Jay Hunter

Florida Grand Opera (FGO) presents a specially expanded production of Leoncavallo's I PAGLIACCI, returning to its roots with this verismo masterpiece.

The main draw of CABARET is the set, or more broadly, the atmosphere. Housed in the historic warehouse-turned multipurpose artistic venue Pullman Yards (known previously as home to the Van Gogh Experience), the Atlanta Opera takes full advantage of creating their set, stage, and even audience space from scratch.

Tulsa Opera will premiere a new production of Richard Strauss’ Salome that will take celebrating the return of live performances to a new level by offering members of the audience the opportunity to not only watch the action, but to be immersed in it over two performances Friday, April 29 at 8:00 p.m. and Sunday, May 1 at 2:30 p.m.

The Glimmerglass Festival, the summer opera and musical theater festival, will return to its theater for its 2022 season after presenting this past summer’s performances completely outdoors in the aptly named festival, “Glimmerglass on the Grass.” 

Next Thursday, April 15, sees the launch of The Atlanta Opera’s live, in-person spring season, highlighted by the world premiere productions of new adaptations of two iconic operas, both deconstructed for our challenging times by General & Artistic Director Tomer Zvulun.

After the success of its acclaimed fall offerings, now The Atlanta Opera presents an equally innovative spring lineup of live, in-person events, highlighted by the world premiere productions of new adaptations of two iconic operas.

The Santa Fe Opera will present Songs for the Future, a special online program to benefit its singing and technical Apprentice Programs, on March 11 at 6:00 pm MT.

Broadway might be dark, but that doesn't mean that theatre isn't happening everywhere! Below, check out where you can get your daily fix of Broadway this weekend, December 19-20, 2020.

The Met has announced themed lineups for four weeks of its Nightly Met Opera Streams, a free series of encore Live in HD presentations and classic telecasts streamed on the company's website during the coronavirus closure. The schedule includes a week of In Plain English, an Epic Proportions week, followed by a week of Holiday Fare, and more.

San Francisco Opera's streamed performances continue through Opera is ON with Vincenzo Bellini's I Capuleti e i Montecchi (The Capulets and the Montagues) on Saturday, May 16. Each streamed opera, captured live in high-definition at the War Memorial Opera House, will be viewable on demand at sfopera.com on the streaming date starting at 10 am and expiring at 11:59 pm the following day.

Broadway might be dark this month, but that doesn't mean that theatre isn't happening everywhere! Below, check out where you can get your daily fix of Broadway today, March 27, 2020.

Broadway might be dark this month, but that doesn't mean that theatre isn't happening everywhere! Below, check out where you can get your daily fix of Broadway today, March 26, 2020.

A day after canceling upcoming performances due to concerns around the coronavirus, the Metropolitan Opera announced that it would stream encore presentations from the award-winning Live in HD series of cinema transmissions on the company website for the duration of the closure.

The Bard Conservatory Orchestra joins an exciting principal cast of singers in a fully staged performance of Richard Strauss's once infamous, now famous opera, Salome—a biblical story, with a twist. The program, directed by R. B. Schlather and performed by the Bard Conservatory Orchestra, Leon Botstein, conductor, features leading opera singers Melody Moore, Jay Hunter Morris, Nathan Berg, Betsy Bishop, Robert Stahley, and others, including students of the Conservatory's Graduate Vocal Arts Program. Salome takes place Friday, April 3, at 7:30 p.m. and Sunday, April 5, at 2 p.m. in the Fisher Center's Sosnoff Theater. Tickets start at $15 and can be ordered online at fishercenter.bard.edu or by calling the box office at 845-758-7900. $5 student tickets are available to Bard undergraduate students through the Passloff Pass.

The Atlanta Opera broke new records this season. Even before its final presentation Francesca Zambello's new take on La traviata, which closed this past weekend 2018-19 was already guaranteed to be the company's highest-grossing season of the past decade, highlighted by last fall's West Side Story, the highest-selling production in the Atlanta Opera's 39-year history (Opera News).

This winter, The Atlanta Opera presents the company premiere of Jake Heggie and Terrence McNally's Dead Man Walking in an original production "of the very highest level" (Opera News) from General & Artistic Director Tomer Zvulun. Georgia native Jamie Barton - winner of the Beverly Sills Artist Award, Richard Tucker Award, and BBC Cardiff Singer of the World Competition - makes her eagerly anticipated role debut as Sister Helen Prejean, and Michael Mayes reprises the iconic portrayal of condemned murderer Joseph De Rocher that the composer himself has called "definitive," anchoring an all-star cast that also features Maria Zifchak, Wayne Tigges, Kevin Burdette, and Jay Hunter Morris. Marking the second presentation in Atlanta's mainstage season, the opera will be mounted in four performances led by Kentucky Opera principal conductor Joseph Mechavich at the Cobb Energy Performing Arts Centre (Feb 2-10).

To commemorate the start of Yannick Nézet-Séguin's new position as the Jeanette Lerman Neubauer Music Director, the Met is releasing an audio compilation of performance highlights on iTunes, as well as a series

The Dallas Opera is extremely proud to present the season opener of the company's grand 2018-2019 "Swept Away" Season: Richard Wagner's haunting nineteenth-century masterpiece, The Flying Dutchman (Der fliegende Hollander), a work not seen on The Dallas Opera stage since January of 1994.

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