning, international star Ed Harris (forthcoming HBO series from J.J. Abrams & Jonathan Nolan; Westworld, Pollock, The Hours and The Truman Show), Golden Globe winner Amy Madigan (Twice in a Lifetime, Roe vs. Wade), and Jeremy Irvine (War Horse, The Railway Man, Now is Good) to complete the cast in Sam Shepard's Pulitzer & Obie prize winning play, Buried Child, following a critically acclaimed New York run earlier this year.

Jay and Cindy Gutterman bring a new comedy to the Wilmington Theatre Company in Wilmington, DE.

One of the finest actors of his generation, Jeremy Irvine (Steven Spielberg's War Horse, The Railway Man, Now is Good and forthcoming films Fallen, Billionaire Boys Club, and This Beautiful Fantastic) will make his West End debut in Sam Shepard's Pulitzer & Obie prize winning play, Buried Child.

Director Sean Foley, who has recently enjoyed sell-out success adapting and directing The Painkiller in the Kenneth Branagh Theatre Company season of Plays at the Garrick will, starting this autumn, under producer Mark Goucher, direct two new productions in the West End.

The Irish Repertory Theatre (Charlotte Moore, Artistic Director and Ciaran O'Reilly, Producing Director) presents its first production of 2016, THE BURIAL AT THEBES written by Irish Nobel Laureate Seamus Heaney, based on Sophocles' Antigone.  Directed by Charlotte Moore, THE BURIAL AT THEBES will now star two-time Emmy Award-winner and Tony nominee Larry Bryggman (Proof, Picnic, "As the World Turns") as Creon, The King of Thebes (who replaces the previously announced John Cullum), and Rebekah Brockman (seen as Nettie on the acclaimed Cinemax series "The Knick") as Antigone.  THE BURIAL AT THEBES will be performed Thursday, January 14 - Sunday, March 6, 2016. Opening Night is scheduled for Sunday, January 24, 2016.  Tickets are on sale now through the Irish Rep box office at 212-727-2737 or online at www.irishrep.org.

SantaLand Diaries is arguably the defining short story that put the now iconic essayist, NPR regular, and perpetual sardonic wit, David Sedaris on the literary map back in 1992. The story was adapted as a one-man stage production by Joe Mantello (Wicked, Take Me Out, Assassins) in 1996. The tale tells Sedaris' sarcastic story of his holiday season stint as Crumpet, one of Santa's Christmas elves at Macy's flagship New York City store. Mantello's adaptation, like the original, brings us behind the scenes of Macy's famous holiday attraction, counting down the days till Christmas using Sedaris' signature cynical style. The shop talk of a 33-year old, snarky, gay, man-elf includes ridiculous memories of a crew of bitter Santas, exasperated parents, puking children and utterly confused foreign tourists. In the end, Crumpet simultaneously tears down our sugar-coated image of a child's annual visit to see Santa, while leaving us inspired that the Christmas spirit somehow manages to live on in even the most bitter of St. Nick's little helpers.

The Irish Repertory Theatre (Charlotte Moore, Artistic Director and Ciaran O'Reilly, Producing Director) announces its first production of 2016, THE BURIAL AT THEBES written by Irish Nobel Laureate Seamus Heaney, based on Sophocles' Antigone.