Brad Kamer

Now onstage at The Larry Keeton Theatre, in a winning production directed by Ginger Newman and choreographed by Kate Adams-Johnson, Smokey Joe's Cafe offers audiences one of the best nights of theater they'll ever have the pleasure of attending. Seriously! In fact, my love of the musical revue-which features 39 songs written by Jerry Leiber and Mike Stoller, who provided much of the soundtrack for the lives led in the middle of the last century-is almost stupefyingly of the adoring variety. Truthfully, I can't pinpoint exactly what it is about Smokey Joe's Cafe that I love so much, but alas, there it is: I love the show without question (hell, I'd marry it if we could get a marriage license down here in the South) and I am particularly in love with the rendition served up by Newman, Adams-Johnson and company out in Donelson.

With a score filled with so many Cole Porter tunes that you're fairly drunk with delight after hearing them, the expert direction and choreography of musical theatre aficionado Kate Adams-Johnson, and a cast of extraordinarily gifted performers breathing vigorous life into the time-honored text, the new production of Kiss Me, Kate at The Keeton Theatre should be atop your list of must-see theatrical events in this very busy month of February. Sam and Bella Spewack's witty, sparkling script is brought to life with flourish, proving this period piece-which was named winner of the very first Tony Award for best musical-to be, in fact, a timeless classic, a musical theatre masterpiece that deserves to be seen over and over again.

Ginger Newman and Kate Adams-Johnson have perfected the recipe for musical success: Take three ginger-haired beauties, pair them with three dark and handsome young men and add a musical score that includes some of the best-known and most-beloved songs of the 1930s and '40s. That's the winning formula the talented duo have mixed together to grand effect in The Keeton Theatre's production of The All Night Strut, the winning musical revue that is as effervescent as a glass of champagne and as entertaining as a Manhattan Transfer concert.

In short, Chicago is the best production ever presented by The Keeton Theatre. In fact, it's one of the finest versions of the tuneful musical we've ever seen on any stage, from any production company - and trust me, we've seen a bunch of 'em, ranging from Broadway and national touring companies to mountings from academic theaters, professional regional theaters and community playhouses.

One of the new events added to the line-up for 2011 First Night, The Theatre Honors was The Women In Theatre Luncheon - which saluted the inaugural eight recipients of The First Night Star Award - held Tuesday, August 30, at The Listening Room Cafe in Cummins Station. Co-chaired by Corrie Miller and Neely O'Brien Green, the event was produced by Jeffrey Ellis, founder and executive producer of First Night.

There comes a moment, very early on in Kate Adams-Johnson's A Chorus Line (which opened last night at The Keeton Theatre) in which, one by one, each of the actors is caught in the spotlight, with some portentous musical underscoring that heightens the emotional impact of the moment. But what's really telling about that sequence of illumination is how evocatively it telegraphs the stories of each of the actors in the cast. You can tell, almost imperceptibly, what it is that separates the pretenders from the contenders...

Not all of the Top Ten Lists announced at Winter's First Night on Sunday, January 9, were serious, high-toned salutes to all that is special and spectacular about live theater in Nashville. Sure, most of them were heartfelt and memorable, but some were (how shall I put this?) off-kilter, tongue-in-cheek and just plain fun. And not all the lists were limited to only ten entries; in fact, some had many more than that. But, for your reading pleasure, we present them to you without any real explanation. You'll have to figure that all out for yourself!

If you find yourself venturing outside of New York, and you want to see some really good musical theater, what should you do? Allow me to suggest a visit to my neck o' the woods: A trip to Nashville might provide you with exactly what you seek. After all, in a city perhaps best known throughout the world as Music City USA, what else could you expect but some exceedingly well-cast, well-produced, well-played and well-sung musical theater? We're lousy with exceptional singers and musicians and, as a result, musical theater is alive and well - and thriving - in Nashville. And here's my list of the Best Musicals of 2010...

Truth be told, 'Have Yourself A Merry Little Christmas' is one of my all-time favorite holiday songs - sweetly sentimental, blending holiday hope with a certain melancholic sensibility that is perfect for the season. Thankfully, Casey Gilbert's rendition of the song (long associated with the unparalleled Judy Garland) in The Keeton Theatre's production of Meet Me in St. Louis is beautifully sung and Kate Adams-Johnson directs that particular scene with a seasoned hand and an imaginative, visual aesthetic.

A revival of Circle Players' 2008 production, which was staged at the company's then-home at the Z. Alexander Looby Theatre, this 'new and improved' mounting (a collaboration between Circle and SCA) is astounding in its sheer chutzpah. Who'd have ever thought a community theatre could take on such a daunting task and be so imminently successful in doing so? Frankly, it boggles the mind.

Swing!, the Broadway musical that celebrates the music and dance phenomenon will play its final show at The Senior Center for the Arts' Nashville Dinner Theatre on February 28.

Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.

Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.

Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.

Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.