Norman Treigle

The 2024 George London Award winners have been announced, including soprano Katerina Burton, mezzo-sopranos Emily Treigle and Erin Wagner, tenor Samuel White, and baritones Benjamin Dickerson and Darren Drone.

Following a comprehensive search, the board of New Orleans Opera Association (NOOA) has announced Anglo-American producer and librettist Lila Palmer as its new General and Artistic Director. Her term begins on May 15, 2024.

Boosey & Hawkes has shared the death of American composer Carlisle Floyd, who passed away on September 30, at age 95 in Tallahassee, Florida.

Houston Grand Opera has announced the three new singers and nine returning artists who will train with the HGO Studio for 2021–22. The HGO Studio provides comprehensive career development to young singers and pianist/coaches who have demonstrated potential to make major contributions to the artform. 

New Orleans Opera has announced a virtual lecture series for Spring 2021, called ALLONS! This series takes place at your house - on Zoom!

Houston Grand Opera has announced the nine finalists for this year’s Concert of Arias, the 33rd Annual Eleanor McCollum Competition for Young Singers, to be presented live from the Wortham Theater Center on February 5, 2020, at 7 p.m. CT.

I caught up with rising star bass-baritone Christian Van Horn the other day, to find out what the devil was going on with his starring role in the Met's first performance of Arrigo Boito's MEFISTOFELE in almost 20 years. Were you nervous as hell (pun intended) on the first night, I asked Van Horn, winner of this year's prestigious Richard Tucker Award, in your role as the Devil?

The Met is offering Robert Carsen's 1999 production of Arrigo Boito's MEFISTOFELE to show us what bass-baritone Christian Van Horn--winner of this year's Richard Tucker Award--could do in his first starring role at the house and the answer was: plenty.

A rare collection of complete live recordings of classic American musical theater is now available at two major venues: Goodspeed Musicals' Scherer Library of Musical Theatre in East Haddam, Connecticut, and Cleveland Public Library in Cleveland, Ohio.

Stage Door Records have announced the debut CD release of the albums CAROUSEL and SING THE POPULAR MUSIC OF LEONARD BERNSTEIN on May 27th 2016. The release continues Stage Door's COLLECTOR'S SERIES, a line of limited edition CD products that celebrate Broadway shows and vocalists of the 1950s and 60s.

One of the most popular American operas, Susannah is the tale of an innocent Tennessee mountain girl who is accused of sinful behavior by the church-going elders of the town. Written in the 1950s the opera is surprisingly modern in its treatment of women's empowerment. Carlisle Floyd wrote this opera while a professor at Florida State University and our cast will feature a member of the original cast! Mr. Floyd will be in residence the week prior to the performances and events featuring him will be announced at a later date.

The groans were audible--no, powerful--when the Metropolitan Opera's General Manager Peter Gelb stepped out in front of the curtain on the second night of the company's new David McVicar production of Handel's GIULIO CESARE. They grew louder as he announced that soprano Natalie Dessay was ill and would not be singing the pivotal role of Cleopatra. But I'd bet that these same operagoers were cheering along with the majority of the audience at the sensational portrayal of the replacement, soprano Danielle de Niese, whose brilliant coloratura took the runs, roulades and trills of this demanding score with ease.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

In May 2011, The New York Philharmonic This Week - the two-hour, national weekly and international radio program of concerts by the New York Philharmonic, hosted by actor Alec Baldwin - begins with commercial New York Philharmonic recordings of past performances. They include Bloch's Concerto Grosso No. 1 (conducted by Charles Munch, with pianist Walter Hendl as soloist, recorded 1948); Ben-Haim's Sweet Psalmist of Israel (conducted by Leonard Bernstein, with Sylvia Marlowe, harpsichord, and Christina Stavrache, harp, recorded 1959); and Shostakovich's Symphony No. 13, BabiYar (conducted by Kurt Masur, with baritone Sergei Leiferkus and the Men of the New York Choral Artists, Joseph Flummerfelt, director, recorded 1993). The following week pianist Emanuel Ax - who is celebrating his 100th performance with the Philharmonic - will play Debussy's Estampes for solo piano, followed by Messiaen's Couleurs de la cité céleste, conducted by Music Director Alan Gilbert, who will also lead the Orchestra in Mahler's Symphony No. 5.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.