Dion Boucicault News

Written by Dion Boucicault, London Assurance, takes audiences on a wild ride through the eyes of eccentric characters and missteps along the way! Centered around Sir Harcourt Courtly and his betrothal to Grace Harkaway and the hilarity that ensues when they each end up falling for another person, including Sir Courtly's own son, this play is full of twists, turns, and plenty of quirky moments.

Blackfriars Repertory Theatre and the Storm Theatre presents a new production of Buzz McLaughlin's Sister Calling My Name directed by Peter Dobbins (Ah, Wilderness!; The Rainmaker), it was announced today. Performances begin on January 24 for a run through February 16 in the Black Box Theater at The Sheen Center for Thought & Culture (18 Bleecker Street at the corner of Elizabeth Street, NYC). Opening night is set for January 30 and this marks the play's New York premiere.

Irish Repertory Theatre presents London Assurance, written by Dion Boucicault (The Shaughraun) and directed by Charlotte Moore (The Plough and the Stars).

Irish Repertory Theatre (Charlotte Moore, Artistic Director and Ciarán O'Reilly, Producing Director) has announced three new productions for Winter 2020. First on the Francis J. Greenburger Mainstage will be Incantata by Paul Muldoon (The Dead, 1904) and directed by Sam Yates (The Starry Messenger).

Irish Repertory Theatre (Charlotte Moore, Artistic Director and Ciarán O'Reilly, Producing Director) announced today a two-week extension for the Susan Smith Blackburn Prize winning-play Pumpgirl, by Abbie Spallen (Strandline), directed by Nicola Murphy (Stop/Over). Pumpgirl began performances in the W. Scott McLucas Studio Theatre (132 W 22nd Street, New York, NY 10011) on November 7 and opened November 14. Originally set to close on December 29, 2019, it will now play an extended run through January 12, 2020.

The month-long Origin 1st Irish Theatre Festival, the world's only festival devoted to producing the plays of contemporary Irish playwrights from around the world, runs four weeks from January 7 to February 3, 2020. A total 15 events, including seven mainstage productions from Belfast, Dublin, Wexford, and Manhattan and Queens, will be seen in- and out-of-competition. Among the productions, three are American premieres; two are world premieres. 15 contemporary Irish writers are represented with work in the Festival.

Irish Repertory Theatre (Charlotte Moore, Artistic Director and Ciarán O'Reilly, Producing Director), in association with the Wexford Arts Centre, is proud to present the U.S. premiere of The Scourge, written & performed by Michelle Dooley Mahon (The Eff Word), and directed by Ben Barnes (Madama Butterfly). The Scourge begins performances in the W. Scott McLucas Studio Theatre (132 W 22nd Street, New York, NY 10011) on January 22, 2020, with opening night set for January 23, for a limited run through February 2, 2020. The Scourge is an official selection of the 2020 Origin 1st Irish Theatre Festival.

Irish Repertory Theatre (Charlotte Moore, Artistic Director and Ciarán O'Reilly, Producing Director), in association with the Wexford Arts Centre, will present the U.S. premiere of The Scourge, written & performed by Michelle Dooley Mahon (The Eff Word), and directed by Ben Barnes (Madama Butterfly). The Scourge begins performances in the W. Scott McLucas Studio Theatre (132 W 22nd Street, New York, NY 10011) on January 22, 2020, with opening night set for January 23, for a limited run through February 2, 2020. The Scourge is an official selection of the 2020 Origin 1st Irish Theatre Festival.

Irish Repertory Theatre announces full casting for London Assurance, written by Dion Boucicault (The Shaughraun) and directed by Charlotte Moore (The Plough and the Stars). Performances begin on December 6, 2019 on the Francis J. Greenburger Mainstage (132 W 22nd Street) with an opening night set for December 15, for a limited run through January 26, 2020.

Irish Repertory Theatre presents London Assurance, written by Dion Boucicault (The Shaughraun) and directed by Charlotte Moore (The Plough and the Stars). Performances begin on December 6, 2019 on the Francis J. Greenburger Mainstage with an opening night set for December 15, for a limited run through January 26, 2020.

Written in 1868, the year that the Finborough Theatre's building was constructed, The first London production in over 120 years of Dion Boucicault's rip-roaring Victorian melodrama, After Dark; or, A Drama of London Life, directed by the multi-award-winning Phil Willmott, opens at the Finborough Theatre for a four week limited season on Wednesday, 12 June 2019 (Press Nights: Wednesday, 19 June 2019 and Thursday, 20 June 2019 at 7.30pm).

Written in 1868, the year that the Finborough Theatre's building was constructed, The first London production in over 120 years of Dion Boucicault's rip-roaring Victorian melodrama, After Dark; or, A Drama of London Life, directed by the multi-award-winning Phil Willmott, opens at the Finborough Theatre for a four week limited season on Wednesday, 12 June 2019 (Press Nights: Wednesday, 19 June 2019 and Thursday, 20 June 2019 at 7.30pm).

The Finborough Theatre's summer season features two world premieres from female playwrights - a new play written and directed by the first woman ever to direct at the National Theatre, and a debut play from a brand new American dramatist - alongside another classic Finborough rediscovery from one of the greatest theatrical figures of the 19th century, unseen in London for over 120 years. We also bring you the eleventh consecutive year of our annual celebration of new writing, Vibrant 2019 - A Festival of Finborough Playwrights, giving us a chance to share with you just a few of the exceptional writers we have developed, nurtured and championed over the last year.

Obie Award winner Metropolitan Playhouse revives Dion Boucicault's THE POOR OF NEW YORK, with music from the era. The limited run from April 19 through May 19, 2019, plays at the Playhouse home at 220 E 4th Street. Artistic Director Alex Roe directs.

The Auburn Avenue Research Library in collaboration with Actor's Express will host director Donya K. Washington, dramaturg Dr. Angela Farr Schiller, and Atlanta Distinguished Professor Emerita of Southern Studies Dr. Theda Perdue in a discussion on the performance of race through the context of history and the Obie Award-winning play An Octoroon by playwright Branden Jacobs-Jenkins. The New York Times praises An Octoroon as "This decade's most eloquent theatrical statement on race." In it, Jacobs-Jenkins reframes the 19th century melodrama, The Octoroon by Dion Boucicault, blending theatrical styles and 21st century cultural politics in an exploration of the art form's interplay with race and identity. Opening with a scene from the Atlanta production of An Octoroon featuring actor Neal A. Ghant, our panelist share in discussion about the play's themes, their relation to our state and local history, and why it's still relevant today.

Based on the Academy Award winning film, Finding Neverland is the timeless story behind one of the world's most beloved characters - Peter Pan - and how he was born from the sheer power of J.M. Barrie's imagination.  With "pixie-dusted perfection" (Entertainment Weekly), Finding Neverland follows the playwright and his introduction to four young brothers and their beautiful widowed mother. Spellbound by the boys' enchanting make-believe adventures, he sets out to write a play-and his classic tale springs to life. 

A debt-ridden plantation, a new owner, a lovely young woman with a secret, and an assortment of slaves-these antiquated elements have been mashed up against a contemporary framework to create an astonishing, outrageously comic, and eloquent perspective on race in America, in Branden Jacobs-Jenkins' An Octoroon. This Obie award winning play will begin a 5-week run at Stage West today, August 30.

A debt-ridden plantation, a new owner, a lovely young woman with a secret, and an assortment of slaves-these antiquated elements have been mashed up against a contemporary framework to create an astonishing, outrageously comic, and eloquent perspective on race in America, in Branden Jacobs-Jenkins' An Octoroon. This Obie award winning play will begin a 5-week run at Stage West on Thursday, August 30.

The National Theatre announces new information, and recaps its upcoming season.

Described by the New York Times as 'this decade's most eloquent statement on race in America today', Branden Jacobs-Jenkins' extraordinary and provocative play An Octoroon comes to the National Theatre after a sold out run at the Orange Tree Theatre. In 1859, white Irish playwright Dion Boucicault writes a hit play about America. Today, a black American playwright attempts to do the same.