Joan Cullman

The original cast recording of the Off-Broadway show, 'Eating Raoul: The Musical,' is finally available on all major streaming platforms after more than two decades of being out of print.

Danspace Project and Stephen Petronio Company partner to present Bloodlines/Bloodlines(future), December 8-10, 2022 at Danspace Project's home in the historic St. Mark's Church in-the-Bowery.

PEN America today announces the presenters introducing the 2022 Literary Awards' three career achievement honorees, and the performers who will take the stage at New York City's Town Hall (123 W. 43rd St.) for the momentous celebration of this year's most resonant literature, held on February 28 as an in-person event hosted by Emmy Award-winning late night host Seth Meyers.

RED BULL THEATER will present a RemarkaBULL Podversation: Tony Award-winning (and seven-time nominated) director DANIEL SULLIVAN will join host Nathan Winkelstein, Red Bull's Associate Artistic Director, for 'You Have Done That You Should Be Sorry For,' a conversation focused on the 'Tent Scene' from Shakespeare's Julius Caesar (Act 4: Scene 3).

New York Live Arts (Live Arts) to present the New York City premiere of discrete figures by Japanese companies Rhizomatiks Research and ELEVENPLAY, and American media artist Kyle McDonald, May 8-11, 2019. The performance will be the mainstage highlight of Live Arts' annual interdisciplinary festival Live Ideas, this year exploring Artificial Intelligence and titled Live Ideas 2019 - AI: Are You Brave Enough for The Brave New World?, May 8-12, 2019. Five live female dancers execute choreography with machine learning technology on a stage designed for interactivity between performers, drones, and Artificial Intelligence, in the quest for a new palette of movement to foster undiscovered modes of expressive dance that transcend the limits of conventional human subjectivity and emotional expression.

New York Live Arts, under the artistic leadership of world renowned choreographer, National Medal of Arts, MacArthur "Genius" Award and Kennedy Center Honors recipient Bill T. Jones and Associate Artistic Director Janet Wong, announced Raja Feather Kelly as the 2019-20 Randjelovi/Stryker Resident Commissioned Artist (RCA). The award is one of the most substantial awards for a choreographer in the United States and a significant vehicle for midcareer artists.

Founded by McKersin Previlus, Lakai Dance Theatre presents The Block: An Afro-Musical at New York Live Arts. With influences of Jazz, Hip-Hop, and Afro-Diasporic styles, The Block takes on the realities of an inner-city life through intricate spoken word verses and musical stories. This one-time performance is on November 2, 2018, 7:30 PM. Tickets start at $15 and can be purchased at 212 924 0077 or online at newyorklivearts.org.

As part of its Live Feed program, New York Live Arts presents the New York City premiere of Bill Shannon's Touch Update, a new work exploring contemporary modes of digital versus interpersonal representation and physicality. Touch Update investigates social constructions and specific physical movement patterns that emanate from disabled bodies. Video wearables and installation art animate corporeal abstractions of dance, digital intimacy and human touch.

Families who share live performances together create a yearbook full of memories. The newly announced Just Kidding performing arts series at Symphony Space offers a 'Grade A' roster of diverse extracurricular activities designed for young people and their grownups.

The Kitchen presents a multimedia project from Charles Atlas, continuing the institution's nearly 45-year relationship with the video art pioneer. In The Kitchen's gallery, two new video installations take a retrospective look at Atlas' work while offering a counterpoint to his interactive 2003 show Instant Fame! and its portraits of downtown figures (through May 12).

Day three of New York Live Arts' Live Ideas 2018: Radical Vision festival, Saturday, April 21, looks at our electoral process through readings, a workshop, panel discussions, and a performance spectacle.  

Friday, April 20, day two of Live Ideas 2018: Radical Vision looks into the role of the press, what it means to be a journalist in an endangered liberal democracy, and what obligations the press has today. Opening the day will be visual artist Huiying B. Chan, who will read words by legendary activist Grace Lee Boggs, followed by author and journalist Moustafa Bayoumi's reading of works by Edward Said and a presentation of speeches by Muhammad Ali read by journalist Greg Tate. The readings will start at 4 pm. Admission is free.

The Kitchen presents Sasquatch Rituals, a cycle of performance ritual installations initiated by Sibyl Kempson and her 7 Daughters of Eve Thtr. & Perf. Co., tracking and responding to her consuming experiences as an investigator for the Bigfoot Field Research Organization (April 24-28).

The Kitchen, founded in 1971, has continued to serve as an important catalyst for a broad community of groundbreaking artists working across disciplines. In today's landscape, where contemporary artists and arts institutions are collaborating in new ways and generating new contexts for the continuing evolution of multi-disciplinary art, The Kitchen, as a nimble, smaller-scale organization, plays an especially vital role. It provides emerging and established artists a hot-house environment for the presentation and discussion of their work, supporting and seeking to foster a vibrant, living dialogue among artists from every field and area of culture. Engaging both The Kitchen veterans and newcomers who challenge the given formations of art and politics, lifestyle and social structures, the Spring 2018 (March 28-July 27) season probes everything from the police state to the racial imaginary to self-construction and identity, utilizing the flexibility of the institution's spaces for art that itself eludes definition. 

The Kitchen presents a multimedia project from Charles Atlas, continuing the institution's nearly 45-year relationship with the video art pioneer. In The Kitchen's gallery, two new video installations take a retrospective look at Atlas' work while offering a counterpoint to his interactive 2003 show Instant Fame! and its portraits of downtown figures (March 28-May 12).

New York Live Arts presents the world premiere of Bessie Award winner Joanna Kotze's What will we be like when we get there, a new interdisciplinary dance performance with long-time collaborators dancer/choreographer Netta Yerushalmy, visual artist Jonathan Allen, and composer/musician Ryan Seaton. What will we be like when we get there will premiere at New York Live Arts March 28-31, 2018, 7:30 PM. In conjunction with the performance, an exhibition, Knowing that your House is on Fire in the lobby of New York Live Arts, will feature new works by visual artist, Jonathan Allen. Tickets for the performance start at $15 and may be purchased at 212 924 0077 or online at newyorklivearts.

New York Live Arts 2018 Live Ideas Gala, co-chaired by Slobodan Randjelovi? and Jon Stryker and Ruth and Stephen Hendel and hosted by award-winning performer and playwright Anna Deavere Smith, pays tribute to Live Arts' annual Live Ideas Festival. The Gala will take place at Irving Plaza, 17 Irving Place, New York City on Monday, April 16, starting with a cocktail reception at 6:30pm and followed by the dinner and program at 7:15pm.

The Kitchen presents Marianna Ellenberg's Pawel & Ebola, a new play that tells the story of the imagined offspring of neurologist and famed hysteric -photographer Dr. Jean-Martin Charcot in order to examine trauma and how notions of hysteria have been projected onto women from fin-de-si cle France to contemporary America (February 22 24). This is the largest onstage undertaking yet for Ellenberg: the film and performance artist sets her cinematic taste for camp and psychodrama onstage in this full-length, time-traversing play. Combining narrative and fragmentary text, dance, live audio experimentation and electro-acoustic music, Pawel & Ebola continues Ellenberg's deconstruction of themes like institutional misogyny, spirituality, and the female subject in American mythologies. This trenchant riff on various power structures asks how the global capitalist societies of today can contort even feminism to exploitative ends.

In 2015, Stephen Petronio Company culminated its 30th anniversary 2014-15 season with a transformation: the launch of Bloodlines. This five-year autobiographical project not only honors the lineage of American postmodern dance, but also traces the influences and impulses that have shaped choreographer Stephen Petronio, an artist uniquely positioned to preserve this postmodern tradition.