Jenny Mannis

I'm preparing. I'm expecting. I haven't figured out the path to creation yet. Christina Anderson's bold, imaginative portrait of three artist/intellectual couples exploring personal and professional legacy, How to Catch Creation makes its world premiere at Goodman Theatre. A playwright of note for more than a decade, with previous works at The Public Theater, Yale Repertory Theatre and Playwrights Horizons, Anderson makes her Goodman debut. Niegel Smith, who most recently directed the smash sensation Father Comes Home from the Wars (Parts 1, 2 & 3) last season at the Goodman, directs Anderson's play, which appeared as a reading in the Goodman's 2017 New Stages Festival.

"I'm preparing. I'm expecting. I haven't figured out the path to creation yet."

Goodman Theatre proudly announces its cast for the world premiere of How to Catch Creation by Christina Anderson-"a gifted playwright you want to pay attention to" (Variety). A vivid portrait of three artist/intellectual couples exploring life, children and marriage-coming together and coming apart-How to Catch Creation is directed by Niegel Smith, who most recently directed the smash sensation Father Comes Home from the Wars (Parts 1, 2 & 3) last season at the Goodman.

Chicago Opera Theater (COT) will kick off the 2018/2019 season with "Iolanta," a Chicago premiere of legendary composer P.I. Tchaikovsky's final opera. Internationally renowned and award-winning conductor Lidiya Yankovskaya will make her conducting debut as Chicago Opera Theater's Staley Music Director and set the tone for the season to come. Acclaimed stage director Paul Curran, known for his work at Santa Fe Opera, Lyric Opera Chicago and more, will shape the retelling of this joyous love-story, featuring an almost entirely Chicago-based cast including soprano Katherine Weber as Iolanta, and renowned Russian bass Mikhail Svetlov as Rene. The opening night and press performance takes place on Saturday, November 10 at 7:30 p.m. at the historic Studebaker Theater (410 S. Michigan Ave.) Additional performances will take place Thursday, November 15 at 7:30 p.m. and Sunday, November 18 at 3 p.m.

Steppenwolf Theatre Company opens its 42nd Season with the Chicago premiere of The Rembrandt, written by Jessica Dickey and directed by Hallie Gordon. This subtle and elegant play features ensemble members Francis Guinan as Henry/Rembrandt and John Mahoney as Simon/Homer with Ty Olwin (Dodger/Titus), Karen Rodriguez (Madeline/Henny) and Gabriel Ruiz (Jonny/Martin). BroadwayWorld has a first look at the cast in action below!

Steppenwolf Theatre Company opens its 42nd Season with the Chicago premiere of The Rembrandt, written by Jessica Dickey and directed by Hallie Gordon. Currently in rehearsals, this subtle and elegant play features ensemble members Francis Guinan as Henry/Rembrandt and John Mahoney as Simon/Homer with Ty Olwin (Dodger/Titus), Karen Rodriguez (Madeline/Henny) and Gabriel Ruiz (Jonny/Martin). BroadwayWorld has a sneak peek at the company in rehearsal below!

Steppenwolf Theatre Company opens its 42nd Season with the Chicago premiere of The Rembrandt, written by Jessica Dickey and directed by Hallie Gordon.

Steppenwolf Theatre Company opens its 42nd Season with the Chicago premiere of The Rembrandt, written by Jessica Dickey and directed by Hallie Gordon. Currently in rehearsals, this subtle and elegant play features ensemble members Francis Guinan as Henry/Rembrandt and John Mahoney as Simon/Homer with Ty Olwin (Dodger/Titus), Karen Rodriguez (Madeline/Henny) and Gabriel Ruiz (Jonny/Martin). BroadwayWorld has a sneak peek at the company in rehearsal below!

Steppenwolf Theatre Company opens its 42nd Season with the Chicago premiere of The Rembrandt, written by Jessica Dickey and directed by Hallie Gordon.

Taylor Mac's HIR, now in its Chicago premiere at Steppenwolf under the direction of Hallie Gordon, proves itself to be a complete whirlwind from the beginning. Collette Pollard's strikingly realistic living room/kitchen set is in a tornado-like state when the curtain comes up at the top of the play, with heaps of clothes scattered around, a large tower of miscellaneous household appliances and craft supplies barring the front door, and a general lack of discernible counter and floor space anywhere. This state of disarray echoes the chaotic state of the dysfunctional family at the center of HIR: order has gone entirely to the wayside. Paige (Amy Morton, a commanding spitfire from the start) resides in this mess of a house with her transgender son Max (an earnest and likable Em Grosland) and her husband Arnold, who is deeply mentally incapacitated as a result of a severe stroke (Fran Guinan in a shocking and haunting performance). When Paige and Arnold's eldest son Isaac (Ty Olwin) arrives home from war, he finds a home and family that he no longer recognizes.

Steppenwolf Theatre Company presents the Chicago premiere production of Hir, a subversive comedy by celebrated playwright, actor, singer-songwriter and performance artist Taylor Mac. Directed by Steppenwolf Artistic Producer Hallie Gordon, the cast features ensemble members Francis Guinan (Arnold) and Amy Morton (Paige) with Em Grosland (Max) and Michael Holding (Isaac).

Steppenwolf Theatre Company announces the complete cast for Hir, a Chicago premiere by celebrated playwright, actor, singer-songwriter and performance artist Taylor Mac.

Rehearsals are underway for Steppenwolf Theatre Company's Chicago premiere production of Hir, a subversive comedy by celebrated playwright, actor, singer-songwriter and performance artist Taylor Mac. Directed by Steppenwolf Artistic Producer Hallie Gordon, the cast features ensemble members Francis Guinan (Arnold) and Amy Morton (Paige) with Em Grosland (Max) and Ty Olwin (Isaac). BroadwayWorld has a sneak peek at the company in rehearsal below!

Steppenwolf Theatre Company presents the Chicago premiere production of Hir, a subversive comedy by celebrated playwright, actor, singer-songwriter and performance artist Taylor Mac. Directed by Steppenwolf Artistic Producer Hallie Gordon, the cast features ensemble members Francis Guinan (Arnold) and Amy Morton (Paige) with Em Grosland (Max) and Michael Holding (Isaac).

Steppenwolf Theatre Company announces the complete cast for Hir, a Chicago premiere by celebrated playwright, actor, singer-songwriter and performance artist Taylor Mac.

Writers Theatre, under leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, announces a second two-week extension of Death of a Streetcar Named Virginia Woolf: A Parody created by Tim Ryder and Tim Sniffen, written by Tim Sniffen and directed by Stuart Carden and Michael Halberstam. Due to demand, the production now runs through August 14, 2016, as the inaugural production of the Gillian Theatre at Writers Theatre's new theater center at 325 Tudor Court, Glencoe.

Writers Theatre, under leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, continues its 2015/16 season with DEATH OF A STREETCAR NAMED VIRGINIA WOOLF: A PARODY created by Tim Ryder and Tim Sniffen, written by Tim Sniffen and directed by Stuart Carden and Michael Halberstam. The production has been extended by two weeks, and runs now through July 31, 2016 in the Gillian Theatre at Writers Theatre's new theater center at 325 Tudor Court, Glencoe. The Press Opening is tomorrow, May 4, and BroadwayWorld has a first look at the cast in action below!

On the heels of their critically acclaimed world premiere of Luna Gale, playwright Rebecca Gilman and Artistic Director Robert Falls again join forces for her newest drama, Soups, Stews, and Casseroles: 1976. Change is coming to a small Wisconsin town when a corporation acquires a local cheese manufacturer, which employs the majority of the town's working class citizens. For the Durst family, the merger presents newfound opportunity-and a moral dilemma. The Chicago premiere, which marks the play's second production following its 2014 world premiere at The Repertory of St. Louis, features Cliff Chamberlain as longtime factory employee Kim Durst; Cora Vander Broek as his wife Kat; Lindsay Stock as their daughter, Kelly. Rounding out the cast are Ty Olwin (Kyle), Angela Reed (Elaine) and Ann Whitney (JoAnne). The creative team includes Kevin Depinet (set), Richard Woodbury (sound), Jenny Mannis (costumes) and Jesse Klug (lights). Kimberly Osgood is the production stage manager. Soups, Stews, and Casseroles: 1976 appears May 21 - June 19 in the Owen Theatre (opening night is Monday, May 31). Tickets ($10 - $40; subject to change) are on sale now at GoodmanTheatre.org/Soups, by phone at 312.443.3800 or at the box office (170 North Dearborn). Mayer Brown LLP is the Corporate Sponsor Partner.

Writers Theatre, under leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, continues its 2015/16 season with Death of a Streetcar Named Virginia Woolf: A Parody created by Tim Ryder and Tim Sniffen, written by Tim Sniffen and directed by Stuart Carden and Michael Halberstam.

Henry Wishcamper's contemporary take on Thornton Wilder's THE MATCHMAKER -- the inspiration for the musical Hello, Dolly! -- revealing social truths through mistaken identity, outrageous misbehavior and spontaneous romance, appears in Goodman Theatre's 856-seat Albert Theatre, now through April 10, 2016. BroadwayWorld has a first look at the cast in action below!