The Ailey Spirit Benefit STILL, WE DANCE to be Presented as a Global Broadcast
by Chloe Rabinowitz
- Jun 10, 2020
The Ailey organization continues its mission of using dance to uplift and unite all people with the first-ever Ailey Spirit Benefit global broadcast on Thursday, June 11 at 7:30pm ET featuring the Alvin Ailey American Dance Theater, rising stars of Ailey II, young dancers from The Ailey School and students from AileyCamp.
BWW Review: New York City Ballet's THE NUTCRACKER
by Wesley Doucette
- Dec 23, 2019
Nostalgic rose-colored glasses so tint few works as The Nutcracker. Its music, its images, its audience of children, either mesmerized or fidgeting in their Sunday best, have become annual staples of the Christmas season. Balanchine's 1954 staging of the ballet is its quintessential manifestation. As with all things Balanchine, it is a feat of harmonious contradictions; instead of his more academic ventures that seek to marry the aristocratic form with the fashionable modern, The Nutcracker is a practice in elegant nostalgia. Perhaps Balanchine felt this nostalgia for a Russia that was long gone; Stalin died the previous year, leaving behind a Russia that held no resemblance to the first act fete. That the choreographer was capable of conjuring these charming visions of a dreamlike childhood, while not sacrificing his pioneering vocabulary, is a testament to his genius
BWW Review: New York City Ballet Presents JEWELS, September 21, 2019
by Barnett Serchuk
- Sep 25, 2019
I think I've seen Jewels at least 200 times in my life. Notwithstanding all the performances-excellent, good, mediocre, or just beyond mention, the ballet always yields rewards in its seemingly abundant outpouring of music and dance. We all know Stravinsky and Tchaikovsky from so many Balanchine ballets. Who would have thought of Gabriel Fauré?
Nick Cordero & Frankie Grande Lead ROCK OF AGES in Hollywood
by Julie Musbach
- Aug 22, 2019
The complete cast is set for ROCK OF AGES Hollywood, which will open this fall at a specially built performance venue and nightlife destination on Hollywood Boulevard named after the venue at the center of the show, The Bourbon Room.
Broadway Smash CHICAGO to Bring All That Jazz to Anchorage
by Julie Musbach
- May 16, 2019
Chicago the Musical will paint the town February 18-23, 2020. Anchorage Concert Association presents the smash hit as part of its 2019/2020 season lineup, which also includes Disney's The Little Mermaid, Wild Kratts Live!, and The Piano Guys.
Alvin Ailey American Dance Theater Announces Highlights to Lincoln Center Season June 12-16
by Sarah Hookey
- May 9, 2019
Artistic Director Robert Battle has announced exciting highlights to Alvin Ailey American Dance Theater's Lincoln Center season at the David H. Koch Theater June 12 – 16. In addition to a world premiere by Darrell Grand Moultrie and recent premieres by some of today's most revered choreographers across three distinct programs – Bold Visions, Trailblazers, and Timeless Ailey – the engagement includes The Ailey Spirit Gala benefit celebrating the 50th Anniversary of The Ailey School; An Evening Honoring Carmen de Lavallade; and a series of special activities for people of all ages and backgrounds. The engagement also marks the debut of five new Company dancers.
BWW Review: Alvin Ailey American Dance Theater - 60 Years, Still Ascending at The Dorothy Chandler Pavilion
by Valerie-Jean Miller
- Apr 26, 2019
There is nothing negative I could possibly say about the performance I witnessed on April 4, 2019 at the Dorothy Chandler Pavilion. Such artistry is almost hard to describe. This company has an amazing history and is superb in both their interpretation and their amazing technique. Their 60-year history of excellence is a gift to our lives that must always Be. What more could you want?
Extreme gratitude given to Glorya Kaufman, and Glorya Kaufman Presents Dance at the Music Center. Ms. Kaufman is an Angel for the Arts in Los Angeles; especially for Dance.
Supple strength that fluidly morphs until it hits a line that is as outstretched and aesthetically perfect as could be, and those are the visual pictures they create with their bodies. It is a way of moving that combines all the elements of different opposites that we feel, react to and dream of, painting a visual picture, conveying expressive perceptions.
BWW Review: Ahrens and Flaherty's Stunning MARIE, DANCING STILL at the 5th Avenue Theatre
by Jay Irwin
- Apr 6, 2019
Dear Readers, in my capacity as a reviewer and as a musical theater geek at large, I've been privileged to witness more than a few out of town tryouts, those plucky wanna-be Broadway shows taking a shot in another city. Both here at home and abroad, I occasionally get a glimpse at greatness in the making, and yes, some at the 5th Avenue Theatre. I remember marveling at the glory of 'Memphis' and not being able to contain my enthusiasm or stay in my seat during the curtain call of 'Hairspray'. But not all are winners. (I'm looking at you, 'Princesses'.) So, each and every time the 5th Avenue announces their next great new musical, I'm a little trepidatious even when the show is from two of my favorite composers, Lynn Ahrens and Stephen Flaherty, not to mention directed and choregraphed by the indomitable Susan Stroman. So along came 'Little Dancer' which many whom I mentioned it to thought was an Elton John jukebox musical. (Wrong lyric, guys. That's 'Tiny Dancer'.) Then the show was changed to 'Marie', possibly owing to such confusion and finally to 'Marie, Dancing Still'. But whether they want to call it 'Little Dancer', or 'Marie, Dancing Still' or 'How Degas Got His Groove Back', what they have is a bona fide, must see, must cry throughout, accept no substitutes, hit in the making and a definite addition to my list of shows I was honored to catch early on.
BWW Review: New York City Ballet Surprises and Impresses at The Kennedy Center
by Sam Abney
- Apr 6, 2019
Sometimes ballet can be tricky. It's an art form that, when misunderstood, can come off as stuffy and out-of-date. Neither of those labels are an accurate description of the program New York City Ballet is showcasing at the Kennedy Center. With a skillful blend of contemporary and classic techniques, there's something for everyone in this thrilling presentation.
BWW Review: NYCB Classic at Lincoln Center
by Wesley Doucette
- Feb 14, 2019
The NYCB's five-part 'Classic NYCB' program, performed this past Wednesday, February 6th at Lincoln Center, featured a broad choreographic landscape. Through the work of four choreographers and spanning four decades, the evening featured not only the 'Classic NYCB,' as promised by the program title, but also a rare brand of 'Iconoclastic NYCB.' While some audiences might be nostalgic for the glory of 50's Balanchine, this evening proved that perhaps the best is yet to come and that even Balanchine did not shy away from experimentation as he reached towards artistic relevancy.
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