Thomas Graves News

The intimate participatory performance, which explores separation, connection, and the power of listening, will play The John Michael Kohler Arts Center in Sheboygan, Wisconsin from February 11-24, 2021, followed by an engagement at the Bates Dance Festival in Lewiston, Maine from February 25-March 14, 2021.

Rude Mechanicals Co-Artistic Producers Thomas Graves and Kirk Lynn created NOT EVERY MOUNTAIN as a part of a project the theatre company is working on called Perverse Results (a name derived from a corollary of Murphy's Law.) Through the unique, collaborative method the Rudes use to create a project, Graves brought the idea to Lynn in a desire to portray appreciation for the natural world in a dance piece that involved geometric shapes. Lynn had been working on a writing prompt every morning over the years that began with, 'Not Every Mountain...'. The result was first performed here in Austin, and the Rudes were given a residency for the piece at The Guthrie Theatre, and again at Theatre Nanterre-Amandiers and Pivot Arts Festival Incubator Arts Program.

Yale Repertory Theatre presents the world premiere of FIELD GUIDE created by Rude Mechs, inspired by the novel The Brothers Karamazov by Fyodor Dostoevsky, January 26 February 17, at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, February 1.

FIELD GUIDE, a work-in-progress by Rude Mechs, is currently in a second draft performance at the Off Center. Rude Mechs creates new works collaboratively, and with FIELD GUIDE they are actively engaging their audience to get feed back on what works and what doesn't in order to help shape the piece. FIELD GUIDE, commissioned by the Yale Repertory Theatre, is a mash-up of Dostoyevsky's The Brothers Karamazov, stand-up comedy, dance and some frankly uncomfortable direct audience addressing confessions. How much of the direct confessions are fact or fiction we'll never really know. What we do know is this is an excitingly different evening of pure theatricality… an evening that you, as an audience member, are being asked to help define. Along the way during your 90 minute journey the Mechs cover topics from the longest Russian novel written such as intellectualism, spiritualism, sensuality and hedonism. While it is ostensibly an adaptation of The Brothers Karamazov, it really just uses the characters in the briefest Cliff Notes sense. This approach allows the performers to riff on the underlying themes present. There is even an unaccredited moment by Tom Lehrer when Robert S. Fisher performs 'They're Rioting in Africa'. What you are treated to is highly experimental in nature and at moments what ensues is truly magical.

With only 30 audience members per performance, your experience with the Rude Mech's NOW NOW OH NOW begins when you get your tickets. Each audience member must choose from one of six symbols. Your choice will group you into a tribe of five members. You are about to embark on an adventure with people you've never met before. Oh, the places you'll go…

Lincoln Center Theater presents a one night only LCT3 Special Event of Graham Reynolds: Making Music, Hosted by Rebecca Havemeyer, Austin's own Dizzy Dame, on Monday, February 10 at 9:30 pm at the Claire Tow Theater (150 West 65 Street).

Rude Mechs' madcap Brechtian vaudeville counters being charitable with looking out for one's self.

LCT3/Lincoln Center Theater's presentation of STOP HITTING YOURSELF, created by Rude Mechs, the Austin, TX based theater collective, opened last night, January 27. This world premiere features Thomas Graves, Heather Hanna, Joey Hood, Hannah Kenah, Lana Lesley, E. Jason Liebrecht, and Paul Soileau. Commissioned by LCT3, STOP HITTING YOURSELF is written by Kirk Lynn and directed by Shawn Sides and will run through Sunday, February 23 at the Claire Tow Theater (150 West 65th Street). All tickets are $20. BroadwayWorld brings you a look back the opening night festivities below!

Opening night is tonight, January 27 for the LCT3/Lincoln Center Theater presentation of STOP HITTING YOURSELF, created by Rude Mechs, the Austin, TX based theater collective. This world premiere features Thomas Graves, Heather Hanna, Joey Hood, Hannah Kenah, Lana Lesley, E. Jason Liebrecht, and Paul Soileau. Commissioned by LCT3, STOP HITTING YOURSELF is written by Kirk Lynn and directed by Shawn Sides and will run through Sunday, February 23 at the Claire Tow Theater (150 West 65th Street). All tickets are $20. BroadwayWorld brings you highlights below!

Opening night is Monday, January 27 for the LCT3/Lincoln Center Theater presentation of STOP HITTING YOURSELF, created by Rude Mechs, the Austin, TX based theater collective. This world premiere features Thomas Graves, Heather Hanna, Joey Hood, Hannah Kenah, Lana Lesley, E. Jason Liebrecht, and Paul Soileau. Commissioned by LCT3, STOP HITTING YOURSELF is written by Kirk Lynn and directed by Shawn Sides and will run through Sunday, February 23 at the Claire Tow Theater (150 West 65th Street). All tickets are $20. Check out a first look at the cast in action below!

LCT3/Lincoln Center Theater will present STOP HITTING YOURSELF, created by Rude Mechs, directed by Shawn Sides and written Kirk Lynn. Featuring: Thomas Graves, Heather Hanna, Joey Hood, Hannah Kenah, Lana Lesley, E. Jason Liebrecht and Pail Soileau.

LCT3/Lincoln Center Theater will present STOP HITTING YOURSELF, created by Rude Mechs, directed by Shawn Sides and written Kirk Lynn. Featuring: Thomas Graves, Heather Hanna, Joey Hood, Hannah Kenah, Lana Lesley, E. Jason Liebrecht and Pail Soileau.

Rude Mechs will present the first work-in-progress showing of 'STOP HITTING YOURSELF.'

Rude Mechs will present the first work-in-progress showing of 'STOP HITTING YOURSELF.'

Actors Theatre of Louisville's Artistic Director, Les Waters and Managing Director, Jennifer Bielstein announce the complete schedule of panel discussions during the 36th annual Humana Festival of New American Plays, running now through April 15, 2012. The Festival, which annually has a lineup of up to ten new world premieres will host four dynamic panel discussions that will feature national-known playwrights, theatre professionals, artists and local business leaders listed below. All panel discussions are FREE and open to the public. Tickets are required and can be reserved by calling the Actors Theatre Box Office at 502-584-1205 or in-person at 316 West Main Street, Louisville, 40202. Visit http://actorstheatre.org/ for more information.

I've Never Been So Happy hosted its opening night at Center Theatre Group's Kirk Douglas Theatre on October 8, 2011 in Culver City, California.

Rude Mechs' 'I've Never Been So Happy.' Opens tonight. The Western musical transmedia shindig which is presented at Center Theatre Group's Kirk Douglas Theatre as part of DouglasPlus programming runs for 18 performances only

The world premiere production of Rude Mechs' 'I've Never Been So Happy' begins performances tonight at Center Theatre Group's Kirk Douglas Theatre. The Western musical transmedia shindig runs for 18 performances only through October 23, 2011, as part of DouglasPlus programming. Opening is set for Saturday, October 8 at 8 p.

The world premiere production of Rude Mechs' 'I've Never Been So Happy' begins performances Thursday, October 6 at Center Theatre Group's Kirk Douglas Theatre. The Western musical transmedia shindig runs for 18 performances only through October 23, 2011, as part of DouglasPlus programming. Opening is set for Saturday, October 8 at 8 p.