Broadway Show Reviews & Critics' Ratings - Page 2

Prepare to be swept away by the timeless magic of one of the most beloved musicals of all time, now gracing the stage at Artistry! 'The Sound of Music' brings to life a captivating array of cherished Rodgers & Hammerstein melodies, from the uplifting 'Climb Every Mountain' to the charming 'My Favorite Things,' the infectious 'Do-Re-Mi,' and the iconic 'Sixteen Going on Seventeen,' alongside the titular show-stopper.

Da dove ha avuto inizio quello che adesso è un fenomeno di massa? Chi ha contribuito a renderlo tale? La Prada racconta la storia dell'arte del drag.

Julie Zaffarano’s ABOVE THE FOLD, set in 1935, is a play about three investigative reporters and a photographer who are staying in the same hotel as they cover a grand jury. The work of this particular grand jury is to determine if there is sufficient evidence to conduct a trial for the murder of singer Evelyn Hoey by her lover, Henry Huddleston Rogers III, the son of one of the richest men in the world.

Stalin’s Master Class is enthralling, darkly funny, awkward, and thought-provoking about the eternal tension of politics vs art, censorship vs thought, modern art vs people’s tastes, groupthink vs ingenuity, and popularity vs quality. 

Girl from the North Country fails to deliver on the promise of a Bob Dylan-Conor McPherson collaboration. Dylan famously asked, how does it feel? In this play, not so good.

More like one elongated impromptu jam session than a typical musical, Musical Theatre West's new production of MILLION DOLLAR QUARTET doesn't involve a complex storyline, but instead focuses on imagining what it must have been like to be in the room where music history happened. The resulting concert-like jukebox musical is a rollicking good time.

Bayoc, like the rest of us is just an everyday person finding his way in this world. He is talented, has enjoyed success in the art world, learned from his mistakes, and understands the importance of personal accountability. Bayoc shares many sensitive moments. None more exposing than the story of the painting of himself, his father, and his sister that was included in his “365 Days with Dad” series. Colin Healy, credited with direction and stageplay, crafted an engaging script that walks the audience through Bayoc’s life. Healy’s script includes Bayoc’s education at an HBCU, his work as a caricature artist at an amusement park, and his sale of three paintings to Prince. Yes, THAT Prince, and now one of Bayoc’s paintings adorns the wall above the white piano in Prince’s home at Paisley Park. It is the same painting that Prince selected as album cover artwork for his jazz album “The Rainbow Children.”

Somewhere in King’s Cross, a middle-aged woman sits at a piano and plays an original piece with surprising fluency. There begins Samuel Adamson’s tumultuous tale of two teenage musical prodigies whose lives become thoroughly entangled.

What did our critic think of TINA: THE TINA TURNER MUSICAL at Fox Cities Performing Arts Center?

This Wednesday night, on April 17, 2024, Death of Classical took its sold-out audience on a journey backwards through time, starting in Weimar Germany and going all the way back to biblical times with a series of song, dance, and shadow puppets. Andrew Ousley curates a number of delightfully strange events for DOC, and this night was no exception.

Dante or Die are back with another site-specific venture. Burrowed underneath the cold dome of Stone Nest, Kiss Marry Kill feels right at home within the harsh and unholy environment of the venue. Set in a prison against the backdrop of violence, it reframes homophobia and imagines the first same-sex wedding in a British penitentiary.

As delicate and fragile as one of the glass creatures that are collected, Tennesse Williams' beguiling story of memory, The Glass Menagerie combines themes of hope, rejection, disappointment and profound sadness.

A cathartic and powerful moment, a veinous fist unclenching.

Sydney Theatre Company and Gate Theatre’s-production of Thomas Bernhard’s THE PRESIDENT arrives in Sydney following it’s Dublin season.  Directed by Gate’s Tom Creed, the political satire, translated by Gitta Honegger, from 1975 retains a relevance in the contemporary world of leaders that forget they govern democracies and are elected to serve the people.

This is a fantastical and entertaining production and a great way to honour the icon herself.

Given the emotional investment required on stage and in the stalls, one feels somewhat shortchanged by a production that invites sympathy for a character with few redeeming features

Ritt raises questions about the ethical and moral quandaries of employing AI to replace humans in a distinctly human space — art — but they aren’t pointed enough to really spark conversation or suggest insights, settling instead for an amusing if slight glimpse into the near future.

Captivating, heartwarming, colorful, imaginative and down-right magical, Nashville Children’s Theatre’s world premiere production – it’s 19th in the past few years since executive artistic director Ernie Nolan’s arrival – of the theatre for young audiences version of Disney-Pixar’s Finding Nemo is just the latest theatrical hit from the venerable Nashville institution.

When people think of works of art that have vastly outlived their creator, especially as it relates to literature, there is no bigger name than William Shakespeare. His mark on history has proven to have an impact that will live on in perpetuity.

So, did the Rep’s “Fat Ham” crush my soul? Absolutely not and I must entreat anyone reading this, DO NOT MISS THIS SHOW!!!