Joshua Waldrep

Before Broadway comes calling for Hatty Ryan King, the young Nashville actress with an enviable resume (the Lipscomb University sophomore is a Spotlight Award winner, was a finalist for The Jimmy Award, has worked with theater companies both community-oriented and professional and has proven herself a capable leading player along the way), you might want to get your tickets to see her onstage in Studio Tenn's ambitious, if woefully uneven, holiday season offering of Beauty and The Beast. In a role that could have been written for her, King shines as Belle, the ambitious and eager to learn and to embrace change young woman who is the heroine of the musical which features a score by Alan Menken, lyrics by Howard Ashman and Tim Rice and a book by Linda Woolverton.

With a sense of the sweeping epic about it and a darkly romantic story to tell The Hunchback of Notre Dame ( a new musical based on the Victor Hugo novel and songs from the Disney film ) offers an intriguing retelling of the story of Quasimodo, the hideously deformed and often reviled bellringer at Paris' Notre Dame cathedral, and Esmeralda, the fiery, passionate gypsy temptress with whom he becomes infatuated. Although set in the late 15th century, The Hunchback of Notre Dame, what with its themes of religious zealotry and bias and prejudice against an ethnic minority, remains eerily prescient and perhaps frighteningly contemporary given the tenor of the times in which we live.

Circle Players' 2017-18 season continues with the Nashville premiere of the Tim Larson-directed production of The Hunchback of Notre Dame, the epic musical based upon Victor Hugo's tale of hope, love and passion, which runs October 27-November 12 at the Z. Alexander Looby Theatre in Nashville.

Circle Players' 2017-18 season continues with the Nashville premiere of the Tim Larson-directed production of The Hunchback of Notre Dame, the epic musical based upon Victor Hugo's tale of hope, love and passion, which runs October 27-November 12 at the Z. Alexander Looby Theatre in Nashville.

GOOD MORNING, THEATERATI! It's Thursday, June 1, 2017 - or, as we like to call it #TheaterThursday, 'June is busting out all over…' as a song from Carousel reminds us, and there's no better way to kick off a new month than by planning our theater outings for the weekend! Tomorrow night at Cumberland County Playhouse, the company, cast and crew unveil the 2017 model of Smoke on the Mountain, which marks the 24th year of the musical playing in Crossville. Weslie Webster directs and her cast includes Daniel W. Black and Lauren Marshall as Sanders family father and mother Burl and Vera.

GOOD MORNING, THEATERATI! It's Wednesday, May 3, the day of THE BIG PAYBACK, the Community Foundation of Middle Tennessee's annual initiative to help local non-profits add to their coffers during a 24-hour online fundraising/giving event that has arts organizations coming up with new and clever ways to get their supporters to take part: We urge you to show your support throughout the day for your favorite arts non-profits and to help keep the lights on, the curtains up and your friends gainfully employed.

Those wacky sisters of Hoboken are back on the job and back in the theatre in Nuncrackers - writer Dan Goggins' latest installment of the continuing saga of a group of down-on-their-luck nuns from New Jersey who are still trying to beef up their rolls, score some longed-for electronic gadgets and launching a cable access TV channel to hawk their own special brand of must-have holiday gifts - celebrating the Christmas season with a variety show that shows off their own questionable talents, along with those of a group of four children from the school at the Convent of Mount Saint Helen's.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

It would have taken a miracle to save the opening night of Circle Players' Children of Eden - one of the most eagerly anticipated productions of the season in Music City - from the wrath of God: in this case an abysmal sound design that prevented the audience from hearing Lauren Frances Jones' exquisite vocal performance as Eve in the Stephen Schwartz/John Caird musical.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the notebooks, datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Nashville actor and NFL Hall of Famer Eddie George, who makes his Broadway debut Tuesday night in the iconic musical Chicago, was named First Night's Outstanding Leading Actor in a Play for his searing portrayal of a former slave haunted by the spectre of abuse in Nashville Repertory Theatre's The Whipping Man. Rene Dunshee Copeland, producing artistic director of Nashville Rep, was named Outstanding Director of a Play, while her three-actor ensemble (which included James Rudolph and Matthew Rosenbaum) were awarded as First Night's Outstanding Performance by an Ensemble in a Play for their rendition of the Matthew Lopez play.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Geoff Davin, Stephanie Jones-Benton and Erica Patterson will serve as co-hosts as the leading lights of Tennessee theater are heralded with the presentation of the 2015 First Night Honors Gala, to be held Sunday, September 20, at Nashville's iconic and historic Chaffin's Barn Dinner Theatre. The event will feature musical numbers by more than 150 performers in tribute to the Class of 2015 Honorees.