Walter Kerr News

I walk into the Walter Kerr and the first thing I see is the wreckage. The house on stage looks like hell, graffiti on the walls, doors off their hinges, and the mirror on the door in the bathroom is smashed. Today, tech rehearsal starts early on in Act Two, as the characters try to hash out the socio-political ramifications of the middle-class white couple trying to demolish this formerly beautiful house in a predominately black neighborhood in order to build a larger, more garish model for the family they're trying to start.

No one ever said that teching a show is an easy process. Or a fast process. To give a stellar performance to every audience every day takes an incredible amount of time and effort both on and offstage, even before these rehearsals begin. Walking into the Walter Kerr Theatre, I thought for a moment that construction was still happening onstage. The set was covered with boxes and other random items and my immediate reaction was to think that these things had been put there temporarily as they continued work on the set.

I have been backstage to several Broadway shows and every time is like the first time. Walking into a Broadway theatre during tech is like walking backstage at Disney World but twice as magical. The audience of the Walter Kerr Theatre, where Clybourne Park is located, is currently filled with tech tables, a table for the director, a table for lights, a table for sound, a table for set, a table for props, a table for stage management, and there are snacks on every table. You might not recognize the Walter Kerr Theatre during tech, the carpet and seats are covered with plastic to protect them.

The Walter Kerr Theatre was a house of excitement this spring afternoon at the first official meet and greet for Broadways new show, Clybourne Park. The afternoon began as proud producer Jordan Roth welcomed the Clybourne family to their newest home. "You will make your mark here, and this theatre will be better for it" he stated as the members of the Clybourne team gave supportive cheers.

The Whidbey Island Center for the Arts Theater Series presents Doubt, A Parable, by John Patrick Shanley, April 6-21, 2012 at 7:30 pm, directed by Andrew Grenier, director ofGod of Carnage at WICA in 2011. Check out the production photos below!

I wasn't sure what to expect as I rounded 48th street towards the Walter Kerr. This time was different from every other trip I had taken here. This time I was going to be privy to the inner workings of a show and not just another benighted spectator of the final product. I was slightly nervous and I welcomed the cold day, as I concentrated on the nippiness of the air rather than the grandeur of the theater that lay ahead. This was going to be my first time backstage in a Broadway house.

The Whidbey Island Center for the Arts Theater Series will present DOUBT, A PARABLE, by John Patrick Shanley, April 6-21, 2012 at 7:30 pm, directed by Andrew Grenier, director of GOD OF CARNAGE at WICA in 2011.

Off-Broadway theater company Playwrights Horizons will hold its annual Spring Gala on Monday evening, June 11th at the event space 583 Park Avenue. Titled "The Highest Standard", the evening will celebrate its five Pulitzer Prize-winning productions and honor the creators of these memorable works for the theater. The honorees are James Lapine (Sunday in the Park with George), Bruce Norris (Clybourne Park), Stephen Sondheim (Sunday in the Park with George), Alfred Uhry (Driving Miss Daisy), Wendy Wasserstein (The Heidi Chronicles) and Doug Wright (I Am My Own Wife).

Lincoln Center Theater has announced two productions that will open this fall: a 75th Anniversary production of the Clifford Odets' classic GOLDEN BOY, to be directed by Bartlett Sher beginning performances Thursday November 8 and opening Monday, December 3 at a Broadway theatre to be announced; and the New York premiere of VANYA AND SONIA AND MASHA AND SPIKE a new play by Christopher Durang, to be directed by Nicholas Martin, beginning performances Thursday, October 25 and opening Monday, November 12 at the Mitzi E. Newhouse Theater (150 West 65 Street).

Tickets for the Pulitzer Prize-winning play Clybourne Park will be made available to the general public tomorrow, Saturday, March 3. Clybourne Park will open on Broadway at the Walter Kerr Theatre on Thursday, April 19 (preview performances begin on March 26) for a limited 16-week engagement. Tickets can be purchased via telecharge.com or by calling (212) 239-6200/(800) 432-7250.

Hottest Articles on BroadwayWorld.com from this weekend Sunday, February 26, 2012 - Sunday, February 26, 2012.

The Broadway production of Bruce Norris's CLYBOURNE PARK will open on Thursday, April 19 at the Walter Kerr Theatre. The production is now being produced by Jujamcyn.

Jujamcyn Theaters President Jordan Roth announced today that Clybourne Park will open on Broadway at the Walter Kerr Theatre on Thursday, April 19 (preview performances begin on March 26) for a limited 16-week engagement. This is exactly one week later than the originally planned opening, making up for the time that was lost last week. Tickets are now on sale to American Express card holders (as of midnight Wednesday, February 8). T

And, a statement just released from Jordan Roth, president of Jujamcyn Theaters says that '“It is a true privilege for all of us at Jujamcyn to bring such a fiercely provocative and wildly funny work to Broadway audiences. Clybourne Park is on. We'll see you there!'

As BroadwayWorld reported earlier today, lead producer Scott Rudin has backed out of producing the Broadway production of Bruce Norris's CLYBOURNE PARK, which was due for a Thursday, April 12th opening night at the Walter Kerr Theatre.

Today, Michael Riedel reports in The New York Post, and BroadwayWorld.com has confirmed, that lead producer Scott Rudin has backed out of producing the Broadway production, which is now agressively hunting for a new producer to bring the show to the Greate White Way.

Jokes fly and hidden agendas unfold as two vastly different generations of characters tip-toe the delicate dance of social politics, pitting race against real estate at the crux of two seminal events - 50 years apart - in the same north Chicago house.

Jokes fly and hidden agendas unfold as two vastly different generations of characters tip-toe the delicate dance of social politics, pitting race against real estate at the crux of two seminal events - 50 years apart - in the same north Chicago house.

Jokes fly and hidden agendas unfold as two vastly different generations of characters tip-toe the delicate dance of social politics, pitting race against real estate at the crux of two seminal events - 50 years apart - in the same north Chicago house. View highlights from the LA production, opening tonight at CTG's Mark Taper Forum, below!

The Ovation nominations are in, and once again RTC is once again among the most celebrated theatres in the region - even as the new season progresses, with neither the time nor inclination to rest upon laurels.