Donald Crisp

Running from January 13 to February 5, 2022, To  Save and Project: The 18th MoMA International Festival of Film Preservation includes more than 60 newly preserved features and shorts from 19 countries, many having world or  North American premieres and presented in original versions not seen since their initial  theatrical releases.

Starting fittingly on July Fourth weekend, Museum of the Moving Image will present The Essential John Ford, a tribute to the consummate American filmmaker. Ford made his reputation on westerns, but worked in many genres, creating films of depth, beauty, and ambiguity. From today, July 3 through August 2, the Museum will present 20 movies directed by Ford-all on film, with some restored archival prints-including his masterpieces Young Mr. Lincoln, My Darling Clementine, The Searchers, and The Man Who Shot Liberty Valance.

Starting fittingly on July Fourth weekend, Museum of the Moving Image will present The Essential John Ford, a tribute to the consummate American filmmaker. Ford made his reputation on westerns, but worked in many genres, creating films of depth, beauty, and ambiguity. From July 3 through August 2, the Museum will present 20 movies directed by Ford-all on film, with some restored archival prints-including his masterpieces Young Mr. Lincoln, My Darling Clementine, The Searchers, and The Man Who Shot Liberty Valance.

Turner Classic Movies (TCM) has added an exciting roster of screen legends and beloved titles to the 2014 TCM Classic Film Festival,

Museum of the Moving Image's ongoing series See It Big! presents classic and contemporary films on the big screen in the beautiful Sumner M. Redstone Theater. In November and December, the Museum will showcase 22 films photographed by some of the world's greatest cinematographers, including Gordon Willis, Vittorio Storaro, Vilmos Zsigmond, Nestor Almendros, Raoul Coutard, James Wong Howe, and more. The series, See It Big!: Great Cinematographers, runs from November 8 through December 29, 2013.

Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from today, September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.

Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.

This winter, Arts World Financial Center is taking a trip back in time to 17th Century Italy, the Silent Film Era, mid-20th Century New York City and beyond with an eclectic line-up of music, theater, film, and dance, organizers announced today.

MoMA- The Museum of Modern Art presents Lillian Gish November 26-December 13, 2010 at The Roy and Niuta Titus Theaters

MoMA- The Museum of Modern Art presents Lillian Gish November 26-December 13, 2010 at The Roy and Niuta Titus Theaters

MoMA- The Museum of Modern Art presents Lillian Gish November 26-December 13, 2010 at The Roy and Niuta Titus Theaters

David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.

David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.

David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.