Eric Riedmann

Seattle Repertory Theatre presents Arthur Miller's A View from the Bridge, an American classic, directed by Acting Artistic Director Braden Abraham. The production runs September 25 - October 18, in the Bagley Wright Theatre. Tickets are available now through the Seattle Rep Box Office at 206-443-2222 as well as online at www.seattlerep.org.

Sometimes not even Batman can save you from the atrocities of the world. Such is the case in Book-It Repertory Theatre's current production of Chris Cleave's "Little Bee". With a brutal and visceral tone at times the show manages to show off how the innocent lives of those trod upon in foreign countries can affect the lives of those in Western Civilization.

A Shakespearean classic directed by Sheila Daniels. Sounds like a dead lock winner right? Unfortunately Seattle Shakespeare Company's current production of "King Lear", while having some moments of power, ultimately left me wanting. Wanting for what? That's tough to say. There were so many little things needling me about the production that didn't quite work that they almost overshadowed what did. But ultimately it amounted to an inconsistency of pacing and performance that left me, like Lear, out in the cold facing the storm (such as it is but we'll get to that later).

Following a sold-out run of The Importance of Being Earnest, Seattle Shakespeare Company announced today that it will extend its production of King Lear through May 17 with four additional performances at the Cornish Playhouse. Below, BroadwayWorld has a first look at the production, which began previews last night - and opens tonight, Friday, April 25.

We don't live in Grover's Corners anymore and a lot has changed in the century since that time. So it stands to reason that a slice of life play like 'Middletown', currently playing at ACT would be a darker and grittier ride than its 'Our Town' predecessor. And while at times it seems like just a series of platitudes on how to live your life, what makes this production what it is are the stirring and heartfelt performances from the ensemble cast.

As Spring makes its way to Seattle, ESP goes to Texas for a typically beautifully-made play by the late, great Horton Foote, author of, among many works, The Trip to Bountiful, and the screenplays of Tender Mercies and To Kill a Mockingbird.

Playwright David Lindsay-Abaire has made a name for himself as an author who takes those uncomfortable situations and artfully puts them up on stage with heart and humor. Whether dealing with the loss of a child or the loss of memory his crisp dialogue always conveys sincere emotion and a discomfort that's riveting. His recent "Good People" currently playing at the Seattle Rep is no exception. And in addition to Lindsay-Abaire's fantastic script, Director David Saint and the Rep have assembled a superb cast and crafted a truly engaging power struggle between two old friends.

The problem I've always faced in the past with productions of Tennessee Williams' "The Glass Menagerie" is no matter how engaging the story is I just don't find myself invested in the characters. The show is a memory play and with that most productions fall into the trap of over accentuating the obvious flaws and guilt of the characters within Tom's memory. But what director Braden Abraham and the cast of the current production at the Rep have done is to keep those flaws but still present real and honest characters which allow the audience to care about their mistakes and well being. And that's what makes this production a complete success.

Collektor opens Sam Shepard's A Lie of the Mind in the Bullitt Cabaret space of ACT Theatre Thursday, September 8, 2011. This is the first production of the recently formed production company, Collektor, with Rob West serving as director and a talented cast of esteemed local designers and actors.

This September, ACT - A Contemporary Theatre brings power, passion, and politics to the Mainstage in Peter Oswald's astonishingly relevant and thrilling adaption of Mary Stuart by Friedrich Schiller, while The Central Heating Lab welcomes Collektor with Sam Shepard's haunting and timeless drama A Lie of the Mind and the return of Short Stories Live at Town Hall.

One year after the October 2009 arson that forced Taproot Theatre to postpone its world premiere production of Sherlock Holmes and the Case of the Christmas Carol, the theatre finally brings this holiday mystery to the stage in November and December. Underscoring the anticipation for this premiere by Seattle playwright John Longenbaugh, tickets are selling fast; two performances are already sold out, and Taproot has added an additional senior matinee. Sherlock Holmes and the Case of the Christmas Carol-directed by producing artistic director Scott Nolte-opens on November 26 and runs through December 30, with low-price previews on November 19 and 20, plus a pay-what-you-can performance on November 24.

One year after the October 2009 arson that forced Taproot Theatre to postpone its world premiere production of Sherlock Holmes and the Case of the Christmas Carol, the theatre finally brings this holiday mystery to the stage in November and December. Underscoring the anticipation for this premiere by Seattle playwright John Longenbaugh, tickets are selling fast; two performances are already sold out, and Taproot has added an additional senior matinee. Sherlock Holmes and the Case of the Christmas Carol-directed by producing artistic director Scott Nolte-opens on November 26 and runs through December 30, with low-price previews on November 19 and 20, plus a pay-what-you-can performance on November 24.

Taproot Theatre announces the highly-anticipated world premiere of Sherlock Holmes and the Case of the Christmas Carol, coming to its stage this November and December. Taproot's 2009 production of the play by Seattle writer John Longenbaugh was brought to a halt just four days after the first rehearsal when an arsonist set fire to the building adjacent to the theatre on October 23.

Taproot Theatre announces the highly-anticipated world premiere of Sherlock Holmes and the Case of the Christmas Carol, coming to its stage this November and December. Taproot's 2009 production of the play by Seattle writer John Longenbaugh was brought to a halt just four days after the first rehearsal when an arsonist set fire to the building adjacent to the theatre on October 23.

Young love, enduring love, reunited love, unrequited love, puppy love-it's all here as Taproot Theatre continues its 34th season with Charley's Aunt. In this Victorian-era farce by Brandon Thomas, a quiet afternoon luncheon turns into a hilarious masquerade when college chums attempt to woo a pair of charming young ladies. After persuading a classmate to impersonate their missing aunt (and chaperone), mischief, high jinks and shenanigans ensue. Directed by associate artistic director Karen Lund, Charley's Aunt opens on May 14 and runs through June 12, with low-price previews on May 12 and 13, plus a pay-what-you-can performance on May 19.

Young love, enduring love, reunited love, unrequited love, puppy love-it's all here as Taproot Theatre continues its 34th season with Charley's Aunt. In this Victorian-era farce by Brandon Thomas, a quiet afternoon luncheon turns into a hilarious masquerade when college chums attempt to woo a pair of charming young ladies. After persuading a classmate to impersonate their missing aunt (and chaperone), mischief, high jinks and shenanigans ensue. Directed by associate artistic director Karen Lund, Charley's Aunt opens on May 14 and runs through June 12, with low-price previews on May 12 and 13, plus a pay-what-you-can performance on May 19.

Young love, enduring love, reunited love, unrequited love, puppy love-it's all here as Taproot Theatre continues its 34th season with Charley's Aunt.

Young love, enduring love, reunited love, unrequited love, puppy love-it's all here as Taproot Theatre continues its 34th season with Charley's Aunt. In this Victorian-era farce by Brandon Thomas, a quiet afternoon luncheon turns into a hilarious masquerade when college chums attempt to woo a pair of charming young ladies. After persuading a classmate to impersonate their missing aunt (and chaperone), mischief, high jinks and shenanigans ensue. Directed by associate artistic director Karen Lund, Charley's Aunt opens on May 14 and runs through June 12, with low-price previews on May 12 and 13, plus a pay-what-you-can performance on May 19.

OUR AMERICAN THEATER CO. PRESENTS A STAGED READING OF ARTHUR MILLER'S POWERFUL AND TIMELY DRAMA, ALL MY SONS