New York Theatre Workshop's RED-EYE TO HAVRE DE GRACE Opens Tonight

New York Theatre Workshop's RED-EYE TO HAVRE DE GRACE Opens Tonight

Red-Eye to Havre de Grace began performances on April 22 and opens tonight, April 30, 2014 at New York Theatre Workshop, 79 East 4 Street, between Second Avenue and Bowery. Red-Eye to Havre de Grace is by Lucidity Suitcase Intercontinental, created by Thaddeus Phillips, Jeremy Wilhelm, David Wilhelm, Geoff Sobelle, Sophie Bortolussi with Ean Sheehy and music by Wilhelm Bros. & Co. and direction and stage design by Thaddeus Phillips. Red-Eye to Havre de Grace is scheduled to run through Sunday, June 1, 2014.

Having last worked at NYTW in 2006 in his lively and raucous tour de force ¡El Conquistador!, NYTW Usual Suspect Thaddeus Phillips teams up with the Minneapolis-based musical duo Wilhelm Bros. & Co. to create a visually striking and sonically complex action-opera about Edgar Allan Poe's mysterious final days. Set in September of 1849, Red-Eye to Havre de Grace follows Poe on his last lecture tour from Virginia to New York, focusing on a stop in Maryland when a train conductor saw Poe wearing a stranger's clothes headed south, where he would die just days later. This new musical, informed by 19th century train routes, historical accounts, and Poe's own writing, creates a spellbinding sketch of a man you soon realize you know little about.

The cast of Red-Eye to Havre de Grace includes Ean Sheehy, Alessandra Larson, Jeremy Wilhelm and David Wilhelm.

Red-Eye to Havre de Grace includes creative consultation by Teller, choreography by Sophie Bortulussi, lighting design by Drew Billiau, sound design by Rob Kaplowitz, and costume design by Rosemarie Mckelvey.

The Lucidity Suitcase Intercontinental is a theater creation team that uses 'rough' media, documentary footage, transformational scenography, improvisation, and research to create theatrical epics that peer into not-often seen worlds.

Red-Eye to Havre de Grace plays Tuesday and Wednesday at 7pm; Thursday and Friday at 8pm; Saturday at 3pm and 8pm; Sunday at 2pm and 7pm at New York Theatre Workshop, 79 East 4 Street, between Second Avenue and Bowery. There will be a special student matinee on Tuesday, May 20. Red-Eye to Havre de Grace runs through June 1, 2014.

New York Theatre Workshop, now celebrating its 31st season, is a leading voice in the world of Off-Broadway and within the theatre community in New York and around the world. NYTW has emerged as a premiere incubator of important new theatre, honoring its mission to explore perspectives on our collective history and respond to the events and institutions that shape our lives. In addition, NYTW is known for its innovative adaptations of classic repertory. Each season, from its home in New York's East Village neighborhood, NYTW presents three to five new productions, over 80 readings, and numerous workshop productions, for over 45,000 audience members. Over the past 28 years, NYTW has developed and produced over 100 new, fully staged works, including Jonathan Larson's Rent, Tony Kushner's Slavs! and Homebody/Kabul, Doug Wright's Quills, Claudia Shear's Blown Sideways Through Life and Dirty Blonde, Paul Rudnick's The Most Fabulous Story Ever Told and Valhalla, Caryl Churchill's Mad Forest, Far Away, and A Number, Jessica Blank and Erik Jensen's Aftermath, and Rick Elice's Peter and the Starcatcher. The 2002 remounting of Martha Clarke's seminal work, Vienna: Lusthaus and subsequent American tour was one of the longest-running productions in NYTW's history. NYTW's acclaimed production of Once is currently enjoying a Broadway run, and Peter and the Starcatcher, which made its New York Premiere at NYTW, has returned to Off-Broadway following a successful Broadway run. NYTW supports artists in all stages of their careers by maintaining a series of workshop programs including work-in-progress readings, summer residencies, and minority artist fellowships. NYTW's productions have received a Pulitzer Prize, seventeen Tony Awards and assorted Obie, Drama Desk, and Lucille Lortel Awards.

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