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Suzan-Lori Parks' FATHER COMES HOME FROM THE WARS Begins Tonight at The Public Theater
by BWW News Desk - Oct 14, 2014


The first preview is tonight, October 14, at The Public Theater for Suzan-Lori Parks' FATHER COMES HOME FROM THE WARS (PARTS 1, 2 & 3).

FATHER COMES HOME FROM THE WARS Begins Next Week at The Public Theater
by Tyler Peterson - Oct 10, 2014


Tickets to the first preview on Tuesday, October 14 are free and available by lottery in The Public Theater lobby and by TodayTix mobile app. Member tickets, starting at $40, and single tickets, starting at $60, are available now by calling (212) 967-7555, www.publictheater.org, or in person at the Taub Box Office at The Public Theater at 425 Lafayette Street. The Library at The Public is open nightly for food and drinks, beginning at 5:30 p.m., and Joe's Pub at The Public continues to offer some of the best music in the city.

Sigourney Weaver Hosts THIRTEEN's Weekly Series THEATER CLOSE UP, Premiering Tonight
by TV News Desk - Oct 2, 2014


Beyond the bright lights of Broadway - the electric signage that led to its moniker as 'The Great White Way' -- exists another world: Off-Broadway, a varied and rich wellspring of creativity and innovation.

BWW Interviews: EVITA's Caroline Bowman Returns Home to the Kennedy Center
by Benjamin Tomchik - Sep 29, 2014


DC BroadwayWorld recently spoke with Bowman about why she's eager to perform at the Kennedy Center, how research and jumping rope helped prepare her to play iconic Argentine First Lady Eva Peron, what life is like on the Evita national tour and the advice she would give to other DC-area actresses hoping to follow in her footsteps.

BWW Reviews: THE FATAL WEAKNESS May Be Found In The Script
by Michael Dale - Sep 16, 2014


The Mint mounts a fine revival of playwright George Kelly's final Broadway effort.

Sigourney Weaver to Host THIRTEEN's Weekly Series THEATER CLOSE UP Premiering 10/2
by Caryn Robbins - Sep 9, 2014


Beyond the bright lights of Broadway - the electric signage that led to its moniker as 'The Great White Way' -- exists another world: Off-Broadway, a varied and rich wellspring of creativity and innovation.

THE VOYSEY INHERITANCE Comes to Peterborough Players, Now thru 8/31
by BWW News Desk - Aug 20, 2014


'The Voysey Inheritance' was written in 1905 by Harley Granville-Barker, however, it tells a tale that proves that there is nothing new under the sun. It is a story that we are all too painfully familiar with if we were keeping up with Bernie Madoff and his fraudulent financial dealings. But, 'The Voysey Inheritance' gives us hope that there still may be some good people out there who might try to set things right. This iconic British play of morality and manners comes to the Peterborough Players this summer.

BWW Reviews: The Mint Digs Up 1930 French Farce, DONOGOO
by Michael Dale - Jun 25, 2014


Clever projections steal this revival of Jules Romains' satire of European colonialism.

THE VOYSEY INHERITANCE Comes to Peterborough Players, 8/20-31
by BWW News Desk - Jun 24, 2014


'The Voysey Inheritance' was written in 1905 by Harley Granville-Barker, however, it tells a tale that proves that there is nothing new under the sun. It is a story that we are all too painfully familiar with if we were keeping up with Bernie Madoff and his fraudulent financial dealings. But, 'The Voysey Inheritance' gives us hope that there still may be some good people out there who might try to set things right. This iconic British play of morality and manners comes to the Peterborough Players this summer.

Henson Puppetry Legacy to be Commemorated at Eugene O'Neill Theater Center
by Courtnie Mele - Jun 16, 2014


The Eugene O'Neill Theater Center has announced the naming of the Jim & JaneHenson Rehearsal Hall, honoring a lifetime of commitment to the O'Neill's National Puppetry Conference and the advancement of puppetry around the world, and due to underwriting support from their daughters, O'Neill Trustee Heather Henson and her sister Cheryl Henson.

UConn's Ballard Institute and Museum of Puppetry to Open OPERA AND GIANT PUPPETS: Amy Trompetter's BARBER OF SEVILLE, Today
by BWW News Desk - Jun 14, 2014


The Ballard Institute and Museum of Puppetry at the University of Connecticut will present the grand opening of Opera and Giant Puppets: Amy Trompetter's 'Barber of Seville' today, June 14 at 4 p.m. at the Ballard Institute's new home in Storrs Center. The grand opening includes a special free performance of The Punch Opera by Amy Trompetter's Redwing Blackbird Theater at 5 p.m.

UConn's Ballard Institute and Museum of Puppetry to Open OPERA AND GIANT PUPPETS: Amy Trompetter's BARBER OF SEVILLE, 6/14
by BWW News Desk - Jun 10, 2014


The Ballard Institute and Museum of Puppetry at the University of Connecticut will present the grand opening of Opera and Giant Puppets: Amy Trompetter's 'Barber of Seville' on Saturday, June 14 at 4 p.m. at the Ballard Institute's new home in Storrs Center. The grand opening includes a special free performance of The Punch Opera by Amy Trompetter's Redwing Blackbird Theater at 5 p.m.

Josh Young Performs EVITA's 'High Flying Adored' At Miami Media Event
by Pat Cerasaro - Jun 5, 2014


Broadway headliner and EVITA tour lead Josh Young joined with his EVITA leading lady, Caroline Bowman, to perform the ingratiating and tender ballad 'High Flying Adored' from the Andrew Lloyd Webber/Tim Rice score earlier this week and a full video of the sensational performance has now been released.

Photo Coverage: JAMIE DEROY & FRIENDS Celebrates Broadway with Tony Award Winners at The Metropolitan Room
by Stephen Sorokoff - Jun 3, 2014


Just last night, award-winning cabaret performer Jamie deRoy celebrated Broadway with a roster of Tony Award winners on her Multi MAC award-winning Variety Show, Jamie deRoy & friends, at New York's wonderfully-appointed cabaret The Metropolitan Room (34 West 22nd Street ~ btw. 5th & 6th Avenues).

BWW Reviews: Gotham Chamber Opera's US Premiere of THE RAVEN Cries 'Nevermore'
by Richard Sasanow - Jun 2, 2014


When New York's Gotham Chamber Opera--in collaboration with the Gerald Lynch Theatre at John Jay College--presented Toshio Hosokawa's THE RAVEN in its US premiere last week, as part of the NY Philharmonic Biennial, the composer could not have wished for a production that made a better case for it. Yet, despite the company's best efforts--and a wonderful concert opener based on an Edgar Allan Poe story, “Mask of the Red Death”--this was a less-than-fulfilling evening.

Photo Flash: Sneak Peek at the National Tour of EVITA, Coming to the Arsht Center Tonight
by BWW News Desk - May 27, 2014


The Adrienne Arsht Center for the Performing Arts of Miami-Dade County and Broadway Across America are pleased to present the national tour of Tim Rice and Andrew Lloyd Webber's passionate and elegant masterpiece EVITA. The Tony Award-winning musical will play at the Arsht Center's Ziff Ballet Opera House for a limited engagement from tonight, May 27 - June 1, 2014. EVITA closes the Broadway in Miami 2013-2014 subscription season presented by Bank of America. Scroll down for a sneak peek at the show!

Photo Flash: Sneak Peek at the National Tour of EVITA, Coming to the Arsht Center
by BWW News Desk - May 16, 2014


The Adrienne Arsht Center for the Performing Arts of Miami-Dade County and Broadway Across America are pleased to present the national tour of Tim Rice and Andrew Lloyd Webber's passionate and elegant masterpiece EVITA. The Tony Award-winning musical will play at the Arsht Center's Ziff Ballet Opera House for a limited engagement from May 27 - June 1, 2014. EVITA closes the Broadway in Miami 2013-2014 subscription season presented by Bank of America. Scroll down for a sneak peek at the show!

BWW Reviews: Theatre Under the Stars' EVITA has Gorgeous Heart and Grit
by David Clarke - May 7, 2014


EVITA began as a rock opera concept album. The success of the album led to the 1978 production on London's West End and the 1979 production on Broadway. With a slew of regional productions, revivals, and tours, EVITA continues to capture the hearts of audiences, and the U.S. National Tour of the 2012 Broadway Revival production is a prime example of why.

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