Alysha Curry

The 14/48 Projects is headed back to Seattle parks once again this summer with When You Wish Upon A Pizza. Written by Amy Escobar and directed by Monica Galarneau, this new play will be performed FREE in parks around Seattle starting July 14, 2018.

Sound Theatre Company is proud to present the YOU CAN'T TAKE IT WITH YOU by George S. Kaufman and Moss Hart, the first play of Sound Theatre's 2018 Season, THE HUMAN FAMILY: Toward A Radical Inclusion. In 2018, we challenge our audiences to consider how we define family, what members of the human family we include, and whose stories we choose to tell.

Really-Really Theatre Group presents MUCH BETTER: A NEW PLAY BY ELISABETH FRANKEL, at 12th Avenue Arts (1620 12th Ave, Seattle, WA 98122) August 18 - September 2, 2017.

Really-Really Theatre Group presents MUCH BETTER: A NEW PLAY BY ELISABETH FRANKEL, at 12th Avenue Arts (1620 12th Ave, Seattle, WA 98122) August 18 - September 2, 2017.

The 14/48 Projects is headed back to Seattle parks once again this summer with Coyote Tails. Written by Zoey Cane Belyea with Consulting/Translations from Pilar O'Connell and directed by Emily Purington, this new play will be performed FREE in parks around Seattle starting July 15, 2017.

Announcing Medicine Ball: Playwrights v. Poets 2017! Come join us for the literary battle of the millennium June 22-24th at the Erickson Theater, 1524 Harvard Avenue in Seattle. Performances for this unique, annual, barnbuster of a show are three nights only at 8 pm.

Come join us for the literary battle of the millennium June 22-24th at the Erickson Theater, 1524 Harvard Avenue in Seattle. Performances for this unique, annual, barnbuster of a show are three nights only at 8 pm.

Playing June 22 - 24 at the Erickson Theatre, the literary boxing match of the century brings playwrights, poets, visual artists, theatre artists, and musicians together for a unique evening of performance.

Announcing Medicine Ball: Playwrights v. Poets 2017! Come join us for the literary battle of the millennium June 22-24th at the Erickson Theater, 1524 Harvard Avenue in Seattle. Performances for this unique, annual, barnbuster of a show are three nights only at 8 pm.

Elyot (Kit Lascher) and Sybil (Alysha Curry) are on honeymoon in the French Riviera. It's 1930. They're sipping cocktails, calling each other 'dahling' in that quintessential, leftover-from-Britain way of speaking. Sybil has already mentioned Elyot's ex wife, Amanda, but Elyot reassures Sybil that she has nothing to worry about.

Reboot Theatre Company aims to charm and beguile Seattle audiences this spring with a new imagining of Noel Coward's highly acclaimed comedic masterpiece PRIVATE LIVES. Producing Artistic Director Jasmine Joshua directs this theatrical jewel, running May 5-20, 2017 at Slate Theater (815 Seattle Blvd S). Tickets ($15-$20) are now on sale. For more information, visit www.reboottheatre.org

Reboot Theatre Company aims to charm and beguile Seattle audiences this spring with a new imagining of Noel Coward's highly acclaimed comedic masterpiece PRIVATE LIVES. Producing Artistic Director Jasmine Joshua directs this theatrical jewel, running May 5-20, 2017 at Slate Theater (815 Seattle Blvd S). Tickets ($15-$20) are now on sale. For more information, visit www.reboottheatre.org

Reboot Theatre Company aims to charm and beguile Seattle audiences this spring with a new imagining of Noel Coward's highly acclaimed comedic masterpiece PRIVATE LIVES.

Quarter-life crisis is the new midlife crisis, and the characters in The Annex Theatre's 'The Lost Girls' are suffering. What's the point of spending so much on a college education in the liberal arts only to work at a summer camp and move back in with your parents? On top of the expectations of the modern woman, the expectations of the modern post-grad woman are grim.

Theater Schmeater continues its long running Free For the Family series of park shows with Raggedy Ann and Andy, by Patricia Thackray.  A rag-tag band of discarded toys gather to find new children to be played with in this hilarious take on the Raggedy Ann and Andy children's books. Not just for children, Thackray's script includes problems and situations familiar to any adult, who will delight in the everyday  humor-what do you do with a misplaced and lonely camel, for example?

When I heard that The Annex Theatre was putting on a play about a 19th century club of fencing lesbians, I figured I was in for a night of camp and euphemisms. Although that direction would have surely been entertaining, Elizabeth Hershly's world premiere of My Dear Miss Chancellor by Caitlin Gilman was coreographed with elegance, charm, and a rapier wit.

The old adage “Life is what happens to you while you're busy making other plans,” would be an ideal tagline for local playwright Kiki Penoyer's TAPHOUSE, an adaptation of Anton Chekhov's THREE SISTERS.

If I wanted to watch people sniping at each other with no discernible plot or story then I'll watch reality TV. Unfortunately that's what the latest outing from Sound Theatre Company, 'School For Lies', felt like. David Ives' adaptation of Moliere's 'The Misanthrope' felt like such a contrived and one-note exercise in insults that I may have well have been watching the Real Housewives in verse. True the cast commits to the style but the style they've adopted is so forced and flat that I felt beaten over the head with the humor to the point that I didn't care about any of the characters.

Sound Theatre Company will launch into raunch and ruffles this summer with the Seattle premiere of The School for Lies by David Ives, co-directed by Teresa Thuman and Ken Michels. This saucy update of Moliere's The Misanthrope by Tony Award-nominated David Ives (Venus in Fur) stuffs contemporary off-color slang into the classic baroque farce, in which rivals scheme romance to expose a notorious cynic. A few cunning lies set party girl Celimene and acerbic wit Frank up for battle and sex. Misbehavior, gossip, glamour and scandal reign in this clowning burlesque written in rhymed couplets.