Paris 1928 - Articles Page 4.2

'This is a period in history where art is rejuvenating the people. From a musical standpoint, An American in Paris depicts an interesting time in the European-American cultural exchange. The many colors of French, German, British music were being influenced by American sounds to create a new, singular musical aesthetic, and this, in turn, influenced American musicians who emulated these aspects. It became a snowball of invention.' Music Director David Lamoureux is talking about the exciting period of cultural cross contexts and artistic innovation that was Post War Paris. He is joined by two of his collaborators on the production, directed and choreographed by Jeffry Denman, which opened at the Ogunquit Playhouse on July 13: Assistant Music Director Patrick Fanning and Assistant Choreographer Ashley Marinelli. The trio waxes eloquent about the fertile, innovative artistic world of the play and its time period and the opportunity to bring this milieu and story to life at the famed playhouse which celebrates its 86th season.

In 1928, George Gershwin composed 'An American in Paris' inspired by the time he spent there. It wasn't until 1951 that An American in Paris hit the movie screen starring Gene Kelly and Leslie Caron as directed by Vincente Minnelli.

London's Dirty Water Records, together along Metronomo Management (Lisbon), Peer Music and Alter-K Records (Paris) and in cooperation with Sony Music/Jive Epic, are pleased to announce the US and UK album release of 'Misfit' by European blues-punk sensation, The Legendary Tigerman (A.K.A. Paulo Furtado). 'Misfit' will be released on Dirty Water Records in the US and UK territories on August 24th, 2018 and will feature limited edition white coloured 12' vinyl coupled with four exclusive and unreleased bonus tracks entitled 'Misfit Ballads EP'.

Arlene Shuler, New York City Center President and CEO, today announced programming for Balanchine: The City Center Years, the centerpiece of the 75th Anniversary Season. Beginning on October 31 (through Nov 4), an international roster of eight prestigious companies-American Ballet Theatre, Joffrey Ballet, The Mariinsky Ballet, Miami City Ballet, New York City Ballet, Paris Opera Ballet, The Royal Ballet, and San Francisco Ballet-perform thirteen works over six programs.

LE RIDE follows the story of the first English speaking team to ride in the toughest sporting event on earth, The Tour de France. In 1928 a small under-resourced, untested team from New Zealand and Australia lined up in Paris next to Europe's best riders. 168 riders started only 41 finished!

Principal Pops Conductor Michael Feinstein opens the 2018 Pasadena POPS Sierra Summer Concert Series on Saturday, June 23rd with That's Entertainment: Gershwin to Sondheim. The POPS season opener will cover the gamut of the Great American Songbook from jazz standards to Broadway hits, and vintage charts that can't be heard anywhere else. Hear your Broadway favorites from Porgy and Bess and An American in Paris to Company and Follies, plus popular standards and vintage archival surprises with Nice Work if You Can Get It, S'Wonderful, and Being Alive just to name a few.

Overture Center revealed its 2018/19 season, which features nearly 100 performances, including seven new-to-Overture-Hall Broadway titles and 23 new Overture Presents shows.

David Robertson will conduct the New York Philharmonic in Vaughan Williams's Fantasia on a Theme by Thomas Tallis and Saint-Saëns's Symphony No. 3, Organ, with Philharmonic organist Kent Tritle, at the 27th Annual Free Memorial Day Concert, Monday, May 28, 2018, at 8:00 p.m. at The Cathedral Church of Saint John the Divine. Seating is on a first-come, first-served basis on the day of the performance; ticket distribution will begin at 6:00 p.m. The audio of the performance will be broadcast onto the adjacent Pulpit Green, weather permitting. The program will be presented without intermission.

Lyrics take center stage at Quality Hill Playhouse in March as the company pays tribute to two songwriters known for their internal rhymes and worldly wit in the original cabaret revue IT'S DELOVELY: THE WIT OF COLE PORTER AND NOËL COWARD, opening March 2.

Ute Lemper returns to Cafe Carlyle with an all-new show, Rendezvous With Marlene, February 27 - March 3. Rendezvous With Marlene is based on a 3-hour phone call and exchange between Marlene Dietrich and Ute in 1988. After receiving the French Moliere Award for her performance in Cabaret in Paris, Ute had sent a postcard to Marlene, who had lived at 12 Avenue de Montaigne since 1979, essentially apologizing for all the media attention comparing her to Marlene Dietrich. Ute was just at the beginning of her career in theatre and music, whereas Marlene looked back on a long, fulfilled life of movies, music, incredible collaborations, love stories and stardom. Ute considers it a secret gift to have heard Marlene talk about her life, her work and style, her love for the poet Rilke, her complicated relationship with Germany, her sorrow and her fascinations.

Trap Door Theatre Presents the World Premiere of LETTER OF LOVE (The Fundamentals of Judo), based on the texts by Fernando Arrabal and Yves Klein. and translated by Pollux Hernuñez & Aleksi Barriere. The show is devised and directed by Aleksi Barriere.

The 70th anniversary season of the Festival d'Aix-en-Provence will present an incomparable collection of artists from around the globe in six major opera productions; recitals, chamber music and orchestral concerts from July 4 through 24; plus multiple events from the Acad mie du Festival d'Aix in June and July. This double anniversary season - the Festival's 70th and the Academy's 20th - also celebrates the conclusion of Bernard Foccroulle's eleven-year tenure as general manager of the Festival. His legacy will be on display in the 2018 season with commissions, new productions, major participatory events, and significantly broader outreach to Arab and local audiences. Foccroulle will be succeeded by Park Avenue Armory artistic director and Dutch National Opera director Pierre Audi in September 2018.

St phane Den ve will conduct the New York Philharmonic in an all-Prokofiev program featuring the Violin Concerto No. 1, with James Ehnes as soloist; selections from Romeo and Juliet; and The Love for Three Oranges Suite, Today, January 25, 2018, at 7:30 p.m.; Friday, January 26 at 2:00 p.m.; and Saturday, January 27 at 8:00 p.m.

The New York Philharmonic will perform the New York Concert Premiere of The Marie-Jos e Kravis Composer-in-Residence Esa-Pekka Salonen's Helix, conducted by the Finnish composer's compatriot Susanna M lkki, Musical America's 2017 Conductor of the Year.

Ute Lemper Returns To Cafe Carlyle with an all-new show, Rendezvous With Marlene, February 27 March 3. Rendezvous With Marlene is based on a 3-hour phone call and exchange between Marlene Dietrich and Ute in 1988. After receiving the French Moli re Award for her performance in Cabaret in Paris, Ute had sent a postcard to Marlene, who had lived at 12 Avenue de Montaigne since 1979, essentially apologizing for all the media attention comparing her to Marlene Dietrich. Ute was just at the beginning of her career in theatre and music, whereas Marlene looked back on a long, fulfilled life of movies, music, incredible collaborations, love stories and stardom. Ute considers it a secret gift to have heard Marlene talk about her life, her work and style, her love for the poet Rilke, her complicated relationship with Germany, her sorrow and her fascinations.

Joshua Weilerstein will conduct the New York Philharmonic in a French program spotlighting Ravel. The program he will lead, in which he is replacing Charles Dutoit (who withdrew from the performances), remains unchanged: the Piano Concerto for the Left Hand, with Jean-Yves Thibaudet as soloist; Le Tombeau de Couperin; Valses nobles et sentimentales; Bol ro; and Ravel's orchestration of Debussy's Sarabande et Danse, Wednesday, January 17, 2018, at 7:30 p.m.; Thursday, January 18 at 7:30 p.m.; Friday, January 19 at 8:00 p.m.; and Saturday, January 20 at 8:00 p.m.

Antonio Pappano will return to the Philharmonic to conduct Britten's Piano Concerto (1945 version), with The Mary and James G. Wallach Artist-in-Residence Leif Ove Andsnes as soloist; Saint-Sa ns's Symphony No. 3, Organ, with Philharmonic organist Kent Tritle; and Vaughan Williams's Fantasia on a Theme by Thomas Tallis, Thursday, February 8, 2018, at 7:30 p.m.; Friday, February 9 at 2:00 p.m.; and Saturday, February 10 at 8:00 p.m.

Promethean Theatre Ensemble will continue its twelfth season with Jean Giraudoux's THE MADWOMAN OF CHAILLOT. First produced in 1945, Giraudoux's satiric comedy reveals a plot by a group of corrupt business executives to dig up the streets of Paris, so they can pump oil that they believe lies beneath. Their plot is challenged by the titular Madwoman, the eccentric Countess Aurelia, an idealist who resolves to fight back and rescue humanityfrom the scheming and corrupt developers with the help of her fellow outcasts and her fellow madwomen.

St phane Den ve will conduct the New York Philharmonic in an all-Prokofiev program featuring the Violin Concerto No. 1, with James Ehnes as soloist; selections from Romeo and Juliet; and The Love for Three Oranges Suite, Thursday, January 25, 2018, at 7:30 p.m.; Friday, January 26 at 2:00 p.m.; and Saturday, January 27 at 8:00 p.m.

The 70th anniversary season of the Festival d'Aix-en-Provence will present six full-scale opera productions and an international roster of exceptional artistry from July 4 through 24, 2018. The anniversary season also marks a milestone, as it celebrates the conclusion of Bernard Foccroulle's eleven-year tenure as general manager of the Festival. His legacy will be demonstrated in the coming season with commissions, new productions, major participatory events, and significant outreach to Arab, Mediterranean, and local audiences. Foccroulle will be succeeded by Park Avenue Armory artistic director and Dutch National Opera director Pierre Audi in September, 2018.

Charles Dutoit will conduct the New York Philharmonic in a French program spotlighting Ravel, featuring the Piano Concerto for the Left Hand, with Jean-Yves Thibaudet as soloist; Le Tombeau de Couperin; Valses nobles et sentimentales; Bol ro; and Ravel's orchestration of Debussy's Sarabande et Danse, Wednesday, January 17, 2018, at 7:30 p.m.; Thursday, January 18 at 7:30 p.m.; Friday, January 19 at 8:00 p.m.; and Saturday, January 20 at 8:00 p.m.

Since 1928, the oldest ballet school in New Orleans, thousands of New Orleans' best dancers have enjoyed the unique teaching methods of Lelia Haller. Lelia Haller Ballet Classique will present their company, Ballet Louisiane, in their 11th annual production of the holiday dance classic 'The Nutcracker' based on E.T.A. Hoffman's story 'The Nutcracker and The Mouse King' with soaring musical score by Tchaikovsky.

The New York Philharmonic will perform the New York Concert Premiere of The Marie-Jos e Kravis Composer-in-Residence Esa-Pekka Salonen's Helix, conducted by the Finnish composer's compatriot Susanna M lkki, Musical America's 2017 Conductor of the Year.

Gershwin talent is inimitable; in 1932, Of Thee I Sing was the first musical to win the Pulitzer Prize for Drama. George wrote the orchestral piece, An American in Paris, in 1928, inspired by the time he spent in Paris. In 1951, MGM released the musical film An American in Paris. It won Best Picture Oscar. Directed by Vincente Minnelli (Judy Garland's husband), the film featured many tunes of Gershwin, and concluded with an extensive, elaborate dance sequence built around the An American in Paris symphonic poem. The 2015 stage musical, AN AMERICAN IN PARIS won four Tony Awards, three Outer Critics Circle Awards, a Drama League Award, two Theatre World Awards, four Drama Desk Awards, three Fred and Adele Astaire Awards.

Theatre Y announces their production of Yerma, written by Federico Garcia Lorca and directed by Max Traux, playing at the company's new home, 4546 N. Western Ave., October 27 - December 10.