Colin Low

Could life be portrayed similar to a steaming cup of tea that eventually grows cool, and finally stone cold? That premise represents one possible physical property of energy, specifically heat, in Tom Stoppard's 1993 play titled Arcadia. At American Players Theatre (APT) Up the Hill stage, Stoppard's contemporary, complex and cunning production poses the duality to life and questions theoretical polar opposites such as order versus chaos. In this absorbing and provocative play where the heat of romantic love interferes with life's scientifically charted course, where the unpredictable and predetermined meet, this APT cast features excellent poetic form when playing what Stoppard also contemplated: 'It is a defect of God's humour that he directs our hearts everywhere but to those who have a right to them.'

Anyone who's ever been on a road trip knows that they are either incredible adventures or events you hope to never repeat. Strangely, the world premiere comedy Mad Beat Hip and Gone, written and directed by Austin's own Steven Dietz, falls somewhere in the middle. While there is much to love about the production, now playing at Zach's Topfer Theatre, overall it's a bit dull and not entirely memorable.

The current production of RAGTIME, produced by Zach Theatre in its new Topfer Theatre, shows precisely why RAGTIME is such a respected and important piece of theater. This dazzling and flawless production of the show is nothing short of spectacular and yet another triumph for Zach.

THE GEOMETRY OF PROXIMITY is a truly unique and haunting piece of art where everyone involved is at the top of their game. Whether you are a dance enthusiast or not, this is a show not to be missed.