Le Corsaire at Ekaterinburg State Academic Opera and Ballet Theatre
Dates: (1/25/2015 )
Ekaterinburg State Academic Opera and Ballet Theatre |
46a, Lenina str.
Ekaterinburg,Sverdlovsk Oblast 620075
Phone: +7 (343) 350-32-07
Tickets: 100 ???. - 1000 ???.
Running Time: 2:30
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At the Yekaterinburg (then Sverdlovsk) stage of Le CORSAIRE was staged for the first time December 19, 1926 GODA (Director-choreographer-M. Moiseyev, conductor-N.b. Grubin, artist-producer-Av Dubrovin).
The emergence of Ballet, well the audience, spoke about a lot of things and, above all, about the increased capabilities of the Sverdlovsk Ballet on it an uncontested recognition of spectators and, consequently, on the right to the creation of a separate and much more varied repertoire. Critics, however, noted the ability of choreographer By Moses to interesting time "decisions even in the most modest financial and technical capabilities."
But soon, "Le CORSAIRE" disappeared from the Repertoire, and only eighteen years later returned to the stage of our theatre as choreographer V.a. Kononovi?a (conductor-A. Friedlander, artist-producer-B. A. Matrunin). And never disappeared from the repertoire for a long time. Since then, the passing of this performance were not, perhaps, any outstanding Ekaterinburg ballerina or danseur. Viewers have always attracted n.v.Gogol bajronovskoj poem, which served as the prototype for the ballet, strong human passions, pirates sail the Mediterranean, abducted the girl, Turkish Pasha and beautiful Oriental women.
Each epoch, each generation made its understanding of classical dance, their shades and nuances in interpretation of the story of the clash of love and deceit. In 1956, the ballet "Le CORSAIRE" had a young choreographer N.g. Grishina in its own scenic edition, considerably more advantageous than the previous, very archaic (conductor-E.i. Krasovitsky, artist-producer-V.a. Lûdmilin). On solistah, members of the staging, such reviews: "Claudia ?ermenskaâ was very dynamic Medora, she flashed a good dance technique. Very striking in appearance but a little holodnovatuû Medora was Sophia Taranovska. Plastic and net in drawing, but not energetic dance demonstrated Czeslaw Žebrauskas (Conrad). A strong and courageous was Conrad the Venira Kruglova (s. Èbergardt. from the book "our Opera").
Especially it is necessary to tell about the 1971 year choreographer G.g. Malhasânca (script, Malhasânca in the musical version of E.b. Manayeu with l. Delibes divertissement; conductor-E.b. Manaeu, artist-producer-Igor Bazhenov). It was the author's statement, in which the plot and characters, and, accordingly, the choreography had been largely reconsidered in the framework of the new trends in the development of Ballet.
Choreographic version of the Ballet Le CORSAIRE by Marius Petipa in the stage version of Konstantin Sergeyev was moved to the stage of the Ekaterinburg Opera and Ballet choreographer Boris Blank in 1994 year (conductor-V.e. Lâgas, artist-producer-I.v. Tibilov). Konstantin Sergeyev has carried out this performance in the year 1973 in Leningrad theater. Kirov (now Mariinsky), and in 1992, he resumed at the Bolshoi Theatre.
The directors were able to create a scenically striking and distinctive performance in what they contributed to the leading ballet dancers: honoured artist of the Russia Natalia Gordienko (Medora), Vera Abaševa (Medora) and Tatiana Gi?ina (Gulnara), people's artist of Russia Lilia Vorobyeva (Gulnara), honoured artists of Russia Vladimir Polovinkin (Conrad, Slave), Yuri Vedenev (Conrad, Slave) and Nikolai Ostapenko (Seid Pasha), Anatoly Gordienko (Lankedem). A good impression in the party of Conrad, according to critics, was a young dancer, Aleksei Nasadovi?, physically strong, ductile and music ".
26, 27 and April 28, 2007 year in Yekaterinburg staged "Le CORSAIRE" appeared in the choreographic version by Jean-Guillaume Bara-Ballet of the Paris Opera. Music Director of productions made by Michael Güttler. In the premiere productions of Konrad was made by the Paris Opera Ballet soloist Stefan Bûl?on. The peculiarity of this "Corsair" in that one performance combines two different dance schools-English and French. Jean-Guillaume Bar tried to preserve the original productions, because they are, he says, is quite logical and musical. Ballet Master only wanted to in this choreography that is very academic, all traffic would be meaningful, but the dance would be filled with content.
The first thing is in a new play, is a profound knowledge of the history of the issue, that Director-choreographer has demonstrated in its very valuable research texts, opublik
Ages: Age category 12 +
Cast and Creative team for Le Corsaire at Ekaterinburg State Academic Opera and Ballet Theatre
Libretto By Jean-Guillaume's Bar
(inspired by a poem by d.-g. Byron)
Choreographer-Director-Jean-Guillaume Bar
Musical director-Michael Güttler
Art Director-Olena Hajlova
Use of the music in the play by l. Delibes, Drigo, r. c. Pugni, p. Oldenburg
(inspired by a poem by d.-g. Byron)
Choreographer-Director-Jean-Guillaume Bar
Musical director-Michael Güttler
Art Director-Olena Hajlova
Use of the music in the play by l. Delibes, Drigo, r. c. Pugni, p. Oldenburg
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