Bille Brown

Single tickets to Queensland Theatre’s 2024 Season will go on sale from 4 December, meaning theatre lovers can secure their spot to any of the seven plays taking centre stage next year, including the world premiere of Round The Twist The Musical.

The prestigious Matilda Awards, Queensland's premier awards for performing arts, honours 2022's brightest and boldest artists across a range of new and refreshed categories.

The show which won the The Advertiser's Best Theatre Award at the 2021 Adelaide Fringe, Happy-Go-Wrong, will return to Adelaide for three performances in the Space Theatre from 8 - 10 December at 7pm.

Last night, Queensland Theatre's Artistic Director Lee Lewis announced the company's 2022 season; a season that's full of big plays and big ideas.

An hilarious new Australian play shows how beauty can get ugly, with the smash hit White Pearl coming to the Bille Brown Theatre from 17 June to 10 July.

This production will not only speak to the 'anger of my heart' felt by many women in Australia right now, but also to the promise of a love that frees rather than subordinates a great woman.

The first trans love story of the Australian mainstage opens 6 March, after a 12-month COVID pause.

The Queensland Theatre is set to reopen this coming fall with a production of The Holidays, Limelight Magazine reports.

It's not often a piece of work comes along that threatens to completely challenge society's perception of love, but that's exactly what Queensland Theatre's upcoming production, Triple X is set to do.

Nominees Announced For 2019 Matilda Awards

A co-production by Queensland Theatre, Belvoir and Brisbane Festival 2019, Fangirls is a high energy new musical comedy, that bursts with colour and youthful energy.

Belvoir has announced the cast of the eagerly anticipated Sydney premiere of Fangirls, a hilarious new Australian musical comedy about first love, fan culture and the danger of underestimating teenage girls. The production will show at Belvoir St Theatre from 12th October to 10th November this year immediately following its world premiere at Queensland Theatre in September.

It's been nearly two weeks since Queensland Theatre released this 2019 season, and it's taken me nearly two weeks to comprehend exactly how colourful and formidable next year is going to be. A few days before the season launch, I had the pleasure of having doing a phone interview with Strong, who had just come from the closing celebrations for the company's successful run of Jasper Jones.

Sydney Theatre Company announced today that it has appointed its former Richard Wherrett Fellow Paige Rattray in the new role of Associate Director. Paige, who is currently Associate Artistic Director for Queensland Theatre, will commence her new position at STC on May 30 this year.

Acclaimed theatre director and Adelaide Festival Joint-Artistic Director, Neil Armfield, will direct the premiere of renowned English playwright David Hare's latest work I'm Not Running at the prestigious National Theatre in London next year.

Transferring from its critically acclaimed sell-out run at the Finborough Theatre earlier this year where it was nominated for seven OffWestEnd Awards including Best New Play, Best Male Performance, and Best Director, the world premiere production of It Is Easy To Be Dead by Neil McPherson opens at Trafalgar Studio 2, for a strictly limited four week limited season.

Transferring from its critically acclaimed sell-out run at the Finborough Theatre earlier this year where it was nominated for seven OffWestEnd Awards including Best New Play, Best Male Performance, and Best Director, the world premiere production of It Is Easy To Be Dead by Neil McPherson opens at Trafalgar Studio 2, for a strictly limited four week limited season.

David Mirvish will present Rupert Everett starring in the North American premiere of Neil Armfield's production of David Hare's The Judas Kiss. This production began at London's Hampstead Theatre in 2012, where it received unanimous raves and broke the theatre's box office record. Due to popular demand, it transferred to London's West End, where it also had a brilliant engagement.