Photo Flash: FREUD'S LAST SESSION Opens at the Marjorie S. Deane Little Theater
FREUD'S LAST SESSION, a new play by Mark St. Germain (Camping with Henry and Tom), opened July 22nd for a limited engagement through November 28th at the Marjorie S. Deane Little Theater, 10 West 64th Street (at Central Park West). The Off-Broadway premiere of FREUD'S LAST SESSION stars Mark H. Dold as C.S. Lewis and Martin Rayner as Sigmund Freud, under the direction of Tyler Marchant.
FREUD'S LAST SESSION had its world premiere at Barrington Stage Company (MA) in June 2009, where it was extended twice and brought back by popular demand for two subsequent encore engagements. It holds the record as the longest-running show in Barrington Stage's history.
FREUD'S LAST SESSION centers on legendary psychoanalyst Dr. Sigmund Freud, who invites the young, rising academic star C.S. Lewis to his home in London. Lewis, expecting to be called on the carpet for satirizing Freud in a recent book, soon realizes Freud has a much more significant agenda. On the day England enters World War II, Freud and Lewis clash on the existence of God, the joy of love, the purpose of sex, and the meaning of life - just a few weeks before Freud's own death. Not just a powerful debate, this is a profound and deeply touching play about two men who boldly addressed the greatest questions of all time.
Mark St. Germain's celebrated new play was suggested by the bestselling book The Question of God by Harvard's Dr. Armand M. Nicholi, Jr.
Mark H. Dold appeared on Broadway in Absurd Person Singular, and his Off-Broadway credits include Shockheaded Peter, Comic Potential, Race, The Winter's Tale, Othello, The Seagull, Romeo and Juliet, Spread Eagle, and Timon of Athens. Regionally, Mark has appeared at the Mark Taper Forum, Old Globe (San Diego Critics Circle Award), Chicago Shakespeare, Shakespeare DC, Long Wharf (Connecticut Critics Circle Award), Trinity Rep, and Yale Rep.
Martin Rayner's Broadway credits include The Invention of Love and Sixteen Wounded. His Off-Broadway appearances include Travels with My Aunt, Gates of Gold, Henry V, and Kit Marlowe. Martin's favorite regional roles were at Yale Rep: Underground and You Never Can Tell; McCarter: Loot; American Repertory Theater: King Lear and When We Dead Awaken; Wilma: The Invention of Love and The Magic Fire. TV credits include Dr. Chaotica on Star Trek: Voyager, Frasier and Benjamin Franklin.
Playwright Mark St. Germain has written the plays Camping with Henry and Tom (Outer Critics Circle and Lucille Lortel Awards), Out of Gas on Lover's Leap and Forgiving Typhoid Mary (Time Magazine's "Year's Ten Best"). With Randy Courts, he has written the musicals The Gifts of the Magi, Johnny Pye and the Foolkiller (winner of an AT&T "New Plays for the Nineties Award") and Jack's Holiday at Playwrights Horizons. TV credits include Writer and Creative Consultant for The Cosby Show. Mark co-wrote the screenplay for the acclaimed film Duma, and he directed and co-produced the documentary My Dog: An Unconditional Love Story featuring Richard Gere, Glenn Close and Edward Albee, among many others.
Director Tyler Marchant recently directed the world premieres of 40 Days by Laura Eason and the musical Anne of Green Gables at the Lucille Lortel Theatre. For six years, Tyler served as Associate Artistic Director at Primary Stages.
Scenic design for FREUD'S LAST SESSION is by Brian Prather, with costume design by Mark Mariani, lighting design by Clifton Taylor, and sound design by Beth Lake.
FREUD'S LAST SESSION is being presented Off-Broadway by Carolyn Rossi Copeland, Robert Stillman and Jack Thomas.
Performances are Tuesdays at 7pm, Wednesday through Saturday evenings at 8pm, with matinees Wednesday and Saturday at 2pm and Sunday at 3pm. Tickets are $65 and are available by calling 866-811-4111 or through www.FreudsLastSession.com. A limited number of $20 Student Rush tickets (with valid student ID) are available at the box office beginning three hours prior to each performance.
For more information, visit www.FreudsLastSession.com.
Photo credit: Beatrice Copeland