Houston Grand Opera News

Legendary mezzo-soprano Frederica von Stade has performed many of opera's greatest roles in her storied career that began in 1970. In June, she makes her Opera Philadelphia debut in an incredible new role written just for her, in the East Coast Premiere of A Coffin in Egypt by composer Ricky Ian Gordon and librettist/director Leonard Foglia.

Houston Grand Opera announced at its annual meeting today that its 2013-14 season surpassed previous records for attendance and fundraising. Marking the fourth consecutive year of expanding its season, HGO presented eight main-stage productions (up from seven last season), with a total of forty-nine performances-compared to forty-six the previous year. Attendance rose 3 percent over last season, or 28 percent over 2009-10, and the organization's comprehensive campaign has raised more than $157 million, on track to reach its $165 million goal by December 2014.

The 280+ arts patrons who gathered May 30 at the Petroleum Club of Houston for Opera in the Heights' Bravissimo! 2014: 'The Grand Gala' got a delightful surprise during the seated dinner: Stirring performances by rising opera singers and musical theater talents Alicia Gianni and Chris Newcomer. Scroll down for photos from the event!

It was in a supporting role at Carnegie Hall with Eve Queler and the Opera Orchestra of New York that Stephen Costello first launched his professional career. Now the Tucker Award-winning tenor makes a hero's return, rejoining the same forces at the storied New York venue to headline a concert performance of Donizetti's Roberto Devereux tonight, June 5.

Skyrocketing rents. Loss of diversity. Evictions, Google Glass wearing nouveau riche, The War on the Poor. What is The City coming to? The Tony Award-winning San Francisco Mime Troupe (SFMT) opens its 55th season with RIPPLE EFFECT, a musical comedic tale of intersecting lives and cultures that reflect the familiar neighborhood tensions that are polarizing San Franciscans today.

Jerome Kern and Oscar Hammerstein II's Show Boat opens San Francisco Opera's Summer Season on June 1 with nine subsequent performances through July 2, 2014. A watershed of American musical theater, Show Boat receives its Company premiere in director Francesca Zambello's new grand-scale "beautifully sung, smartly staged and handsomely designed (Chicago Tribune)" production

Houston Grand Opera drew the season to a close with hit new productions of Das Rheingold and Carmen that prompted CultureMap Houston to conclude: 'This is, without doubt, the epitome of early twenty-first century opera production. It's where we are going, and it's thrilling.'

Tony Award-winning comedy Vanya and Sonia and Masha and Spike will feature Resident Actor Jeffrey Bean as Vanya, Sharon Lockwood returning to the Alley as Sonia, Alley Artist Josie de Guzman returning as Masha, and Resident Actor Jay Sullivan as Spike. Rounding out the cast and making their Alley debuts are Rachael Holmes as Cassandra and Sarah Nealis as Nina. Jonathan Moscone, Artistic Director of California Shakespeare Theater, helms the production and returns after having directed the Alley's 2011 production of Amadeus.

OPERA America, the national nonprofit service organization for opera, is pleased to announce that 14 participants from the United States, Canada and Europe have been selected for its 2014 Leadership Intensive program. These future industry leaders were chosen through a competitive selection process that focused on proven leadership and potential for significant contributions to the opera field throughout their careers.This program is made possible by the generous support of American Express.

North Carolina Opera, under the leadership of General Director Eric Mitchko and Artistic Director & Principal Conductor Timothy Myers, presents 'Opera in the Pines' at Koka Booth Amphitheatre in Cary tonight, May 17 at 7 p.m. Maestro Timothy Myers conducts the North Carolina Opera Orchestra and vocal soloists Hailey Clark, Kate Farrar, Noah Stewart, and Ted Federle in a concert of Broadway and opera favorites.

Jerome Kern and Oscar Hammerstein II's Show Boat opens San Francisco Opera's Summer Season on June 1 with nine subsequent performances through July 2, 2014. A watershed of American musical theater, Show Boat receives its Company premiere in director Francesca Zambello's new grand-scale "beautifully sung, smartly staged and handsomely designed (Chicago Tribune)" production. A beloved story of life on the Mississippi in the 1880s, Show Boat is both a poignant love story and a powerful reminder of America's bitter legacy of racism. The score is filled with unforgettable songs such as "Ol' Man River" and "Can't Help Lovin' Dat Man," and the dazzling production features large, colorful sets, sumptuous costumes and exhilarating dance numbers. Of recent performances at Houston Grand Opera, the Houston Chronicle wrote "[This is] a towering work. . . there's a magnificence in its music, its narrative sweep, its deep awareness of something bigger than ourselves."

On Site Opera, which creates immersive, site-specific opera productions, has partnered with Figaro Systems, developer of groundbreaking libretto simultexting technology, to preview a future in which opera is further freed from the opera house. OnThursday, June 19 at Lifestyle-Trimco Showroom in Manhattan, the companies will give a special performance of On Site's new production of Rameau's one-act Pygmalion for users of Google Glass. As the performers move about the space during the performance, audience members will be able to read an English translation of Ballot de Sovot's libretto conveniently in their Glass field of vision.

It was in a supporting role at Carnegie Hall with Eve Queler and the Opera Orchestra of New York that Stephen Costello first launched his professional career. Now the Tucker Award-winning tenor makes a hero's return, rejoining the same forces at the storied New York venue to headline a concert performance of Donizetti's Roberto Devereux on June 5.

59E59 Theaters will welcome the US premiere of PAT KIRKWOOD IS ANGRY, written by Jessica Walker, with Joseph Atkins at the piano, and directed by Lee Blakeley, with musical arrangements by James Holmes. PAT KIRKWOOD IS ANGRY begins performances on Tuesday, June 10 for a limited engagement through Sunday, June 29. Press opening is Sunday, June 15 at 7:30 PM. The performance schedule is Tuesday - Thursday at 7:30 PM; Friday at 8:30 PM; Saturday at 2:30 PM & 8:30 PM; and Sunday at 3:30 PM & 7:30 PM. Performances are at 59E59 Theaters (59 East 59th Street, between Park and Madison Avenues). Tickets are $25 ($17.50 for 59E59 Members). To purchase tickets, call Ticket Central at (212) 279-4200 or go to www.59e59.org.

Legendary mezzo-soprano Frederica von Stade has performed many of opera's greatest roles in her storied career that began in 1970. In June, she makes her Opera Philadelphia debut in an incredible new role written just for her, in the East Coast Premiere of A Coffin in Egypt by composer Ricky Ian Gordon and librettist/director Leonard Foglia.

Former Music Director Christoph Eschenbach returns for one of the largest choral-symphonic works ever written, Gustav Mahler's 8th Symphony, tonight and tomorrow, May 9 and 10 at 7:30 pm. Nicknamed the Symphony of a Thousand, Mahler's Symphony No. 8 will be performed by more than 400 musicians, chorus members and soloists together onstage at Jones Hall for an event seen only once before in the Houston Symphony's 100-year history.

Washington National Opera (WNO) presents the world premiere of An American Soldier, June 13-14, 2014 in the Kennedy Center Terrace Theater. An American Soldier features music by composer Huang Ruo and a libretto by David Henry Hwang. This new work, to be performed in English, is the second hourlong opera created under the auspices of the American Opera Initiative, WNO's commissioning program for contemporary American opera. An American Soldier is directed by David Paul and a chamber orchestra is conducted by Steven Jarvi; both are alumni of WNO's Domingo-Cafritz Young Artist Program.

On Site Opera, which has garnered acclaim for immersive, site-specific productions, will perform Rameau's one-act Pygmalion in two unusual-and unusually apt-venues this summer, just before the 250th anniversary of the composer's death: Madame Tussauds New York, on June 17, and Lifestyle-Trimco Showroom, on June 20 & 21.