Jake Heston Miller

The Early Night Show with Joshua Turchin- Virtual Edition (Corona Cabaret) continues with the release of the sixth episode featuring special guests Carly Gold (The Ferryman- Broadway, Fun Home- Broadway Tour), Madison Lagares (Broadway- School of Rock, Broadway- On Your Feet), Jake Miller (National Tours of Love Never Dies, Freaky Friday, Radio City Music Hall NY Spectacular) and Nick Valle (Camelot Farms, Inc.).

BROADWAY SESSIONS is described as an evening of musical performances, games and open mic featuring a new Broadway cast twice monthly. The show is created and hosted by Ben Cameron (Bway Wicked, Aida, Footloose, Dance Captain Dance Attack web series) and features musical director Joshua Stephen Kartes on piano. 

The fifth installment of (YOUNG), created and directed by Monroe G. Scott, took place at The Green Room 42 on Sunday, March 3. Twelve-year-old Joshua Turchin accompanied, emceed, and music directed the cabaret, which featured a cast of Broadway's biggest littles, while benefitting children around the world. 

Many people will be giving thanks this week with the arrival of Andrew Lloyd Webber's' Love Never Dies' to Little Rock's Robinson Performance Hall. The extravagant sequel to the Phantom Of The Opera is a musical and visual holiday treat. The book was written by Ben Elton with music by Andrew Lloyd Webber and lyrics by Glenn Slater. Though it is a sequel, it's not a sequel because you can enjoy this musical without ever having seen the original. However, the majority of the crowd were obviously Phans, Phantom of the Opera fans.

It's no secret that entertainment culture has an obsession with sequels and beyond. Movie trilogies become sagas and soon enough Jude Law is playing young Albus Dumbledore. This desire to expand the story; to pick up where you left off is prevalent even on the stage, although perhaps not as regularly. In Andrew Llyod Webber's Love Never Dies, the story isn't over just yet for Christine Daae, The Phantom, and many other important players from it's predecessor, The Phantom of the Opera. 

Your knees won't buckle when you enter Belk Theater to see LOVE NEVER DIES, Anthony Lloyd Webber's long-awaited sequel to The Phantom of the Opera. There's no gleaming chandelier looming ominously over ticketholders in the front rows, nor will you see any nooks or gargoyles spanning the stage proscenium. Until the curtain rose, about the only aspect of the new Lloyd Webber melodrama that reminded me of its predecessor on opening night was the size of the crowd who had come to see it. A near sellout - not too shabby for a musical that has never played on Broadway.

As Memphis theatergoers pile into the Orpheum to kick off a record-breaking 2018-2019 season for ticket sales at the much beloved venue, they are confronted with a familiar, albeit masked face. Indeed, while Andrew Lloyd Webber's The Phantom of the Opera continues its remarkable 30-year run as Broadway's most enduring production, its sequel, Love Never Dies, has opened in the bluff city. Like all other sequels, Love Never Dies faces the initial challenge of justifying its mere existence. That challenge is further amplified when the first installment is, like The Phantom of the Opera, so woven into the fabric of our cultural iconography. Grumbling devotees of the original Phantom will no doubt ask why the story necessitates a sequel at all, let alone one in which the Phantom is transplanted from the Paris Opera House to (gasp) the underbelly of New York's Coney Island. To those skeptics in the audience (of which this reviewer was one), rest assured that Troika Entertainment's magically beautiful production of Love Never Dies, with direction by Simon Phillips, answers that question rather quickly. Why does The Phantom of the Opera require a sequel? Well, why not? That is particularly the case when the sequel is such an eye catching showcase for its talented cast of performers.

'Love Never Dies' is absolutely worth seeing.  It is lush.  The voices are beyond exceptional.  Sets, costumes, and effects are haunting. The direction by Australians Simon Phillips and choreography by Graeme Murphy AO completely envelop the space allowed.  The traveling pit orchestra conducted by Dale Rieling is as good as it gets.  There are several, new, show stopping songs and lots of achingly beautiful echoes of the original Phantom score.

Casting has been announced for Andrew Lloyd Webber's Love Never Dies, the spellbinding sequel to The Phantom of the Opera, for the premiere St. Louis engagement at The Fabulous Fox Theatre.

BRING BACK BIRDIE, THE BEST LITTLE WHOREHOUSE GOES PUBLIC, and both ANNIE II and ANNIE WARBUCKS all famously failed at recreating the success of the musicals for which they produced sequels. And now, riding on the coat tails of mega-musical THE PHANTOM OF THE OPERA, LOVE NEVER DIES is touring the world, eying a hopeful Broadway run. But, is this sequel what theatre Phans are asking for? I think the jury is still out.

All new photos have been released from the North American production of Love Never Dies, starring Bronson Norris Murphy as the Phantom and Meghan Picerno as Christine Daae.

Andrew Lloyd Webber's sequel to his smash hit THE PHANTOM OF THE OPERA, entitled LOVE NEVER DIES is currently touring across the United States. The staging of the production is inspired by the reworked 2011 Australian premiere of the musical. To give Houston audiences an inside look into the show sure to leave them spellbound, we sat down with Sean Thompson who plays hero turned flawed husband and father, Raoul, Vicomte de Chagny.

If you're surprised the Phantom is still playing Broadway and touring, you'll be more surprised that there's a sequel. This tale fails to resurrect that love that carries the original with a hard-to-believe story and much less spark.

Complete 2018-2019 schedule has been announced for the North American tour of Andrew Lloyd Webber's Love Never Dies, the spellbinding sequel to The Phantom of the Opera. The tour launched in Fall 2018, and continues this week in Nashville, TN at TPAC June 19-24, followed by the Orpheum Theater in Minneapolis, MN next week, June 26-July 1. A complete touring schedule is below.

Andrew Lloyd Webber's Love Never Dies, the spellbinding sequel to The Phantom of the Opera, continues its North American tour (currently at South Carolina's Peace Center), and BroadwayWorld has just learned that Bronson Norris Murphy as officially taken over the role of The Phantom.

The Phantom of the Opera has returned to town, but there will be no familiar 'Music of the Night.' Sir Andrew Lloyd Webber has been penning a sequel to his blockbuster for years, and it has been performed in many versions, as LOVE NEVER DIES. Buffalonians may remember being titillated with the announced world premiere in Toronto years ago, but alas that announcement, as well as one of a Broadway production never occurred. London got dibs on it's premiere, then a reworked version went to Australia and now a new American tour is on the road letting the US decide what they think of the story.

I'll admit that I've never been what you would call a fan of 'Phantom of the Opera'. I appreciate it for what it is, and I find it tolerable with some interesting melodies but largely it's all flash and no substance. But now comes the (gulp) sequel to 'Phantom', 'Love Never Dies' currently playing at the Paramount, and this overblown pile of musical theater Ambien not only stretches out the story to a ridiculous effect but also by doing so exposes the original to what it really is, a desperate need for therapy and a restraining order.

There are many, very obvious spectacular things that stand out while watching LOVE NEVER DIES, Andrew Lloyd Webber's infamously, uh, troubled 2010 musical follow-up to his long-running global hit THE PHANTOM OF THE OPERA, now continuing its two-week engagement at Segerstrom Center for the Arts in Costa Mesa through May 5, 2018. While, sure, the show is stunning in its visual artistry and musical performances, the rest is repetitively frustrating. Unless you're a huge PHANTOM fan already or are perhaps maybe morbidly curious as to what the fuss is all about---LOVE NEVER DIES, sadly, doesn't offer much else to audiences beyond its superficial surface beauty.