Now Playing Onstage in San Francisco - Week of 2/09/2014

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Now Playing Onstage in San Francisco - Week of 2/09/2014 DATE NIGHT
6th Street Playhouse, Studio Theatre
1/24-2/16/2014
Robert Caisley's work once again graces the stage at the 6th Street Playhouse. After last season's highly acclaimed production of HAPPY, Mr. Caisley strikes back and this time at our hearts - offering an evening of comedies focused on love and romance just in time for V-Day! Made up of three separate works, the evening starts with Robert's one-man play, THE APOLOGY , in which a love struck buffoon tries to make things right with the woman he spent the world's worst date with the night before. Second on the ticket is a hilarious and sexy romp called HUNGRY 4 U following the story of newlyweds, Mark and Phoebe, who love each other so much they almost devour one another. Rounding out this evening is a beautiful and fun play called KISSING, which examines what happens to us when we have no more words to express our love, leading us to the impulse to kiss - and how significant a kiss can be. An evening for couples for sure, but a great time for everyone who loves a good romantic comedy night out!
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Now Playing Onstage in San Francisco - Week of 2/09/2014 FIDDLER ON THE ROOF
Sonoma State University
2/6-2/16/2014
Sonoma State University presents "Fiddler on the Roof" A co-production of the SSU Departments of Music and Theatre Arts & Dance Main stage production celebrates 50th Anniversary of legendary Broadway musical WHO: Sonoma State University presents WHAT: "Fiddler on the Roof" Music by Jerry Bock, lyrics by Sheldon Harnick and book by Joseph Stein Musical direction by Lynne Morrow Stage direction by Adrian Elfenbaum The 50th Anniversary of "Fiddler on the Roof" is celebrated with this main stage co-production of the SSU Departments of Music and Theatre Arts & Dance presented Feb. 6 to Feb. 16, 2014 at the Evert B. Person Theatre. Featuring music by Jerry Bock, lyrics by Sheldon Harnick and book by Joseph Stein, "Fiddler on the Roof" is the groundbreaking Broadway musical which tells the story of a Jewish family clinging to its sacred traditions in a rapidly changing world. The musical production, with musical direction by Lynne Morrow and stage direction by Adrian Elfenbaum, features a sixteen-piece orchestra and a special "Sing-A-Long" performance at 5 p.m. on Sunday, Feb 9, 2014. The show at 1 p.m. Wednesday, Feb. 12 will be a piano-only performance. WHEN: Feb. 6 to Feb. 16, 2014 7:30 p.m. Thursdays, Fridays, Saturdays 5 p.m. Sunday, Feb. 9 (Sing-a-long performance) 1 p.m. Wednesday, Feb. 12 (Piano only performance) 2 p.m. Sunday, Feb. 16 LOCATION: Evert B. Person Theatre Sonoma State University 1801 E. Cotati Ave., Rohnert Park, CA 94928 Evert B. Person Theatre is accessed through the main entrance to Sonoma State University. VENUES / PARKING: Evert B. Person Theatre: From the South entrance on East Cotati Avenue, turn right at the stop sign in front of the information kiosk. Park in Lots E (left) and F (right). Parking passes are $5 and may be purchased from the self-dispenser at the lot entrance. TICKET PRICES: Admission prices to performances range from $10 to $17. Sonoma State University students are admitted free for all performances. $10 non-SSU students and seniors; $15 Sonoma State University Faculty and Staff; $17 standard admission. Tickets also sold at the door one hour prior to curtain. TICKETS ONLINE: http://www.sonoma.edu/theatreanddance/productions/fiddler.html PHONE / BOX OFFICE: 707-664-4246 The box office is located in the Student Union building. On performance nights, depending on the performance venue, the Person Theatre or Ives Hall box office will open one hour prior to the event start time. Box office hours are: 8 a.m. to 4:30 p.m. Monday thru Friday, 4:30 p.m. and one hour prior to all performances. Contact the box office at 707-664-4246 or email to tickets@sonoma.edu WEB SITE: www.sonoma.edu/theatreanddance/productions PROMO VIDEO: http://animoto.com/play/8g6BMbRFkB41UTWkBfuVIg
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Now Playing Onstage in San Francisco - Week of 2/09/2014 UBU ROI
The Cutting Ball Theater
1/24-2/23/2014
When Alfred Jarry's UBU ROI premiered in Paris on December 10, 1896, the audience broke into a riot at the utterance of its first word. Jarry's parody of Shakespeare's Macbeth defies theatrical tradition through its scatological language and disregard for audience expectations, replacing Shakespeare's tragic hero with a greedy, sadistic, obscene ogre who becomes the king of Poland by force and through the debasement of his people. UBU ROI retains its relevance and may bring to mind the fall from grace of many a contemporary political leader corrupted by power, from Elliot Spitzer to Dominque Strauss-Kahn. Russian director Yury Urnov (Woolly Mammoth Theatre Company) helms this irreverent take on world leaders that ushered in a century of avant-garde drama. UBU ROI was developed as part of the 2012 edition of RISK IS THIS… The Cutting Ball New Experimental Plays Festival.
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HIR
Magic Theatre
1/29-2/23/2014
Magic Theatre:Taylor Mac; dir: Niegel Smith.
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THE PARIS LETTER
The New Conservatory Theatre Center
1/17-2/23/2014
Walker Theatre:Jon Robin Baitz.
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Now Playing Onstage in San Francisco - Week of 2/09/2014 "ANNIE GET YOUR GUN"
Spreckels Theatre Company
2/14-2/23/2014
"Annie Get Your Gun" Proclaimed as Irving Berlin's greatest achievement in the theater WHO: Spreckels Theatre Company presents WHAT: "Annie Get Your Gun" Music and lyrics by Irving Berlin Book by Herbert and Dorothy Fields / Revised by Peter Stone Female tenacity and ingenuity are personified in this classic Broadway musical about legendary sharpshooter Annie Oakley. Irving Berlin's "Annie Get Your Gun" features a fictionalized version of the life of Annie Oakley (1860-1926), recounting her show business career and competitive and romantic relationship with rival Frank Butler, the sharpshooting star of Buffalo Bill's "Wild West Show." "Annie Get Your Gun," which first opened in 1946, showcases the musicality and ingenuity of Irving Berlin, widely considered America's greatest songwriter - including "There's No Business Like Show Business," which has become the definitive show business anthem. This revised version of "Annie Get Your Gun" scored a bulls eye when it returned to Broadway in 1999, with an updated libretto by Peter Stone and Irving Berlin's amazing score - for which New York Post critic Clive Barnes proclaimed "Annie Get Your Gun" to be - "Irving Berlin's greatest achievement in the theater....it will always be a musical for the ages, one of the Broadway theater's enduring triumphs." This semi-professional Spreckels Theatre Company production features the new Paradyne projection system, developed by Spreckels Performing Arts Center, combining still images and animations to create multiple backdrop effects. Directed by Sheri Lee Miller Artistic Direction by Gene Abravaya Music Direction by Janis Wilson Choreography by Michella Snider Costume Design by Pamela Enz Set Design by Eddy Hansen and Elizabeth Bazzano WHEN: Feb. 14 to Feb. 23, 2014 7:30 p.m. Thursday, Feb. 20 8 p.m. Fridays and Saturdays 2 p.m. Saturdays and Sundays TICKETS: $22 to $26 $22 Youth; $24 Seniors; $26 General PHONE: 707-588-3400 For tickets, call the Spreckels Box Office at 707-588-3400. Box Office hours are Tuesday through Saturday, 12 to 5 p.m. and one hour before showtime. TICKETS ONLINE: http://purchase.tickets.com/buy/TicketPurchase?organ_val=36249&schedule=list WHERE: Spreckels Performing Arts Center Codding Theater 5409 Snyder Lane, Rohnert Park, CA 94928 WEBSITE: www.spreckelsonline.com PROMO VIDEO: http://animoto.com/play/y07FrC3eb6nTgXiFvj5KSA CAST: Featuring Denise Elia-Yen as Annie Oakley; Zachary Hasbany as Frank Butler; Tim Setzer as Charlie Davenport; Dwayne Stincelli as Buffalo Bill; Katie Kelley as Dolly; Brittany Law as Winnie; and Anthony Guzman as Tommy.
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Now Playing Onstage in San Francisco - Week of 2/09/2014 GREASE
Diablo Theatre Company
2/7-3/1/2014
Fun, friendship, and humor abound in this nostalgic trip to Rydell High in 1959, complete with greasers, slumber parties, the hand jive, and lots of singing and dancing. Head greaser Danny Zuko and new, good girl Sandy Dumbrowski try to relive the romance of their "Summer Nights" as the rest of the gang sings and dances its way through Grease with such songs as "Greased Lightnin'," "It's Raining on Prom Night" and "You're the One That I Want" recalling the music of Buddy Holly, Little Richard and Elvis Presley that became the soundtrack for an entire generation.
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CLYBOURNE PARK
Center Repertory Company
1/31-3/1/2014
Margaret Lesher Theatre:Bruce Norris; dir: Michael Butler.
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GIDION'S KNOT
Aurora Theatre Company
1/31-3/2/2014
Aurora Theatre:Johnna Adams; dir: Jon Tracy.
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HAMLET
PCPA Theaterfest
2/13-3/2/2014
Marian Theatre:William Shakespeare.
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JERUSALEM
San Francisco Playhouse
1/21-3/8/2014
Jez Butterworth.
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Now Playing Onstage in San Francisco - Week of 2/09/2014 NAPOLI!
American Conservatory Theater
2/12-3/9/2014
A.C.T. favorite Marco Barricelli (artistic director of Shakespeare Santa Cruz, Vigil at A.C.T.) and Stratford Festival star Seana McKenna (Phedre at A.C.T.) return to lead the cast of Napoli!, a hilarious new translation of Eduardo De Filippo's poignant Italian comedy. During the chaotic days of World War II in Naples, an enterprising woman sets up a small-time black market business to keep her family afloat. She prospers, but maybe a bit too much-compelling her husband to ask hard questions about morality, civility, and the state of their society. De Filippo's masterful blend of humor and pathos tells the story of an unforgettable and wildly entertaining family determined to survive at any cost.
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Now Playing Onstage in San Francisco - Week of 2/09/2014 THE MUSIC MAN
Berkeley Playhouse
2/13-3/23/2014
The Music Man is a musical with book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey.
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Now Playing Onstage in San Francisco - Week of 2/09/2014 TARTUFFE
A Noise Within
2/15-5/24/2014
Madame Pernelle is visiting her son Orgon's house and uses the opportunity to criticize all the members of the household and to praise their boarder, Tartuffe, because he is a man of such holiness and zeal. The others object to Tartuffe, maintaining that he is false and hypocritical, but Madame Pernelle will not entertain such thoughts. Instead, as she leaves, she admonishes everyone to follow Tartuffe's precepts. After Madame Pernelle leaves, Cleante, who is Orgon's brother-in-law, and Dorine, Orgon's daughter's maid, discuss the situation and their boarder and agree that Tartuffe has beguiled not only Madame Pernelle, but Orgon as well. Orgon's son, Damis, adds to the situation by wondering out loud if his father, after being influenced by Tartuffe, will still allow his daughter, Mariane, to marry her love, Valere. Damis is also concerned because he wants to marry Valere's sister; thus he asks Cleante to question Orgon about his earlier promise to allow the marriage to take place. Orgon arrives and seems much more concerned about the welfare of Tartuffe than anything else around him, including his wife's illness. Cleante tries to discuss Tartuffe with Orgon, but fails and discovers that Orgon is only interested in singing Tartuffe's praises. When he questions Orgon about the intended wedding, he dodges the issues and refuses to give a direct answer; however, when his daughter arrives, Orgon tells her that he wants to ally Tartuffe with his house and that this can best be done by Mariane's marrying Tartuffe. Mariane is so shocked that she cannot believe her ears. After Orgon departs, Dorine, the maid, reprimands Mariane for not having refused to marry Tartuffe. Mariane's beloved, Valere, arrives and accuses her of consenting to the marriage. Dorine listens to them argue and then, after they are reconciled, promises to help them expose Tartuffe's hypocrisy. Damis, incensed about Tartuffe, is also determined to reveal Tartuffe's hypocrisy, and, as he hears Tartuffe's approach, he hides in the closest. Elmire, Orgon's wife, arrives, and Tartuffe, thinking they are alone, makes some professions of love to her and suggests that they become lovers. Having heard Tartuffe's plans, Damis reveals himself and threatens to expose Tartuffe. When Orgon arrives, Damis tries to inform his father about Tartuffe's proposition, but Orgon is so blind that he thinks his own son is evil in trying to defame Tartuffe's good name-and he immediately disinherits his son. As Orgon and Tartuffe leave, Orgon reveals his plans to make Tartuffe his sole heir and also his son-in-law. Cleante later confronts Tartuffe and tries to reason with him, but Tartuffe will only respond in religious cliches, and, as soon as the opportunity presents itself, he hastily excuses himself from the room. Orgon and Elmire arrive, and when she hears Orgon's plans, she extracts a promise from him to hide in some concealed place and observe Tartuffe's actions. Orgon consents, and Elmire sends for Tartuffe. When he arrives, he is accosted by Elmire, and soon he begins to make not only declarations of love to her but also derogatory comments about Orgon. Finally convinced of Tartuffe's hypocrisy, Orgon emerges and orders him from the household. Tartuffe then reveals that legally he is now the owner of the house, since Orgon has signed over all his property. Alone with his wife, Orgon reveals that he is frightened because, earlier, he had entrusted some secret documents to Tartuffe's care-documents which could ruin Orgon's trusted position in the court. When Orgon's mother arrives, he cannot convince her that Tartuffe is a hypocrite; it is only when news arrives that Tartuffe is having the entire family evicted that Madame Pernelle is convinced. Tartuffe brings with him officers of the court, but, as the family is about to be evicted, an officer reveals that the king has seen through the hypocrisy of Tartuffe and has ordered him to be imprisoned for this and for other crimes. The king has also restored to Orgon all his rightful property.
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