Wesley Paine

The power of theater to transform lives and to transport audiences to worlds perhaps unknown to them is no more profoundly felt than in The Curious Incident of the Dog in the Night-Time, the play by Simon Stephens based upon the novel of the same name by Mark Haddon. Now concluding its run at the Andrew Johnson Theatre at Nashville’s Tennessee Performing Arts Center, in a satisfying production directed by Micah-Shane Brewer for Nashville Repertory Theatre, the story’s emotional heft and provocative storyline is representative of theater that audiences can appreciate deeply and from which they can learn the unexpected.

Stunning. Powerful. Deeply moving. The words come rather easily in an attempt to adequately describe the awe-inspiring performances to be found in director Matt Logan’s beautifully crafted production of A.S. Peterson’s The Hiding Place. Now onstage in its Nashville premiere at the Soli Deo Center (which, to be frank, is equally notable and worthy of excessive praise) at Christ Presbyterian Academy through July 23, the play – which had its premiere in September 2019 at A.D. Players in Houston, Texas – proves to be both accessible, engaging and, we daresay, hopeful even as it tells a story from one of the darkest eras in human history.

The pandemic has not stopped Tennessee Playwrights Studio's 2020 Fellows from creating six interesting and thought-provoking new works, which have been developed throughout the year at monthly TPS workshops and will be performed by favorite local Nashville actors on January 27-29 and February 3-5, 2021.

ACT 1 launches its 2017-18 season tonight, with the Brian Hill-directed Love, Loss and What I Wore the critically acclaimed play by Nora and Delia Ephron, based on the 1995 book of the same name by Ilene Beckerman. Love, Loss and What I Wore opens at Darkhorse Theatre for a three-weekend run through October 21.

Feeling the urge to let your imagination run wild, your spirit to soar or to just leave the world in which you live and go on an adventure? Sounds like a trip to the theater is in order! Luckily, companies all over the Volunteer State have been hard at work, creating new productions to transform and to transport, shows that will entertain you this summer. That's where THE NASHVILLE THEATER CALENDAR comes in handy: Peruse our listings every week to find out what shows you should see!

What's a stage manager? What do they do? What's their job? Seriously. Perhaps no job in the theater is as hard to define as that of a production stage manager and it's that blend of mystery, fear and total dependence that makes actors, directors, crew members, producers - you name it! - hold a really great stage manager in total awe and to revile someone who is (how do you say it, without offending anyone?) less than stellar in their position?

Carrie Brewer's fiery portrayal of the man who would ultimately become King Henry IV is certain to resonate with audiences for the compelling production of William Shakespeare's Richard II - onstage at Shamblin Theatre through April 23 in a joint production from Nashville Shakespeare Festival and Lipscomb University Theatre - especially in contrast to Caroline Amos' highly theatrical portrayal of the eponymous king whose indecision and lack of personal gravitas results in his ultimate demise.

Johnna Adams is a consummate storyteller: employing fantasy and fiction, conjecture and supposition, she weaves together a tale that is at once intensely intriguing and enormously off-putting, using her skill as a writer to transport her audience to an otherworldly place that exists only in her imagination and, perhaps, in the woods and hollows of north Georgia.

'Spring is here! Why doesn't my heart go dancing?' - or at least to the theater to be transported to a different world, another time and place where life is transformed and magic happens before your very eyes...

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

David Lee directs an ensemble of actors which includes 2015 First Night Honoree Wesley Paine, along with Allie Huff, Alexandra Chopson, Brooke Gronemeyer, Becky Wahlstrom and Taylor Chew. The understudy cast is made up of Fiona Soul, Tessa Bryant, Sadie Andros, Morgan Conder, Nettie Kraft and Amanda Bell.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

David Lee directs an ensemble of actors which includes 2015 First Night Honoree Wesley Paine, along with Allie Huff, Alexandra Chopson, Brooke Gronemeyer, Becky Wahlstrom and Taylor Chew. The understudy cast is made up of Fiona Soul, Tessa Bryant, Sadie Andros, Morgan Conder, Nettie Kraft and Amanda Bell.

Beki Baker's extraordinary direction, which provides a stunningly fresh perspective of Arthur Miller's stage masterpiece - along with remarkable performances from a cast of both professional and student actors - ensures that audiences will long be considering the impact of The Crucible, now onstage at Shamblin Theater through February 28, after the final curtain is rung down on this joint production of Blackbird Theater and Lipscomb University Department of Theatre.

With almost 400 people in the audience, the leading lights of Tennessee theater were heralded with the presentation of the 2015 First Night Honors Gala, Sunday night at the iconic and historic Chaffin's Barn Dinner Theatre in Nashville. Hosted by Geoff Davin, Stephanie Jones-Benton and Erica Patterson, the event featured musical numbers by more than 100 performers in tribute to the Class of 2015 Honorees.

With almost 400 people in the audience, the leading lights of Tennessee theater were heralded with the presentation of the 2015 First Night Honors Gala, Sunday night at the iconic and historic Chaffin's Barn Dinner Theatre in Nashville. Hosted by Geoff Davin, Stephanie Jones-Benton and Erica Patterson, the event featured musical numbers by more than 100 performers in tribute to the Class of 2015 Honorees.