Roundabout Theatre's TOO MUCH, TOO MUCH, TOO MANY Opens Tomorrow

By: Nov. 19, 2013
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Roundabout Theatre Company presents the next Roundabout Underground production Too Much, Too Much, Too Many, officially opening tomorrow, November 20 at Roundabout's Black Box Theatre, at the Harold and Miriam Steinberg Center for Theatre (111 West 46th Street, NYC, NY, 10036). This is a limited engagement throughJanuary 5, 2014.

Too Much, Too Much, Too Many is a new play by Meghan Kennedy, directed by Sheryl Kaller, featuring Rebecca Henderson(Emma), Luke Kirby (Pastor Hidge), James Rebhorn (James), & Phyllis Somerville (Rose).

The creative team includes Wilson Chin (Set Design), Jess Goldstein (Costume Design), Zach Blane (Lighting Design) and Broken Chord (Original Music & Sound).

Following the death of her husband (Rebhorn), Rose (Somerville) locks herself in her bedroom for the better part of a year, leaving her daughter Emma (Henderson) to care for her through the closed door. When the church sends a pastor (Kirby) to help coax Rose out of her room, he soon finds that Rose is not the only one using barriers to hide her true feelings.

The 62-seat Black Box Theatre, below the Laura Pels Theatre in the Harold and Miriam Steinberg Center for Theatre, allows Roundabout to take artistic risks that are better suited for a more intimate space.

Too Much, Too Much, Too Many launches the seventh season of Roundabout Underground, an initiative to showcase new plays that will either allow an experienced director to go back to his/her creative roots or give a debut production to an emerging writer or director. Prior productions include the acclaimed world premieres of Stephen Karam's Speech & Debate (2007), Steven Levenson's The Language of Trees (2008), Adam Gwon's Ordinary Days (2009), Kim Rosenstock's Tigers Be Still (2010), David West Read's The Dream of the Burning Boy (2011), Andrew Hinderaker's Suicide, Incorporated (2011), Joshua Harmon's Bad Jews(2012).

This fall, Bad Jews has made an unprecedented move upstairs to the 420 seat Laura Pels Theatre while Too Much, Too Much, Too Many premieres in the Black Box downstairs.

Roundabout Underground is an initiative to showcase new plays that will either allow an experienced director to go back to his/her creative roots or give a debut production to an emerging writer or director. Robyn Goodman (Artistic Consultant to the Roundabout), who has significant artistic development experience, curates the initiative that continues to be a creative breeding ground for nurturing new talent.

Tickets are available by calling Roundabout Audience Services at (212)719-1300, online at www.roundabouttheatre.org or at theHarold and Miriam Steinberg Center for Theatre box office (111 West 46 Street). The ticket price is $20.00 for all seats. All tickets for Too Much, Too Much, Too Many are General Admission and seating is first-come, first-served. Too Much, Too Much, Too Many will play Tuesday through Sunday evenings at 7:00PM with Saturday and Sunday matinees at 1:30PM.

The Harold and Miriam Steinberg Center for Theatre reflects Roundabout's commitment to produce new works by established and emerging writers as well as revivals of classic plays. This state-of-the-art off-Broadway theatre and education complex is made possible by a major gift from The Harold and Mimi Steinberg Charitable Trust. The Trust was created in 1986 by Harold Steinberg to promote and advance American Theatre as a vital part of our culture by supporting playwrights, encouraging the development and production of new work, and providing financial assistance to theatre companies across the country. Since its inception, the Trust has awarded over $45 million to more than 100 not-for-profit theatre organizations.

Roundabout Underground's home is a 62-seat Black Box Theatre, which is also used year-round by Roundabout's education department for its activities including student productions and professional development workshops.

Roundabout Theatre Company is committed to producing the highest quality theatre with the finest artists, sharing stories that endure, and providing accessibility to all audiences. A not-for-profit company, Roundabout fulfills its mission each season through the production of classic plays and musicals; development and production of new works by established and emerging writers; educational initiatives that enrich the lives of children and adults; and a subscription model and audience outreach programs that cultivate and engage all audiences.

Roundabout Theatre Company presents a variety of plays, musicals, and new works on its five stages, each of which is specifically designed to enhance the needs of Roundabout's mission. Off-Broadway, the Harold and Miriam Steinberg Center for Theatre, which houses the Laura Pels Theatre and Black Box Theatre, with its simple sophisticated design, is perfectly suited to showcasing new plays. The grandeur of its Broadway home on 42nd Street, American Airlines Theatre, sets the ideal stage for the classics. Roundabout's Studio 54 provides an exciting and intimate Broadway venue for its musical and special event productions. The Stephen Sondheim Theatre offers a state of the art LEED certified Broadway theatre in which to stage major large-scale musical revivals. Together these distinctive homes serve to enhance Roundabout's work on each of its stages. For more information, visit www.roundabouttheatre.org. Follow ROUNDABOUT THEATRE COMPANY on Twitter: @RTC_NYC and on Facebook.

Photo Credit: Joan Marcus



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