Jeffrey Ellis News

For years – for decades, really – I have advocated that Music City tourism would benefit from a sit-down production of a country music-themed musical, one that would appeal to a wide range of aficionados and would showcase the musical library of a beloved figure in the pantheon of Nashville music. Finally, Studio Tenn delivers the perfect vehicle for that with the world premiere production of Here You Come Again, featuring songs written by or recorded by Dolly Parton (the Patron Saint of Tennessee aka The Smoky Mountain Songbird).

With noteworthy performances across the board, Nashville Repertory Theatre’s production of Violet – with a lovely, haunting and emotional score by Jeanine Tesori and a sometimes meandering, oftentimes difficult to follow, libretto by Brian Crawley, based upon Doris Betts’ short story “The Ugliest Pilgrim” – closes out the company’s 2022-23 in impressive style that heralds great promise for what is still to come as the Rep moves forward into its 39th season.

Nolensville High School’s Lainey McCarter and Independence High’s Sawyer Curtis were recognized as Outstanding Lead Performers at Saturday night’s presentation of the 2023 Spotlight Awards, assuring them both of a spot at this summer’s Jimmy Awards competition in New York City. Murfreesboro’s Siegel High School’s production of Les Misérables was named Outstanding Musical during The Spotlight Awards.

Described as “a story-telling phenomenon,” Listen to Your Mother debuted in 2010 and has been performed in more than 60 cities. This edition is presented by Tilley Perryman’s Joy’s Jubilations LLC, a new performing arts organization she founded to provide educational theater experiences for young people in the Gadsden area, with the goal of brining professional theater to the region within the next few years.

Colorful and campy, fast-paced and royally entertaining – and about as much fun as current Tennessee laws may allow (our state legislature’s supermajority, however, might be clutching their pearls and wailing about “who’ll protect the children?” even as the youngsters surrounding me on opening night were having the times of their lives) – Disney’s Aladdin has arrived in Music City via magic carpet, bus and truck. And grabbing a ticket to the show’s Nashville run should be among anyone’s three wishes (along with, of course, tickets for Taylor Swift, Janet Jackson and/or Trevor Noah, all of whom are upping the entertainment quotient – and demand for parking spaces – this weekend) for pure escapism!

When her boundless imagination was challenged some eight years ago to create Doña Perón, the acclaimed ballet that depicts the life of Eva Perón – known as Santa Evita to her beloved descamisados and for people all over the world who first became intrigued by her via Andrew Lloyd Webber’s award-winning musical Evita – it was up to Ochoa to create a vivid portrait of the legendary, if still-controversial woman who died more than 70 years ago.  

We’ve been thinking about that 2012 legislation as we prepared to see Roxy Regional Theatre's 2023 production of Spring Awakening, the Tony Award-winning musical by Duncan Sheik and Stephen Sater, which is based on the play of the same name written in the late 19th century by playwright Frank Wedekin, in which he crafted an intricately plotted story of youthful suppression and the subsequent rebellion engendered by an appalling lack of open dialogue between “the adults” and “the children” that still today provides a provocative counterpoint to the nature of current social intercourse, proving the musical’s continued relevance, while underscoring its all-too-prescient message.

Among attributes audience members have come to expect from a Nashville Children’s Theatre production – fired by significant amounts of imagination and enough creativity to empower the minds of every youngster who has ever been introduced to the transformative power of live theater by the artists of NCT – are unique approaches to live performance, replete with stunning visuals, the casting of actors who look like their young audiences, and refreshingly new and exciting concepts that breathe new life in ages-old tales.

When the history of live theater performance in Nashville, post-pandemic, is written sometime in the future, it’s highly likely there will be a chapter dedicated to and inspired by the significance of the artistry of Alicia Haymer, the actor/director/playwright who grew up in Nashville and whose impact on local theater goes all the way back to her childhood.

Playhouse 615 hosts a workshop production of Zach Leon’s musical The Date this weekend, April 14-16. Located at 11920 Lebanon Road in Mt. Juliet, Playhouse 615 is the latest theatrical endeavor by Joel Meriwether and Ann Street Kavanaugh. Leon’s The Date stars Shelby Anderson and Mike Wargo. A staged reading of Leon’s Buke’s Island was presented in March at Café Coco.

To be certain, Cabaret (in every iteration I have ever seen), represents the awesome power of live theater to challenge preconceived notions while creating a world audiences can only visit when in the thrall of a talented cast of actors inspired to indulge in fantasy while maintaining an earthbound realism that illuminates the human condition at any possible time in human history.

Confidently directed by Beki Baker, in a stylish and rather sophisticated production led by two of Lipscomb Theatre’s finest – Victoria Griffin as Lizzy Bennet and Bryce Dunn as Mr. Darcy – Pride and Prejudice is clearly one of the most entertaining and quite joyful productions we’ve seen since the pandemic has loosened its grip on theater and allowed a return to near-normalcy stagewise.

The power of theater to transform lives and to transport audiences to worlds perhaps unknown to them is no more profoundly felt than in The Curious Incident of the Dog in the Night-Time, the play by Simon Stephens based upon the novel of the same name by Mark Haddon. Now concluding its run at the Andrew Johnson Theatre at Nashville’s Tennessee Performing Arts Center, in a satisfying production directed by Micah-Shane Brewer for Nashville Repertory Theatre, the story’s emotional heft and provocative storyline is representative of theater that audiences can appreciate deeply and from which they can learn the unexpected.

Can you recall way, way back to 1991 when the Disney animated film version of Beauty and the Beast was first released? Well, even if you can’t, I certainly can remember how every theater aficionado I knew was exulting about the wondrous work and how it should be made into a live stage musical. In fact, it appeared that every film and theater critic worth his or her salt was noting the worthiness of such a transfer from film to stage.

Nashville Repertory Theatre today unveils its 2023-24 Mainstage Season, with a line-up of musicals, plays and a brand-new holiday season spectacle. In celebration of the company’s 39th season, Nashville Rep invites audiences to explore the idea of courage and bravery in everyday life.

It was in Fall 1995 that I first was introduced to the gospel singing Sanders Family of “up near Siler City, North Carolina,” in a production of Smoke on the Mountain at Nashville's venerable Chaffin's Barn Dinner Theatre. In 2023, the family returns again, as if by magic or perhaps accompanied by flights of angels, in a warmly nostalgic, sweetly sentimental and altogether lovely production from Studio Tenn -- playing through April 2 -- at the historic sanctuary of the First United Methodist Church in downtown Franklin, which stands in quite nicely for the First Baptist Church of Mount Pleasant, North Carolina, on a Saturday night in 1938.

Street Theatre Company makes its long awaited and eagerly anticipated debut as a resident company at Nashville’s Barbershop Theatre with its thoroughly entertaining production of Ordinary Days, the sung-through 2008-2009 work with music and lyrics by Adam Gwon.

Nashville's Street Theatre Company begins its residency at The Barbershop Theatre this weekend with their production of Ordinary Days, running March 17-April 1. Today, the musical's four castmembers - Angela Madaline-Johnson, Sachiko Nicholson, Grant Weathington and Alan Smith - take on our Friday 5(+1) questions to offer you some insight and to tell you why they think you should come see their show.

1776 officially opened on February 16, 2023, at the Forrest Theatre in Philadelphia, PA, and will make limited engagement stops at major cities across North America. Read the reviews for 1776 on tour here!

Sometimes, even imperceptibly and when you least expect it, you may find yourself in search of something that helps to take you away from the rigors of the real world, to transport you to a long-dreamed-of land of fantasy which exists in your heart of hearts. Perhaps that journey is spurred on by a passing thought, a barely realized memory of something lost long ago to the past, or you hear a snippet of a song, a melody that instantly makes your heart fill with emotion, and you are swept away…