Edward Bond News

Theatre for a New Audience has announced the performance schedule, cast and creative team for director Arin Arbus's new staging of Thornton Wilder's comic masterpiece The Skin of Our Teeth, the first major New York production since 1998.

Centaur Theatre's Board of Directors is pleased to announce the appointment of Eda Holmes as the new Artistic and Executive Director. She assumes the role on August 1, 2017.

Theatre for a New Audience will participate in The Ghostlight Project, which was conceived by a group of theatre artists in response to the Presidential election, and which aims to unitemembers of the theatre community nationwide in resisting intolerance and working to support vulnerable communities. 

Theatre for a New Audience will participate in The Ghostlight Project, which was conceived by a group of theatre artists in response to the Presidential election, and which aims to unitemembers of the theatre community nationwide in resisting intolerance and working to support vulnerable communities. 

Theatre for a New Audience has announced the performance schedule, cast and creative team for director Arin Arbus's new staging of Thornton Wilder's comic masterpiece The Skin of Our Teeth, the first major New York production since 1998.

"Salome, Salome, dance for me!"

Theatre for a New Audience presents the New York premiere of The Servant of Two Masters by Carlo Goldoni at Polonsky Shakespeare Center, 262 Ashland Place, beginning tonight, November 16, at 7:30pm.

Point Park University's Conservatory Theatre Company presents Edward Bond's The Sea, a comedy based on Shakespeare's, The Tempest, which emphasizes the strengths and weaknesses between humans and society while challenging the audience to strive for change in the world. 

Point Park University's Conservatory Theatre Company presents Edward Bond's The Sea, a comedy based on Shakespeare's, The Tempest, which emphasizes the strengths and weaknesses between humans and society while challenging the audience to strive for change in the world. 

Renowned playwright Howard Brenton's work ranges from The Romans in Britain and Pravda to 55 Days and Drawing the Line. Now, his eerily resonant 1973 play Magnificence - featuring idealistic squatters, police brutality, slippery politicians and radicalisation - is being revived at Finborough Theatre, previewing from 25 October.

Theatre for a New Audience and The New York Public Library mark the close of 2016 - the 400th anniversary of William Shakespeare's death - with a free public conversation on Shakespeare's pervasive and perennial role in American culture.

 Rehearsals begin today at Polonsky Shakespeare Center, 262 Ashland Place, for Theatre for a New Audience's New York premiere of Servant of Two Masters by Carlo Goldoni adapted by Constance Congdon from a translation by Christina Sibul and featuring Steven Epp.  Directed by Christopher Bayes, The Servant of Two Masters begins previews Sunday, November 6, at 7:30pm for a Wednesday, November 16, opening.  The run is scheduled through Sunday, December 4.

The New Yorker Festival will present a Theatre for a New Audience production of a reading of the new two-character play About Alice that Calvin Trillin adapted from his memoir about his late wife, the educator Alice Stewart Trillin. About Alice, with Jessica Hecht as Alice and Tony Shalhoub as Calvin and directed by Leonard Foglia, will be heard one night only at the Directors Guild Theatre, 110 West 57th Street, Today, October 8, at 7:00pm.

Theatre for a New Audience has moved up the opening date for the New York premiere of The Servant of Two Masters by Carlo Goldoni at Polonsky Shakespeare Center, 262 Ashland Place, to Wednesday, November 16, at 7:30pm, one day earlier than originally announced.

Theatre for a New Audience and The New York Public Library will mark the 400th anniversary of William Shakespeare's death with a viewing of a First Folio followed by a conversation among scholars and conservators on the Folio's innovative origins, its history as a wildly coveted (and carefully conserved) artifact, and its continued role in the robust afterlife of Shakespeare.

Sean Holmes has been Artistic Director of the Lyric Hammersmith since 2009. Memorable productions during his bold and varied tenure include Three Kingdoms, Saved, Bugsy Malone, Ghost Stories, the Secret Theatre programme, and the Olivier Award-winning Blasted. Next up is a revival of Mark Ravenhill's provocative Shopping and F***ing.

The New Yorker Festival will present a Theatre for a New Audience production of a reading of the new two-character play About Alice that Calvin Trillin adapted from his memoir about his late wife, the educator Alice Stewart Trillin. About Alice, with Jessica Hecht as Alice and Tony Shalhoub as Calvin and directed by Leonard Foglia, will be heard one night only at the Directors Guild Theatre, 110 West 57th Street, Saturday, October 8, at 7:00pm.

Theatre for a New Audience and The New York Public Library will mark the 400th anniversary of William Shakespeare's death with a viewing of a First Folio followed by a conversation among scholars and conservators on the Folio's innovative origins, its history as a wildly coveted (and carefully conserved) artifact, and its continued role in the robust afterlife of Shakespeare.

Jeffrey Horowitz, Founding Artistic Director, Theatre for a New Audience, announces the complete cast for the New York premiere of The Servant of Two Masters by Carlo Goldoni, the first play in its four-production 2016-2017 Season at Polonsky Shakespeare Center, 262 Ashland Place.

Theatre for a New Audience, Founding Artistic Director Jeffrey Horowitz, announces its 2016-17 season at the Polonsky Shakespeare Center, 262 Ashland Place, featuring four productions of Shakespeare alongside major American and European authors.