Tana Hicken

Today's subjects, Joy Zinoman and Logan Vaughn, are currently living their theatre lives over on H Street at Mosaic Theater Company. They are the directors for the company's current South Africa: Then & Now repertory, which is comprised of the Athol Fugard's classic Blood Knot and the newer A Human Being Died That Night by Pumla Gobodo-Madikizela and adapted for the stage by Nicholas Wright. The rep represents the old and the new. It's appropriate that Mosaic's genius Artistic Director Ari Roth has enlisted a veteran director of over 50 years and a hot up-and-coming director to bring the plays to vivid life onstage at the Atlas Performing Arts Center.

BLOOD KNOT is an apartheid-era Cain and Abel tale of half-brothers, Morris and Zachariah, who share a mother and a history, but have been separated by color and opportunity. Morris, whose light skin has allowed him to pass as white within South Africa's codified racial stratification, has benefited from opportunities unavailable to his darker-skinned brother.

Photo Flash: Mosaic Theater Co Launches Rep with BLOOD KNOT

Mosaic Theater Company of DC presents South Africa: Then & Now, a dynamic spring repertory that takes audience members back to the depths of Apartheid, before moving forward to the ongoing search for truth and reconciliation in a wounded country. The repertory launches with Athol Fugard's seminal masterpiece, BLOOD KNOT (March 29-April 30, 2017)-an intimate parable about a brotherhood devastated by the constraints of Apartheid-under the direction of Studio Theatre Founding Artistic Director Joy Zinoman, making her Mosaic Theater Company debut.

With Les Liaisons Dangereuses, we have byzantine complexity and unreal psychology. Doesn't sound like the sort of thing that would keep readers and theatergoers keep coming back. Yet somehow, almost inexplicably, this slightly pornographic extravaganza of obscurity and nastiness continues to claim our attention. Never mind why; some things just are that way.

There is nothing wrong with the handsome production director Kwame Kwei-Armah has given us, from the amazing two-storey set by Timothy R. Mackabee to the decolletage-heavy, periwig-topped, bustle-bottomed, gilded costumes of David Burdick, to the sturdy performances of Bruce Randolph Nelson and Stanton Nash as Salieri and Mozart, to literally everything else associated with this resurrection of the show. I am convinced that the problem lies with the script itself.

Joseph W. Ritsch directs his first Everyman production.

Another new theatre space opens in the Baltimore/Washington area.

Everyman Theatre has announced that on Monday, September 15 at 7PM, actors, directors, designers, family members, friends, and audience members will gather at Everyman to remember the incredible life and work of actress Tana Hicken, who died August 17th at her home in Sparks, MD.

Washington theatre celebrated its highest honors for achievement at the 30th Annual Helen Hayes Awards tonight, April 21, 2014 at the National Building Museum. Scroll down for the full list of winners!

4,000 Miles is right at home at Studio Theatre: a crackling good contemporary script, first class actors, and a top notch production. If we gave out stars at Broadway World, I would give this show five out of five.

Continuing its 25th Anniversary Season, the Shakespeare Theatre Company presents Eugene O'Neill's Pulitzer Prize-winning play, Strange Interlude. Directed by STC Artistic Director Michael Kahn, Strange Interlude runs at the Company's Sidney Harman Hall (610 F Street NW) through tonight, April 29, 2012.

Continuing its 25th Anniversary Season, the Shakespeare Theatre Company is set to present Eugene O'Neill's Pulitzer Prize-winning play, Strange Interlude.

If you've never had the opportunity to see a rehearsal of a play, Washington's Shakespeare Theatre Company is offering two free open rehearsals for Eugene O'Neill's Strange Interlude on Saturday, March 17 at 1:30 p.m. and 3 p.m. at Sidney Harman Hall.

Continuing its 25th Anniversary Season, the Shakespeare Theatre Company is set to present Eugene O'Neill's Pulitzer Prize-winning play, Strange Interlude.

The 26th Helen Hayes Awards were presented at the historic Warner Theatre on Monday April 5.

Theatre artists and productions nominated for The 26th Annual Helen Hayes Awards were announced this evening at a press conference hosted by The National Theatre in its Helen Hayes Gallery. The complete list of nominees can be found below.

Theatre artists and productions nominated for The 26th Annual Helen Hayes Awards were announced this evening at a press conference hosted by The National Theatre in its Helen Hayes Gallery. The complete list of nominees can be found below.

Theatre artists and productions nominated for The 26th Annual Helen Hayes Awards were announced this evening at a press conference hosted by The National Theatre in its Helen Hayes Gallery. The complete list of nominees can be found below.

The Fall theatre season in the DC area is in full bloom. As the leaves are turning, there is a colorful group of shows opening this month. There are so many, so where do I begin? Here are shows that I am looking forward to seeing, and remember I am a musical theatre lover who likes to sprinkle in a play or two - here and there - so don't get mad if I don't choose one of the plays you are looking forward to seeing. You have your chance at the end of this article to share your 'must sees' also with our readers. Hopefully, you'll make the trip down to the DC area to see some of these wonderful productions.