Dudley Fitts

Court Theatre has announced the extension of the critically acclaimed hit The Gospel at Colonus due to overwhelming demand.

Court Theatre - under the continuing leadership of Charles Newell, Marilyn F. Vitale Artistic Director, and Angel Ysaguirre, Executive Director - will present the fourth and final production of its 2022/23 season: The Gospel at Colonus. 

Progressive Theater, under the leadership of Artistic Director, Gregory Omar Osborne, is slated to stream THE GOSPEL AT COLONUS on November 26th, 2020 via ShowTix4U.

This Spring, Torrey Theatre of Biola Univeristy is proud to present its production of Sophocles' Antigone! Modernised to be set in an underground safe house in the late 20th century during a brutal civil war, Antigone raises timeless questions about political and religious power, duty, and civil disobedience. Join us as we seek to interpret this great work of literature for our campus and community.

This Spring, Torrey Theatre of Biola Univeristy is proud to present its production of Sophocles' Antigone! Modernised to be set in an underground safe house in the late 20th century during a brutal civil war, Antigone raises timeless questions about political and religious power, duty, and civil disobedience. Join us as we seek to interpret this great work of literature for our campus and community.

On Monday, December 7, Dance Magazine will honor flamenco artist Soledad Barrio at the 58th annual Dance Magazine awards ceremony at The Ailey Citigroup Theater (405 West 55th Street) in Manhattan. Ms. Barrio is the first flamenco artist to win the award, which recognizes outstanding men and women whose contributions have left a lasting impact on the dance world. Additional winners this year include Marcelo Gomes, Karen Kain, David Vaughan and Jawole Willa Jo Zollar.

Following a critically acclaimed run this summer, Soledad Barrio and Noche Flamenca's Antigona will return to New York for a six week engagement, December 11-January 23. This visually arresting adaptation of Sophocles' Antigone, which originally opened on July 21, was declared a New York Times Critics' Pick by Laura Collins-Hughes, who wrote that "a haunting, distant classicism coexists with sweaty, unmediated corporeality in this dance drama." In The Village Voice, Miriam Felton-Dansky called it "raucously eloquent," while Apollinaire Scherr in the Financial Times wrote that Noche Flamenca "has created a powerful marriage of Greek tragedy and flamenco." The New Yorker's Joan Acocella declared: "Never, until I saw Santangelo's ensemble, their heels stamping, their arms cutting through the air, had I seen a chorus whose physical force could support the fate-heavy songs that Sophocles wrote for his plays."

Soledad Barrio, Noche Flamenca's celebrated lead dancer and choreographer, brings her usual fire to the role of Antigone, the classical Greek heroine. Daughter of Oedipus and sister of the shunned Polyneices, Antigone follows her heart and defies Creon by burying her brother. Sentenced to death, Antigone then kills herself. Director George C. Wolfe in The New York Times has declared the company "brilliant," and said that "Soledad is a once-in-a-lifetime performer who combines overwhelming physicality and spirituality."

We know why wars start: politics, money, religion... but how do they end? Lysistrata, a classic Greek sex farce, offers a thoroughly modern and deliciously naughty answer: the women of the warring states withdraw their services until their men agree to stop the fighting.

We know why wars start: politics, money, religion... but how do they end? Lysistrata, a classic Greek sex farce, offers a thoroughly modern and deliciously naughty answer: the women of the warring states withdraw their services until their men agree to stop the fighting.

Quintessence Theatre Group presents a one day only reading of Sophocles' OEDIPUS CYCLE, directed by Alexander Burns.

Quintessence Theatre Group presents a one day only reading of Sophocles' OEDIPUS CYCLE, directed by Alexander Burns.

Ripe Time has announced that it will present the world premiere of Fire Throws, written and directed by Rachel Dickstein, based on Sophocles's Antigone, beginning Wednesday, February 18, at 8pm at 3LD Art & Technology Center, 80 Greenwich Street at Rector Street. Opening night is set for Sunday, February 22 at 8pm. In Fire Throws a contemporary Antigone challenges her past, re-examining her own story of sacrifice through the kaleidoscopic frenzy of a fever dream. Through video projection, live music, and dance-inspired staging, Fire Throws explodes the classic text into a cutting-edge meditation on desire, drive, and what is at stake in breaking the rules. Fire Throws features two Antigones: the one we know from the original story and the 2400-year-old symbol she has become, looking back on her story and searching for the person inside the icon. Antigone's brazen defense of the sanctity of burial takes a new relevance when staged blocks away from ground zero; and Creon's misguided use and abuse of power is a cautionary tale in a world of divisive politics. Ripe Time uses its signature physical and visual story-telling style to re-invigorate a great classic with a contemporary and relevant energy.

Ripe Time has announced that it will present the world premiere of Fire Throws, written and directed by Rachel Dickstein, based on Sophocles's Antigone, beginning Wednesday, February 18, at 8pm at 3LD Art & Technology Center, 80 Greenwich Street at Rector Street. Opening night is set for Sunday, February 22 at 8pm. In Fire Throws a contemporary Antigone challenges her past, re-examining her own story of sacrifice through the kaleidoscopic frenzy of a fever dream. Through video projection, live music, and dance-inspired staging, Fire Throws explodes the classic text into a cutting-edge meditation on desire, drive, and what is at stake in breaking the rules. Fire Throws features two Antigones: the one we know from the original story and the 2400-year-old symbol she has become, looking back on her story and searching for the person inside the icon. Antigone's brazen defense of the sanctity of burial takes a new relevance when staged blocks away from ground zero; and Creon's misguided use and abuse of power is a cautionary tale in a world of divisive politics. Ripe Time uses its signature physical and visual story-telling style to re-invigorate a great classic with a contemporary and relevant energy.