Orange County, Calif.—Dec. 3, 2013—One of Russia's most fascinating and complex composers—Dmitri Shostakovich—goes under the magnifying glass when Pacific Symphony partners with Chapman University's Global Arts Program to present “Decoding Shostakovich,” a festival dedicated to the iconic composer, whose life unfolded under the Soviet system. There are myriad reasons for a festival devoted to this fascinating man, beginning with the tremendous impact he had on classical music in Russia and beyond. Through classical concerts and a wide array of presentations (discussions, film, dance, lecture, piano recital, theater, symposium, book club and master classes), “Decoding Shostakovich” probes deeply into the man to reveal the composer's relationship to his home country, its culture and politics and the effects these had on his music. The festival, which began in November, continues into February 2014. For more information about “Decoding Shostakovich,” visit: http://www.pacificsymphony.org/shostakovich_festival. (See the complete festival schedule below.)
Rose Theatre Kingston and English Touring Theatre will co-produce a new translation of Henrik Ibsen's classic, Ghosts this autumn. Stephen Unwin, outgoing Artistic Director of the Rose Theatre, will direct his own translation which will premiere at the Rose on the 19 September before touring nationwide to Salisbury, Oxford, Guildford, York, Watford, Malvern and Brighton. Unwin has a long standing connection with Ibsen's work, and this will be the 7th Ibsen play he has directed. This will be the second play translation that Unwin has written, following his highly acclaimed translation of The Lady from the Sea in 2012 at the Rose Theatre.
The 2014 season opens with the Chicago Premiere of Duke Ellington's Queenie Pie. Original dates announced were February 15-23, 2014. REVISED dates are February 15- March 5, 2014. Specific dates are February 15, 21, 23 and March 5, 2014.
Chicago Opera Theater (COT) General Director Andreas Mitisek announces programming for COT's 2014 season, including two operas and a double-bill of one-acts. Mitisek comments, 'It's a season that is 100% 20th century and 150% COT. New, rare and with contemporary relevance for a curious audience that is hungry for new theatrical experiences.'
Chicago Opera Theater (COT) General Director Andreas Mitisek today announces programming for COT's 2014 season, including two operas and a double-bill of one-acts. Mitisek comments, "It's a season that is 100% 20th century and 150% COT. New, rare and with contemporary relevance for a curious audience that is hungry for new theatrical experiences." The season opens with the Chicago Premiere of Duke Ellington's Queenie Pie, February 15 - 23, 2014. In the spring, COT presents a double-bill of Carl Orff's Die Kluge and Viktor Ullmann's Der Kaiser von Atlantis, May 31 - June 8, 2014. The season wraps in the fall with the Chicago Premiere of Ernest Bloch's Macbeth, September 13 - 21, 2014. Mitisek also comments "We increased our subscriber family by 18.5% in 2013. COT is THE place for adventure and discovery. We invite our audience on a journey into the good and evil of ambition."
Closing Aurora's 20th season is the World Premiere of SALOMANIA, Aurora Theatre Company Artistic Director Tom Ross's first new play commission for the company, written and directed by award-winning Bay Area auteur Mark Jackson (Metamorphosis, Salome, Miss Julie). Workshopped and developed at Aurora in 2010, SALOMANIA features Madeline H.D. Brown (Metamorphosis), Mark Anderson Phillips (Small Tragedy), Alex Moggridge (Betrayed), Liam Vincent (California Shakespeare Theater), Anthony Nemirovsky (Awake and Sing!), Marilee Talkington (Crowded Fire), and Kevin Clarke (Shotgun Players). SALOMANIA plays tonight, June 15 through July 22 at the Aurora Theatre in Berkeley.
Closing Aurora's 20th season is the World Premiere of SALOMANIA, Aurora Theatre Company Artistic Director Tom Ross's first new play commission for the company, written and directed by award-winning Bay Area auteur Mark Jackson (Metamorphosis, Salome, Miss Julie). Workshopped and developed at Aurora in 2010, SALOMANIA features Madeline H.D. Brown (Metamorphosis), Mark Anderson Phillips (Small Tragedy), Alex Moggridge (Betrayed), Liam Vincent (California Shakespeare Theater), Anthony Nemirovsky (Awake and Sing!), Marilee Talkington (Crowded Fire), and Kevin Clarke (Shotgun Players). SALOMANIA plays June 15 through July 22 at the Aurora Theatre in Berkeley.
The Old Globe's 2012-13 Season will feature the World Premieres of two new musicals: Allegiance - A New American Musical by Jay Kuo and Lorenzo Thione and A Gentleman's Guide to Love and Murder by Robert L. Freedman and Steven Lutvak. The season also includes George Bernard Shaw's Pygmalion in celebration of the classic play's 100th anniversary and the World Premiere of a new adaptation of Henrik Ibsen's A Doll's House by Anne-Charlotte Hanes Harvey and Kirsten Brandt. Two recent Broadway hits will make their San Diego debuts at the Globe: David Lindsay-Abaire's Good People and Jon Robin Baitz's Other Desert Cities. Rounding out the season are the West Coast Premiere of Bekah Brunstetter's Be a Good Little Widow and the Southern California Premiere of Tarell Alvin McCraney's The Brothers Size.
Happy Guy, LLC presents HANAKO JUNCTION, Roderic Wachovsky's world premiere play about one of Auguste Rodin's famous muses, April 7 through 30, 2011 at Gene Frankel Theatre (24 Bond St., NYC).
First Stage presents THE HUNDRED DRESSES, based on the award-winning children's novel by Eleanor Estes.
First Stage presents THE HUNDRED DRESSES, based on the award-winning children's novel by Eleanor Estes.
Telechage.com is now listing Arcadia, a revival of Tom Stoppard's play, will return to New York this spring for a limited engagement in an acclaimed new production directed by five-time Tony Award nominee David Leveaux.
Lincoln Center Festival began with the idea of expanding the possibilities presented at Lincoln Center and bringing to audiences something that they could not see elsewhere. This is a challenging goal in a city as culturally rich as New York, and the result has been an eclectic mix of artists and productions representing over 50 countries as of Festival 2009.
Lincoln Center Festival began with the idea of expanding the possibilities presented at Lincoln Center and bringing to audiences something that they could not see elsewhere. This is a challenging goal in a city as culturally rich as New York, and the result has been an eclectic mix of artists and productions representing over 50 countries as of Festival 2009.
Lincoln Center Festival began with the idea of expanding the possibilities presented at Lincoln Center and bringing to audiences something that they could not see elsewhere. This is a challenging goal in a city as culturally rich as New York, and the result has been an eclectic mix of artists and productions representing over 50 countries as of Festival 2009.
Goodman Theatre is proud to announce the Krapp's Last Tape Artists Talk as part of the new 2010 Series connecting theater audiences with the artists who bring productions to life at the Goodman.
The York Theatre Company (James Morgan, Producing Artistic Director) and the Program in Vocal Performance/Musical Theatre at NYU's Steinhardt School are once again announcing the culminating performances of a unique partnership between a university training program and an Off-Broadway theatre: 4@15: FOUR NEW FIFTEEN-MINUTE MUSICALS on Saturday and Sunday, January 23 and 24, 2009 at 3 PM and 7 PM on both days. York's Associate Artistic Director, Brian Blythe directs, Tammy Holder music directs. Reservations are recommended.
Goodman Theatre is proud to announce the Krapp's Last Tape Artists Talk as part of the new 2010 Series connecting theater audiences with the artists who bring productions to life at the Goodman.
El?na Garan?a sings the title role of La Cenerentola, Rossini's charming version of the Cinderella story, for the first time with the company beginning May 1. The Latvian mezzo-soprano made her highly acclaimed Met debut last season as Rosina in Il Barbiere di Siviglia.
Donizetti's comic masterpiece L'Elisir d'Amore returns to the Met with Angela Gheorghiu reprising her acclaimed portrayal of Adina and three tenors singing the role of Nemorino for the first time with the company: Massimo Giordano, Rolando Villazón, and Joseph Calleja. Other members of the cast also making role debuts include Franco Vassallo as Belcore and Simone Alaimo as the quack Doctor Dulcamara.
Sean Mathias directs Ian McKellen and Patrick Stewart in Samuel Beckett's Waiting for Godot which is his first production as Artistic Director of the 2009 Theatre Royal Haymarket Company. Waiting for Godot will tour the UK prior to its opening in London in April.
Sean Mathias will direct Ian McKellen and Patrick Stewart in Samuel Beckett's Waiting for Godot which is his first production as Artistic Director of the 2009 Theatre Royal Haymarket Company. Waiting for Godot will tour the UK prior to its opening in London in April.
A cast of internationally most acclaimed Verdi singers is showcased in the Met's new production of the Italian master's melodic tour de force, Il Trovatore, which opens February 16. Renowned director David McVicar makes his Met debut, and Gianandrea Noseda conducts a cast that includes Marcelo ?lvarez in his first Met performances of the heroic title role, and three singers who are celebrated interpreters of their parts: Sondra Radvanovsky as Leonora, Dolora Zajick as Azucena, and Dmitri Hvorostovsky as Count di Luna. Kwangchul Youn makes his Met role debut as Ferrando. In later performances, Marco Berti is Manrico; Hasmik Papian is Leonora; Luciana D'Intino is Azucena, ?eljko Lučić is di Luna, and Burak Bilgili is Ferrando, conducted by Riccardo Frizza. Performances run through May 8.
A cast of internationally most acclaimed Verdi singers is showcased in the Met's new production of the Italian master's melodic tour de force, Il Trovatore, which opens February 16. Renowned director David McVicar makes his Met debut, and Gianandrea Noseda conducts a cast that includes Marcelo ?lvarez in his first Met performances of the heroic title role, and three singers who are celebrated interpreters of their parts: Sondra Radvanovsky as Leonora, Dolora Zajick as Azucena, and Dmitri Hvorostovsky as Count di Luna. Kwangchul Youn makes his Met role debut as Ferrando. In later performances, Marco Berti is Manrico; Hasmik Papian is Leonora; Luciana D'Intino is Azucena, ?eljko Lučić is di Luna, and Burak Bilgili is Ferrando, conducted by Riccardo Frizza. Performances run through May 8.
Maria Guleghina and Pl?cido Domingo star in Cilea's Adriana Lecouvreur, which opens at the Metropolitan Opera on February 6 with Domingo returning to sing the role of his Met debut 40 years ago. Guleghina sings Adriana, the famous actress in love with the military hero Maurizio, sung by Domingo. Olga Borodina sings the Principessa di Bouillon, Adriana's rival for Maurizio's affections, and Roberto Frontali is Adriana's faithful friend Michonnet. Marco Armiliato conducts all performances, and Marcello Giordani sings the role of Maurizio on February 17. All the principal singers other than Domingo are performing their roles for the first time at the Met. Mark Lamos stages this revival, with set designs by C.M. Cristini after sketches by Camillo Paravicini and costume designs by Ray Diffen with additional costumes by Jane Greenwood. Lighting design is by Duane Schuler and choreography by Sergei Gritsai.
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