Charles Dumas

The Lantern’s first collaboration with nationally prominent director and playwright Steve H. Broadnax III, this world premiere play with music shows the dramatic confrontation between the great American blues musician Robert Johnson and the Devil from whom, legend has it, Johnson received his extraordinary talent.

Lantern Theater Company announced today that its world premiere digital production of Me and the Devil, the Lantern's first collaboration with nationally prominent director and playwright Steve H. Broadnax III, will extend its streaming run through Sunday, November 21, 2021, to meet audience demand.

Digital Fall Passes are now on sale for $35 and are available online or by phone. Learn more about the full lineup and how to purchase tickets here!

Penn State Centre Stage Virtual will present The Osaze Project directed and devised by professor emeritus Charles Dumas. The project will premiere Friday, November 13, with a pre-show discussion at 7:30 p.m., and presentation at 8:00 p.m. EDT.

Penn State Centre Stage Virtual will present three projects ranging from a student-created work to a unique cabaret performance, and a workshop of a new performance piece that looks deeply at local history.

And thus the struggle over ways of thinking and dealing commences. For Hicks, the past that Sterling and Barlow are protecting has no value, and the validity of Barlow's legal claim is irrelevant. From his standpoint, when the powers that be have firmed up their plans to a certain point, mere legality must step aside. For Wilks, abandoning the rule of law leads to chaos, even if following that principle leads to results that disappoint the oligarchs. I'll leave it to audiences to discover how the clash of perspectives works out, but it is clear that, regardless of what becomes of Aunt Ester's home, Wilks' choice to adhere to the rule of law and to honor his roots and ancestors would destroy his great plans, his business partnership, and probably his marriage. Though, of course, regardless of the outcome, such a choice would also make him a hero.

I​t's never the wrong time to do the right thing. ThisOctober,​EverymanTheatre's​next show is R​adio Golf, ​the final play in renowned playwright August Wilson's 10-play opus, THE AMERICAN CENTURY CYCLE. Radio Golf​​ highlights the challenges faced by modern-day African-Americans straddling the line between monetary success and cultural assimilation.

This October, Everyman Theatre's next show is Radio Golf, the final play in renowned playwright August Wilson's 10-play opus, THE AMERICAN CENTURY CYCLE. Radio Golf brings the a?oecrackle of a comedy with old-fashioned melodramaa?? (The New York Times) and highlights the challenges faced by modern-day African-Americans straddling the line between monetary success and cultural assimilation. 

Court Theatre has announced the five plays that will be performed as part of its Spotlight Reading Series. Court's Spotlight Series endeavors to redefinea?'and ultimately expanda?'the canon of classic theatre by presenting readings of rarely produced plays by writers of color.

Waiting for Gilgamesh: Scenes from Iraq; presented by Fort Point Theatre Channel. Performances run June 26-28, Thurs.-Sat. at 8 pm, with a special 2 pm matinee on Sat. June 28. Tickets: $20, $15 for students, seniors. and veterans. Held at Arsenal Center for the Arts, Black Box Theatre, 321 Arsenal St., Watertown, MA 02472. For general information, www.fortpointtc.org, 617.750.8900; for advance tickets, call 800.838.3006 or visit www.brownpapertickets.com/event/690754.

Waiting for Gilgamesh: Scenes from Iraq; presented by Fort Point Theatre Channel. Performances run June 26-28, Thurs.-Sat. at 8 pm, with a special 2 pm matinee on Sat. June 28. Tickets: $20, $15 for students, seniors. and veterans. Held at Arsenal Center for the Arts, Black Box Theatre, 321 Arsenal St., Watertown, MA 02472. For general information, www.fortpointtc.org, 617.750.8900; for advance tickets, call 800.838.3006 or visit www.brownpapertickets.com/event/690754.

The eclectic nature of Fort Point Theatre Channel's 2014 programming is a direct result of the creative forces that drive FPTC's 15 artistic directors. These artists are rooted in Boston's only arts-centered neighborhood and resident in a building that is now experiencing a tenant-to-owner momentum. FPTC celebrates its 7th year amidst this surge of artistic development specifically within their Midway neighborhood, an especially exciting place to be at the moment.

The eclectic nature of Fort Point Theatre Channel's 2014 programming is a direct result of the creative forces that drive FPTC's 15 artistic directors. These artists are rooted in Boston's only arts-centered neighborhood and resident in a building that is now experiencing a tenant-to-owner momentum. FPTC celebrates its 7th year amidst this surge of artistic development specifically within their Midway neighborhood, an especially exciting place to be at the moment.

Herb Newsome stars in the one-man show R.L. AT THE CROSSROADS, written by Steve Broadnax and Charles Dumas, at the UNITED SOLO this month. Tickets are available now.

After the success of his previous One- Man Show Free Man in Paris, Actor Herb Newsome returns to the United Solo Festival with his latest One Man performance R.L. AT THE CROSSROADS. The play is written by Steve Broadnax and Charles Dumas and is directed by Steve Broadnax (Head of Graduate Acting at Penn State University).

Herb Newsome stars in the one-man show R.L. AT THE CROSSROADS, written by Steve Broadnax and Charles Dumas, at the UNITED SOLO this November. Tickets are available now.