THE FOURTH MESSENGER Makes World Premiere in San Francisco, Beginning Today

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THE FOURTH MESSENGER Makes World Premiere in San Francisco, Beginning Today

100 Shades of Green presents the world premiere of The Fourth Messenger, a brand new musical by celebrated local playwright Tanya Shaffer and popular singer/songwriter Vienna Teng. What if the Buddha were a woman? What if she were alive today? How would the world view her life and teachings differently? Loosely inspired by the life of the historical Buddha, the captivating new musical imagines a modern-day "awakened one" named Mama Sid. When Raina, a young woman with a mission to reveal Mama Sid's hidden past, arrives in her ashram, Sid's carefully constructed world starts to fall apart. At once epic and intimate, comic and profound, this world premiere musical explores what it means to be both enlightened and human. Teng's layered harmonies and intricate, haunting melodies bring the piece vividly to life, adding depth and resonance that linger long after the lights come up. Directed by Broadway's Matt August, The Fourth Messenger reunites the award-winning creative team from Tanya Shaffer's last smash hit Baby Taj.

The Fourth Messenger
plays tonight, February 6-March 10, 2013 at The Ashby Stage (1901 Ashby Street, Berkeley, CA 94703). Performances are Wednesdays and Thursdays at 7 pm; Fridays and Saturdays at 8 pm; and Sundays at 2 pm. Tickets ($23-$35, previews on February 6-8 and February 13 performance are pay-what-you-can) are available at thefourthmessenger.com.

"I'm thrilled to return to Bay Area stages with this new musical. For years I've been drawn to the legend of Siddhartha Gautama-it's such a mythic, archetypal journey-but I knew I had to find my own way into the story. It wasn't going to be some historical pageant-it had to be urgent, contemporary, immediate," said Tanya Shaffer, whose last play, Baby Taj, was selected by the San Francisco Chronicle, theSan Jose Mercury News, and the Oakland Tribune as one of the top ten plays of the year and nominated for a National Theatre Critics Association Steinberg Award for the best play to premiere that year outside of New York City. "Buddha's teachings are profound, poetic, and timeless," Shaffer continued, "but there were elements of his life which a modern audience might find troubling. Those elements-the moral questions and conundrums-became my way into this ancient story and provide the juice that drives the narrative forward."

Along with Shaffer, who's also producing the musical, The Fourth Messenger features an all-star team to bring her compelling vision to life. This marks the first musical theater project for beloved indie recording artist Vienna Teng, who has been working with Shaffer for the last six years on developing the piece. Teng's score features her signature contemporary pop sensibility with a heightened theatricality. Although Teng had not worked in musical theater before, Shaffer felt that the innate sense of drama, humor, and emotion in her music were an ideal fit for the intricate musical storytelling the piece required.

"It's been a steep learning curve," says Teng. "I'm a solitary songwriter, and composing for a theater project has thrown me out of pretty much every comfort zone I have. What has inspired me through it all is the beautiful story Tanya has created and the questions it asks: What is my responsibility as a human being? How do I follow more than one path, more than one calling? And how do I get the voices in my head to shut up once in a while? The Fourth Messenger is a beautiful, complex, hilarious, and wise piece of writing, and I just want the music to bring it as fully to life as it deserves."

Also on board is Broadway director Matt August (Dr. Seuss' How the Grinch Stole Christmas! The Musical), who has been a longtime collaborator of Shaffer's and directed the world premiere production of Baby Taj at TheatreWorks in 2005. August said: "The Fourth Messenger takes a classic mythic tale and turns it on its head to bring it into the 21st Century, without losing any of the meaning or emotion of the original. Tanya spins a tale of a young woman coming of age with every theatrical tool available to a modern playwright. It's a story full of surprises and spectacle, emotional characters, heartache, and celebration. Furthermore, it's got one of the most beautiful scores that I've ever had the privilege of working with. Vienna Teng is a perfect match for Tanya. Her music soars above our mundane lives and delivers us to where the gods dwell."

The decision to produce this musical themselves was a bold choice for Shaffer and Teng. Along with the traditional fundraising strategies, the duo was able to raise almost $40,000 (double their original goal) through a crowd-funding campaign on Indiegogo, making this ambitious production possible. Shaffer says: "The decision for Vienna and me to produce this ourselves came about organically. Talking with theaters, we encountered reluctance to even consider a world premiere musical that required a minimum of nine actors and four musicians in the current economic climate. After a few of those conversations, we came to this Little Red Hen moment of 'I'll do it myself.' The response from supporters was immediate and enthusiastic. It was truly empowering-we live in a time when it's more feasible than ever for artists to take matters into their own hands."

The Fourth Messenger reunites the award-winning design team from the world premiere production of Baby Taj in 2005, including scenic designer Joe Ragey, costume designer Fumiko Bielfeldt, and lighting designer Steve Mannshardt (who worked on Baby Taj in a production capacity). They are joined by music director Christopher Winslow and orchestrator Robin Reynolds. The all local cast for the world premiere musical includes Jackson Davis (Andy, et al), Rebecca Fink (Myra, et al), Dave Garrett (Mike, Bread, et al), Anna Ishida (Raina), Barnaby James (Yasha, et al), Simone Kertesz (Priya, Water, et al), Annemaria Rajala (Sid), Cathleen Riddley (Clara, Mrs. Calamity, et al), Will Springhorn (Sam, Sunny), Reggie White (Derekh, Delilah, et al), Alexis Wong (May, et al).

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