In honor of Black History Month, La MaMa e.t.c. is proud to present Beatrice Manley's Conjur Woman, a dramatic folk opera chillingly sung by Obie-Winner Sheila Dabney and directed by George Ferencz, a resident director at La MaMa. Original music for Conjur Woman is composed by La MaMa Founder & Artistic Director Ellen Stewart along with Sheila Dabney, Harry Mann, Jasper McGruder and Yukio Tsuji, and is played on a cornucopia of instruments including a harmonica, washboard, jug, acoustic guitar, bass and percussion…think 1800s music of the slave. Performances take place January 31 to February 10, 2008 in a limited engagement at La MaMa's Annex Theater in NYC.
La MaMa e.t.c. is located at 74A East 4th Street between 2nd Avenue & Bowery in NYC. Performances run Thursdays-Saturdays at 7:30pm and Sundays at 3pm and 7:30pm. Tickets are $25 for adults and $20 for seniors and students and can be purchased by calling 212-475-7710 or visiting www.lamama.org."In Conjur Woman, Beatrice Manley's deeply haunting and poetic one-woman folk opera, a conjur woman uses spells and potions to turn her lover into a tree so that he cannot be sold into slavery. Tragically, even the conjur woman's powers cannot stop the tree from being chopped down and made into logs. Conjur Woman is a compelling piece that moves in and out of memory, panic, agony and clarity, leaving us profoundly moved. The title Conjur Woman is an homage to Billie Holiday," explain a press release.Author Beatrice Manley's sixty-year career in the theater started on Broadway and ended in the Los Angeles avant-garde scene. She was a co-founder and leading actress in the famed San Francisco Actor's Workshop, where she originated the lead role in the U.S. Premiere of Bertolt Brecht's Mother Courage.Photo by: Brian Dilig
(l-r back) Harry Mann, Jasper McGruder, Yukio Tsuji, (front) Sheila Dabney
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